I’ve never been a fan of Contemporary Christian music, mostly because of the bombastic arrangements. I like my religious songs Emmylou or Willie style, with organic production and, if I’m really lucky, a bit of struggle before the redemption.
So it was with great enthusiasm that I dove in to Diamond Rio’s “God is There.” I’ve always loved the sound of this band’s records, even when the material was slight. When the material was solid, like the back-porch bliss of “Meet in the Middle” or tongue-twisting charm of “How Your Love Makes Me Feel”, nothing sounded better.
“God is There” opens promisingly, with a sparse piano accompanying Marty Roe’s voice. It sounds so similar to their best single ever, “You’re Gone”, that it got my hopes up. The opening verse tells of a young girl struggling with an unplanned pregnancy, feeling abandoned and alone.
The message in response, “God is there”, is a poignant reminder that she’s not alone. God is there. Unfortunately, so is a frighteningly loud wall of sound that destroys all of the intimacy that had been so delicately crafted.
The cluttered and overwrought production drowns out the band’s distinctive harmonies during the chorus, but what’s worse it that it also drowns out the song’s message. The lesson that the lyrics teach is that God’s presence is always there, even when it can’t be seen or heard. The song is far more effective when the production reinforces that message instead of undermining it.
Listen: God is There