2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year. Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.
Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.
Individual rankings: #7 – Tara; #12 – Leeann
Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. – Tara Seetharam
Recommended Tracks: “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”
Individual rankings: #5 – Kevin; #13 – Jonathan
It was a banner year for Patty Griffin fans, as two new studio albums were released. Silver Bell is the oddity of the two, in that it was recorded thirteen years ago and languished in the vaults (and on cherished bootlegs.) For those who have discovered Griffin during her past few years as an Americana goddess, Silver Bell was her final attempt at a mainstream album for A&M Records, and it is fantastic. She finds a happy medium between the rawness of her debut album, Living with Ghosts, and the hard edge of its follow-up, Flaming Red. Two of the best tracks, “Truth #2” and “Top of the World”, would become two of the best tracks on Home, the landmark Dixie Chicks album from 2002. Emmylou Harris joins in on harmony for “Truth”, but the true revelation is the original recording of “World”, which is darker and more haunting than the excellent renditions that the Chicks, and Griffin herself, would later record. – Kevin Coyne
Recommended Tracks: “Top of the World”, “One More Girl”, “Mother of God”
Individual rankings: #4 -Sam; #18 – Jonathan
As one of the defining bands of alt-country, Son Volt have rarely taken a straightforward approach to the country genre, but they go full-on Bakersfield on Honky Tonk. It’s a move that suits the band well, as the laid-back arrangements on tracks like “Tears of Change” and “Hearts and Minds” balance frontman Jay Farrar’s trademark intensity. – Jonathan Keefe
Recommended Tracks: “Hearts and Minds,” “Bakersfield,” “Seawall”
Individual rankings: #12 – Ben; #15 – Tara, Sam; #20 – Jonathan
In many instances, the replacement of a lead vocalist has spelled disaster for a band’s career. In the case of the SteelDrivers, it’s the beginning of a whole new chapter as Gary Nichols ably fills the shoes of the departed Chris Stapleton. But great singers and great pickers still need great songs, and from the haunting opener “Shallow Grave” to the piercing melody of album closer “When I’m Gone,” Hammer Down sets a consistent standard that never wavers. – Ben Foster
Recommended Tracks: “Hard Way Home,” “Keep Your Heart Young,” “Heart’s Content”
My Favorite Picture of You
Individual rankings: #3 – Ben; #10 – Leeann
Guy Clark has already secured his place in country music history – not to mention a place in the Nashville Songwriter’s Hall of Fame – but on his first new studio effort since 2009, the songwriting icon is still finding ways to keep things fresh. On My Favorite Picture of You, Guy Clark addresses current events (“Heroes,” “El Coyote”) as well as personal loss (the achingly gorgeous title track, a tribute his late wife Susanna), his absorbing lyrics delivered through a wise and weathered voice which feels like that of an old friend. – Ben Foster
Recommended Tracks: “My Favorite Picture of You,” “El Coyote,” “Heroes”
Individual rankings: #3 – Tara; #7 – Leeann
Producer Charlie Peacock treads a dangerous line on The Highway, with arrangements so sparse they’d easily deflate a lesser artist’s work. But he and Williams work exceptionally well together on her third album, leaning on her character-filled voice to fill in the spacious canvas. The album’s themes are heavy and often morose, but Williams doesn’t weigh them down; instead, she approaches them with weathered sensibleness, using only the ragged edges of her voice to convey the underlying drama. As for that family of hers, if there’s a role for them on The Highway, it’s only to help sketch out the small, poignant details of her characters’ stories, like in the vivid history of her maternal grandparents’ eternal love in “Waiting on June.” – Tara Seetharam
Recommended Tracks: “Drinkin’,” “The Highway,” “’Til It Runs Dry,” “Waiting on June”
Individual rankings: #9 – Tara, Sam; #15 – Ben; #19 – Kevin
It was unlikely that the Pistol Annies would match their self-titled debut, a bullet of an album that flew in the face of everything manicured, polite and conventional in 2011. Their sophomore album, then, is a little less of a shock, but just as much of a raucous hoot. The ladies are still challenging societal norms (“Being Pretty Ain’t Easy”), lamenting and –surprisingly often– conceding to small-town marital discord (“Unhappily Married”), and, of course, dancing with their demons (“I Feel A Sin Coming On”). The breadth of their combined talent and mission is almost uncontainable, so misfires are expected (“Girls Like Us”); in the end, though, the album cements the trio’s place as the genre’s bravest truth-spitting chicks. – Tara Seetharam
Recommended Tracks: “I Feel A Sin Coming On,” “Being Pretty Ain’t Pretty,” “Unhappily Married,” “Dear Sobriety”
High Top Mountain
Individual rankings: #1 – Jonathan; #2 – Sam
Far too often, traditional-minded country acts fetishize the genre’s past and end up sounding like mimics of great artists, rather than becoming great artists in their own right. Sturgill Simpson, an acolyte of Waylon Jennings’ outlaw period, adopts a too-country-for-country throwback style on his debut, High Top Mountain. But the deceptively shrewd perspective that informs “Railroad of Sin,” “Water in a Well,” and “Old King Coal” is modern through and through, making Simpson one of country’s most exciting new voices. – Jonathan Keefe
Recommended Tracks: “Railroad of Sin,” “Hero,” “You Can Have the Crown,” “Life Ain’t Fair and the World is Mean”
Individual rankings: #10 – Jonathan; #12 – Kevin; #13 – Leeann; #18 – Tara; #20 – Ben
Not only is Patty Griffin a very deservedly respected songwriter of intelligent and often gut wrenching songs, she has what many sing-songwriter types don’t have–a sublime voice that pierces right through one’s heart and soul. Join those elements together and it’s no wonder that her first album of original songs since 2007 is at least as good as anyone would dare to hope it would be.
