May 3, 2009
Few artists command as much critical acclaim as Dwight Yoakam, yet he was also a stunningly successful commercial act from the start. Nine of his releases have been certified gold or better, and his biggest set to date – This Time – has sold more than three million copies.
His catalog is deep with classic cuts. Here are ten of the best, a solid introduction to one of the genre's greatest talents.
And while it's not represented on the list, I highly recommend his stellar Under the Covers, an excellent covers album that is best heard in its entirety.
“Guitars, Cadillacs” from the 1986 album Guitars, Cadillacs, Etc., Etc.
It's tempting to kick off with “Honky Tonk Man”, Yoakam's effective cover of Johnny Horton's classic that was also his breakthrough hit. But what's missing from that track is Yoakam's signature heartache and pain. In Yoakam's best songs, he's not seeking out the night life because he enjoys it. It's to distract him from the loneliness and rejection that his lover has inflicted upon him.
“Streets of Bakersfield” (featuring Buck Owens) from the 1988 album Buenas Noches From a Lonely Room
Yoakam was instrumental in making the younger generations aware of the importance of Buck Owens, clearly Yoakam's strongest country influence. When he chose to revive an old Owens tune, he invited the man himself to help him out. The end result was a #1 hit that was a comeback for Owens and a signature smash for both of them.
“It Only Hurts When I Cry” from the 1990 album If There Was a Way
Yoakam's albums got considerably more ambitious in the nineties, but it's the beautiful simplicity of this hit, co-penned by Roger Miller, that's made it so timeless.
“Suspicious Minds” from the 1992 album Honeymoon in Vegas
He'd already had a hit with Elvis Presley's “Little Sister”, which he covered faithfully on his second album, Hillbilly Deluxe. But it was his rocking cover of “Suspicious Minds” that, in my mind, well surpassed Presley's original version.
“Ain't That Lonely Yet” from the 1993 album This Time
Co-writer James House had planned on keeping this one for himself, but when Yoakam heard it, he insisted that he get the chance to release it. It was a good move for both men, as the song became a radio smash and the performance earned Yoakam a Grammy.
“A Thousand Miles From Nowhere” from the 1993 album This Time
There's something hypnotic about this particular hit, which was immortalized with a split-screen video that has since become a classic.
“Nothing” from the 1995 album Gone
Gone is Yoakam's most fascinating album of self-penned material, with creative percussion arrangements and unexpected horn sections popping up here and there. There was never anything on country radio quite like it, nor has there been anything since.
“Things Change” from the 1998 album A Long Way Home
One of Yoakam's catchiest hits is also one of his most venomous, as he rejects the lover that has come crawling back to him after sending him packing earlier in the song.
“Thinking About Leaving” from the 1999 album Last Chance For a Thousand Years
Yoakam added new lyrics and changed the arrangement of this Rodney Crowell song, which had originally appeared on Crowell's Jewel of the South. He turned it into the confessional of a man torn between a life on the road and making a home with the woman who finally has him wanting to settle down.
“The Back of Your Hand” from the 2003 album Population: Me
Yoakam knew he had to cut this song when he heard the line, “There's some things that I just know, like you take two sugars with a splash of cream.” I've always been most fond of the way he frames the choice facing the woman who wants to leave: “Pick a number from one to two.”