Album Review: Pam Tillis & Lorrie Morgan, Dos Divas

Pam-Tillis-Lorrie-Morgan-2013-Cover

Pam Tillis & Lorrie Morgan
Dos Divas

stars-312

If you have a soft spot for the great country artists of the nineties – particularly the generation of mature, articulate women who ruled the genre for much of the decade – the announcement of a duets album between Pam Tillis and Lorrie Morgan was likely a tremendous cause for excitement.  With both ladies being second-generation country stars, Opry members, touring partners, and great friends, a studio collaboration would seem a natural progression, and the lofty potential is obvious.

There’s a palpable joy in the proceedings as the two gal pals pair up in the studio for the first time, and there’s a sense of good-natured fun evident throughout, with song selections often skewing toward the humorous.  Tillis has a ball with “Old Enough to Be Your Lover” in which her narrator giddily flaunts a romance with a much younger man, a chuckle in her performance as she sings about her young lover not knowing who Richard Nixon was. (I imagine K.T. Oslin would be proud) On the delightfully snarky “Ain’t Enough Roses,” Tillis scoffs that there “ain’t enough roses on God’s green earth” to make her take back her no-good ex.  The line “I hope you saved your sales receipt so you can take ‘em back” is particularly delicious, and Tillis’ sassy delivery milks the song’s humor for all it’s worth.

But the album’s serious moments yield rewards their own.  The writing trio of Shane McAnally, Jessie Jo Dillon, and Country Universe favorite Brandy Clark supplies one of the set’s best-written song’s with “Last Night’s Make Up,” a regretful morning-after ballad in which Morgan’s narrator laments, “If I could wash you off like last night’s make up, looking in the mirror wouldn’t be so hard.”  It’s also one of Morgan’s best vocal turns on the album, demonstrating the level of nuance that she has retained even as her vocal power has noticeably declined.

And while Tillis’ powerhouse vocals have aged with remarkable grace, there are times when the signs of wear and tear on Morgan’s voice prove to be a hindrance.  She stays within her limitations for most of the album, but she occasionally sounds strained when tackling the high notes on the title track, or the rapid-fire verses of honky tonk throwdown “I Know What You Did Last Night.”

In terms of song content, there is a small amount of fat that could have been trimmed.  “That’s So Cool” presents what could have been an interesting account of a middle-aged woman rekindling an old high school romance, but the song is hindered by a lifeless melody and too much time wasted repeating its forgettable title (and if you didn’t like Reba singing about texting and Twitter, you won’t like Lorrie singing about Google and Facebook either).  While one likely wouldn’t doubt the sincerity behind “Another Chance To,” a meditation on the uncertainty of life, it’s unfortunate that the song is clogged up with throwaway lines such as “Every day is a gift” and “I’ve never loved the way I love you.”  Tillis makes the best of a fairly rote love song with “Even the Stars,” but the song still could have been left off with no great loss to the project as a whole.

But there are times when even the lesser songs are elevated by some inspired production choices.   The title track is spiced up with horn-infused Tex-Mex stylings, “That’s So Cool” boasts a delightful banjo line, and a bluesy piano and harmonica-driven arrangement perfectly underscores the quiet vindictiveness of “Ain’t Enough Roses.”  It’s particularly enjoyable to hear Tillis and Morgan sing over a pure traditional country arrangement as they lovingly cover “I’m Tired,” a 1958 Webb Pierce hit co-written by Pam’s legendary dad Mel.  The only glaring production misstep is the audacious, bass-heavy arrangement of “Old Enough to Be Your Love,” weighed down by too much clutter in the mix.

Enjoyable as the album is, it’s hard not to wish that Dos Divas contained a few more full-fledged duets with fewer solos.  The album opens with four duets, and then serves up eight solo tracks with Tillis and Morgan alternating lead vocals before closing with two final duets.  There’s nothing wrong with a duets album including a few solos for variety’s sake, but there’s a point at which it begins to feel like a missed opportunity.  Seeing as we already have plenty of solo material by both ladies, the real treat is hearing them sing together, whether playfully pointing fingers at each other’s rowdy tendencies in “I Know What You Did Last Night” or musing on gossipy small-town Southern culture in “Bless Their Hearts.”  The self-deprecating “What Was I Thinkin'” closes the album on a high note, drawing on Tillis and Morgan’s perspective as women who have done some living, as they look back with amusement on choices large and small that were later regretted.  A tongue-in-cheek conversational tone actively engages the listener while lines of spoken dialogue hint at the song being semi-autobiographical for the two artists.

Ultimately, it all adds up to a very good album, albeit one that could have been even better.  At its best, the album contains moments of pure brilliance, while Tillis and Morgan’s unshakable chemistry is enough to make one hope that this studio collaboration does not turn out to be a one-off.  It’s a fun, entertaining effort by two of country music’s brightest talents of the past twenty years, made all the more enjoyable by the fact that they clearly understand the need to not take themselves too seriously.

Top Tracks:  “Last Night’s Make Up,” “Ain’t Enough Roses,” “What Was I Thinkin'”

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6 Comments

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6 Responses to Album Review: Pam Tillis & Lorrie Morgan, Dos Divas

  1. bobNo Gravatar

    I agree with your description of Divas as a “fun, entertaining effort”. These young ladies still have it.

    You mentioned “the delightfully snarky ‘Ain’t Enough Roses’,” as one of the top tracks. It was written by Lisa Brokop, Bob Reagan and Sam Hogin and a single from Lisa’s 1998 album “When You Get to Be You”. Lisa is currently working on a new album to be co-produced by Carolyn Dawn Johnson.

  2. Tom PNo Gravatar

    Good review. I actually loved the CD and would give it close to 5 stars because it does something that most newer CD’s no longer do for me. That is, that I want to hear it over & over again. Even though some of the songs are gimmicky they still seem to work. I didn’t care for the title track but other than that I loved it. I even liked tht fact that we got some great new solo songs too. I hope they decide to do another.

  3. Erin SNo Gravatar

    One of the things that makes me so happy about this record is that Pam Tillis and Lorrie Morgan completely embrace who they are and don’t hold themselves back with self consciousness. Their music is relevant, timely, and contemporary because they don’t act like it could be anything but, yet they’re not running after today’s trends.

    Really enjoyed this review Ben. Thanks for featuring it at Country Universe, and let me join other commenters in saying how happy it makes me that Country Universe has been back up to posting so many reviews lately. I completely understand how real life obligations get in the way of regular reviewing, but I love the way the writers here engage with the music they review. That’s what makes Country Universe my favorite site to read about country music, whether or not I agree with any individual review.

  4. VickiNo Gravatar

    I agree with Erin. I love these two gals together and their singing sounds so good as a duet. I’d love to have them sing on the CMAS!. This is a birthday present for my parents come October and once I get the property tax paid, I’ll buy one for me too! : )

  5. TomNo Gravatar

    …that’s what i call a tax benefit.

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