Because in theory, this should work better. Very relatable – if vanilla – premise, and melody with some real hooks. And these vocalists could probably out-sing Swift technically, right?
But the humanity, the vulnerability, the joyful spark that could have driven this micro-romance home – they’re simply absent, in lyrics and performance. It’s fine, but it’s flat. It’s here, but then it’s gone, and it’s whatever.
Own the Night, thy legacy cometh quickly. (But not swift…ly. K anyway:)
Written by Michael Paul Cox