Archive for January, 2008

My Country Music History

Wednesday, January 30th, 2008

A big Country Universe welcome to Leeann, a familiar face from the comments who will now be contributing for the site.  As she’s already demonstrated through her contributions in the comments, she’s well-versed on country music.   I’m tremendously excited that she’s chosen to share her talents as a writer here, and I fully expect the site to grow in quality as a result.     As Toby Keith once sang, we could really use “A Woman’s Touch” around here! - Kevin

Hi, I am Leeann. I live with my incredible husband, Bill, and my super cool guide dog, Amigo. I work as a Teacher of Children with Visual Impairments (TVI). I am very excited about the opportunity that Kevin has offered me to express my feelings on one of my favorite subjects—country music. I have been enjoying this blog for some time now and really respect the hard and quality work that Kevin has put into it. I am honored to be a part of it. As an introduction, Kevin has asked me to discuss my personal connection to country music and how I feel about today’s offerings.

I can clearly recall the first songs I ever heard on country radio. When I say “heard”, I don’t mean the sounds that my ears transmitted to my brain, but rather the sounds that my ears transmitted to my soul. Of course, I hadn’t been oblivious up until then. I had obviously heard songs like “Achy Breaky Heart” and “Friends In Low Places” due to their crossover appeal. But on one particular Saturday, about 14 years ago, I really paid attention. My radio was tuned to Lon Helton’s Country Countdown USA. As I remember it, coming from my speakers were songs from artists I had heard for the first time—George Strait, Neal McCoy, Mark Chesnutt, John Michael Montgomery, Vince Gill, John Anderson, Joe Diffie, Clint Black, Wynonna, Doug Stone, Clay Walker, Travis Tritt, Tanya Tucker, Doug Supernaw and even George Jones (High Tech Redneck”). Just to name a few. Although I was so young and couldn’t exactly personally relate to the songs, I was instantly captivated by the music. On an even deeper level, music has helped me through some challenging times in my life.

Country music is what helped me through four eye operations, in the space of two months, that eventually failed. During those difficult times, country music soothed my soul. Because of the operations, I was on some strong medicine that made me very sick and caused me to feel on edge. I can vividly recall that any other genre of music would literally make me feel physically sick. There was a time, while I was on the medicine that my sister, Rachel, was really into Ace of Base’s “The Sign.” She would play it over and over again. I just remember that while that song was playing, my head felt as though it would explode. Fortunately, my music tastes have expanded considerably since then, but country music remains, by far, my very favorite genre.

As I tried to illustrate above, my dedication to country music began in the early to mid-nineties. The sound of country music has changed since then. People like Brad Paisley and Keith Urban have introduced undeniably unique sounds to the country music scene. While the songs of the mid ‘90s will always hold a special significance for me, my taste is certainly not limited to that era. With the exception of the eighties, I have come to embrace the country music of the decades that preceded the’90s as well. Likewise, I embrace the country music sounds of today. This is not to say, of course, that I will not be critical of songs in the genre from time to time. We all know that I will. Just be sure to take my comments as my opinion. Rest assured that I do.

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Carrie Underwood’s Charming New Video

Monday, January 28th, 2008

I caught the new Carrie Underwood video last night for the first time, following a link at CMT. I couldn’t shake the smile off of my face while watching it. She shows so much personality and charm in this clip, almost like she’s comfortable in front of the camera for the first time.

As a fan from her Idol days, I know that her voice has always outpaced her stage presence. Honestly, when you sing that well, you don’t need to develop your charisma as quickly. But it’s nice to see that she’s developing the confidence needed to loosen up a bit.

I think Underwood was getting a bad rap their for a while as being stuck-up or stand-offish, when it always seemed to be more of a “deer in the headlights” thing to me. Processing such phenomenal success in such a short time is not easy to do. I’ve been saying for the past two years that this is a talent that will be around for a long time, so it’s good to see that she’s starting to enjoy it!

Miranda Lambert tops Nashville Scene Critics Poll

Sunday, January 27th, 2008

Once again, it’s ladies first in the world of country music critics. The highly praised Crazy Ex-Girlfriend tops the eighth annual Nashville Scene Critics Poll for Best Country Album of 2007, with Miranda Lambert outpacing Robert Plant & Alison Krauss, Brad Paisley, Porter Wagoner and Patty Griffin.

Lambert continues the tradition of female artists topping this list, with the list being topped in previous years by the Dixie Chicks (2006), Lee Ann Womack (2005) and Loretta Lynn (2004.) The last male artist to top the list was Rodney Crowell; his Fate’s Right Hand album was named the best of 2003.

Lambert also landed three of the top fifteen singles of the year: “Famous in a Small Town” (#1), “Crazy Ex-Girlfriend” ( #12) and “Gunpowder & Lead” (#15). She was also the top Female Vocalist and top Songwriter. It’s no surprise, then, that she was named overall Artist of the Year.

Other list-toppers include Brad Paisley (Male Vocalist), Sugarland (Duo/Group), Taylor Swift (New Artist), and Keith Urban (Live Act.) The exquisite Emmylou Haris box set Songbird: Rare Tracks and Forgotten Gems was named Best Reissue.

As a side note, eight of the fifteen albums on the Country Universe Best Country Albums of 2007 list were cited on the critics poll:  Lambert, Plant/Krauss, Wagoner, Lori McKenna, Lucinda Williams,  Trisha Yearwood, Pam Tillis and Tim McGraw.

