April 9, 2010
Look, Nashville’s got its issues. And a song that delves into its yin-yang core of image and art could be interesting, if not entirely original. It could be any combination of honest, clever, biting and entertaining. It could make sense.
Or, it could be sung by Jason Aldean, an artist who’s arguably risen to success not in spite of the industry’s flaws, but because of them. That’s not to say Aldean hasn’t put in the work to become a multi-platinum recording artist; it’s just that claiming to have conquered the evils of Music Row requires a decent amount of artistic credibility, separate and apart from the mass appeal that drives the careers of many Nashville artists. Aldean has shown glimmers of this, but his legacy thus far is a brand of pulsing country-rock that’s heavy on the production and light on the vocal and lyrical substance. Case in point: “Crazy Town.” The song, then, feels more like an ironic autobiography than a commentary.
But put artist context aside, and “Crazy Town” still fails to serve its purpose. A tribute to a love-hate relationship only works if you’re able to show that the love is worth the hate – that there’s a pay-off somewhere amidst the craziness. So what makes the years of free concerts, smoky bars, and “bang, bang, bang”-ing what one can only hope is a guitar worth it? A “honky tonk destiny,” sings Aldean, and we’re left to conjure our own image of the deep fulfillment such a destiny offers. The blanks certainly aren’t filled in by Aldean’s performance, which trades any specific emotion for smothering, empty aggression.
Any way you look at it, “Crazy Town” is an insubstantial miss.
Written by Rodney Clawson & Brett Jones
Listen: Crazy Town