You can read more and view all lists in their entirety here.

Jewel, “Stronger Woman”

Friday, January 25th, 2008

Love it. Intelligent, sincere and just plain well-written. I don’t know that Jewel is going to find that country music is any friendlier to smart women than the pop scene that she left behind, but she sounds more comfortable as a singer here than she ever did as a pop artist.

It’s so rare to have a song where the protagonist is actually interesting while still being fully believable. She sounds like an intelligent woman who is trying to figure out why she’s been compromising herself for so long.

Written by Marv Green & Jewel

Grade: A

Listen: Stronger Woman

Buy:  Stronger Woman

Dierks Bentley, “Trying to Stop Your Leaving”

Friday, January 25th, 2008

I’m a sucker for a train song that uses steel guitar to make that lonesome whistle sound. So before Bentley’s vocals even kicked in, I was hooked. I love the rise and fall in intensity, the delicate intertwining of the electric guitar and the steel. There’s a real craftsmanship at work here.

Long Trip Alone is one of the best themed albums of recent years, best heard in a full listen.  Still, the songs sound pretty darn good all by themselves, too. Hopefully, this will entice a few more people to check out that album.

Written by Brett Beavers, Jim Beavers & Dierks Bentley

Grade: A-

Listen: Trying to Stop Your Leaving

Buy: Trying to Stop Your Leaving

Taylor Swift, “Picture to Burn”

Friday, January 25th, 2008

I think this is going to be a crystallizing record for Taylor Swift. It’s been selling briskly as a download long before it was ever released as a single, and it speaks more directly to the teenage audience than anything she’s released so far. That’s going to make it a huge hit for her.

However, for those who have been barely stomaching the MySpace teenybopper element of Swift’s music, this might be the record that turns them off completely. It’s so relentlessly adolescent, right down to her “nyah nyah nyah” vocal delivery, that her big revenge song ends up sounding like a kiddie version of “Before He Cheats.”

By the time she warned that her Daddy will beat him up if comes by the house again, I was done. I’m too old for this now, and I wouldn’t have enjoyed it when I actually was a teenager. I’ll check in again once her life experience catches up with her songwriting ability.

Written by Liz Rose & Taylor Swift

Grade: D

Listen: Picture to Burn

Buy: Picture to Burn

Cascada Covers Rascal Flatts

Monday, January 21st, 2008

After they desecrated “Revolution”, Rascal Flatts doesn’t have the right to complain about people covering their songs, though I imagine this quickly rising pop hit will not go over well with their die-hard fans:

There was a trend in the nineties of taking classic eighties pop ballads and turning them into dance hits, creating a novelty for listeners who remembered the original. It was done to “Total Eclipse of the Heart” and “Time after Time” with popular results, even if the original charm of the songs were lost in the translation.

There’s something oddly appropriate about doing the same to a Rascal Flatts hit, since they land somewhere between Styx and Wham! on the eighties wimp-rock scale. That Cascada’s take on their hit shows a steely resolve that the mushy, dignity-free Gary LeVox couldn’t muster on the original? The icing on the cake, my friends!

Then again, at least Flatts didn’t attempt to disco up their own hit. Remember when Reba took a shot at club immortality?

While you’re wiping away the tears of laughter, try to process this: it actually went to #2 on the dance chart. Get out! Get out!

At least she didn’t try to jump on the Peace Train:

Trace Adkins, “You’re Gonna Miss This”

Monday, January 21st, 2008

I suppose that the heart is properly placed here, with the older generation warning a young woman to appreciate each stage of her life as she’s experiencing it, rather than pining for what’s still to come. But by always speaking in the voice of the older generation – first mom, then dad, then an older woman fixing the water heater – it’s hard to get a handle on the woman herself here.

The end result is a feeling of condescension, perhaps even a little contempt, toward the character, and since the chorus is in the second person, that attitude is inadvertently directed at the listener as well.

Written by Ashley Gorley & Lee Thomas Miller

Grade: B-

Listen: You’re Gonna Miss This

Buy: You’re Gonna Miss This

Randy Owen, “Braid My Hair”

Monday, January 21st, 2008

I wasn’t aware that Randy Owen was planning on doing any solo recordings, especially since Alabama is still putting out new studio albums.     That band’s long-standing association with St. Jude’s Children Hospital makes the subject of “Braid My Hair” less surprising than it normally would be: a young girl with cancer wishing to be strong again, so she can do things that other girls do, including braiding her hair.

Cancer doesn’t surface in nearly as many songs as you’d expect, given just how widespread the impact of the disease is.   Owen, thankfully, sidesteps any cloying appeals to emotion with his delivery, which is sincere, not manipulative.

Written by Christopher Gray & Brent Wilson

Grade: B+

Listen:  Braid My Hair

Phil Stacey, “If You Didn’t Love Me”

Monday, January 21st, 2008

Even as an American Idol junkie, I found the sixth season completely underwhelming.  Phil Stacey making it as far as he did was more of a reflection of the field’s weakness than anything distinctive or special on his part.     Here, he’s matched with material as faceless as his delivery was on Idol, but to his credit, he puts more energy and feeling into his first shot in the studio than he ever did during his stint on the televised competition.   It’s just not enough to overcome such a hopelessly generic song.

Written by Gary LeVox, Wendell Mobley & Jason Sellers

Grade: C

Listen:  If You Didn’t Love Me

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