From the sweet cover of “Mom and Dad’s Waltz” to the powerful “Not a Bad Man”, Griffin’s album is a collection of masterful and intelligent songs that will make you think and want to think some more. – Leeann Ward
Recommended Tracks: “Mom and Dad’s Waltz”, “Irish Boy”, “Not a Bad Man”
The Bluegrass Album
Individual rankings: #7 – Kevin, Dan; #9 – Ben; #11 – Tara; #20 – Leeann
Once again, Alan Jackson sets out to do a vanity project and it ends up as good as his best mainstream work ever was. His foray into bluegrass yields wonderful results, both in the form of compelling new material (“Blue Ridge Mountain Song”, “Mary”, “Blue Side of Heaven”) and well-chosen covers (“Wild and Blue”, “Blue Moon of Kentucky.”) Like Dolly Parton and Merle Haggard before him, Jackson’s crossover from country to bluegrass shows just how little distance there is between the two, at least when the country artist in question has deep roots in the first place. – Kevin Coyne
Recommended Tracks: “Blue Ridge Mountain Song”, “Knew All Along”, “Mary”
Individual rankings: #1 – Sam; #10 – Tara, Ben; #18 – Kevin, Leeann
The Mavericks reunion may have been one of the more unexpected comebacks in recent country music history, but it should have come as no surprise that In Time was as excellent as it was. “That’s Not My Name” showed their classic country influences, but tunes like “Lies” and “Come Unto Me” blended in some rock, soul and Latin feel too. “Come Unto Me,” with its horn section and Raul Malo’s searing vocals, was the sexiest song in country music in 2013. – Sam Gazdziak
Recommended Tracks: “Come Unto Me”, “Lies”, “That’s Not My Name”
Billie Joe + Norah
Individual rankings: #4 – Kevin, #5 – Leeann, #6 – Dan; #13 – Tara; #14 – Jonathan
Another quirky Norah Jones project, eh? Sounds about right; guess it’s been about six months since the last one. Oh, she got the guy from Green Day in on it? Well, that’s…huh. What? They’re covering an Everly Brothers album of traditional country and folk songs from the 50’s? They’re just, like, taking time out of their busy schedules to lovingly coo through a bunch of covers of the Everly Brothers’ covers, perhaps to help pass on the Everlys’ important legacy to younger generations, or perhaps just because they’re fans and love music and know Starbucks will sell it regardless? Who do these recording artists think they are — artists? – Dan Milliken
Recommended Tracks: “Long Time Gone”, “I’m Here to Get My Baby Out of Jail”, “Kentucky”
Vince Gill and Paul Franklin
Individual rankings: #4 – Leeann; #5 – Ben, Jonathan; #6 – Tara; #16 – Kevin
It may not be typical for a steel guitarist to receive top billing alongside a legend of Vince Gill’s caliber, but it’s certainly warranted in this case as the comforting whine of Paul Franklin’s pedal steel proves the perfect match for Gill’s distinctive tenor. It’s a delightful musical history lesson as the two lovingly cover ten beloved Owen and Haggard classics. Their takes are neither stale recreations nor scattershot attempts at modernizing and reinventing – rather, Bakersfield feels like a simple, unaffectedly sincere love letter to a unique and important era of country music. – Ben Foster
Recommended Tracks: “Together Again,” “I Can’t Be Myself,” “Nobody’s Fool But Yours,” “Holding Things Together”
Old Yellow Moon
Emmylou Harris and Rodney Crowell
Individual rankings: #2 – Leeann; #6 – Kevin, Ben; #14 – Sam; #15 – Jonathan; #17 – Tara
The ease and friendship between Emmylou Harris and Rodney Crowell is undeniably palpable on their first full duets album, which is a huge part of what makes this project a blow out success. While the songs are mainly covers of their own songs, as in the sprightly “Bluebird Wine”, the new interpretations are fresh and feel like brand new songs, as is also the case with the covers of other people’s work, as proven by the sublime “Dreaming My Dreams.”
From the jaunty opener of “Hanging Up My Heart” to the gorgeous closer of the title track and all points in between, the entirety of Old Yellow Moon is a masterful collaboration between two brilliantly talented old friends. – Leeann Ward
Recommended Tracks: “Hanging Up My Heart”, “Dreaming My Dreams”, “Bluebird Wine”, “Here We Are”
Kelly Willis and Bruce Robison
Individual rankings: #5 – Dan; #9 – Leeann, Jonathan; #10 – Sam; #14 – Kevin, Tara; #17 – Ben
The first duets album by the Tim & Faith of Texas country lands, and the world immediately becomes a slightly better place. It’s an LP filled with smart Robison writing, golden Willis drawl, and enviable marital cuteness. True love is out there, guys. Listen to “Dreamin'” and sigh along with me. – Dan Milliken
Recommended Tracks: “Cheater’s Game”, “Waterfall”, “Dreamin'”
Individual rankings: #2 – Kevin, Jonathan; #3 – Sam; #5 – Tara; #8 – Dan
The best thing about Jason Isbell’s richly drawn stories from the underbelly of America is that he manages to humanize some quite despicable people without trying to make them likable at the same time. There are very few anti-heroes to be found here. Their stories are compelling, but you still root for the good guys and gals, and it’s rarely Isbell that is singing in their voice, preferring the challenge of bringing the often loathsome to life.
Which isn’t to say that’s the only role he plays, as there are hints of redemption in some of the best numbers. The man haunted by the “Songs that She Sang in the Shower” might just treat the next one right, and there is nobody I enjoyed getting to know better this year than Andy in “Elephant”, a barroom louse who didn’t stick around when the girl was at her best, but is now by her side as she’s dying of cancer, singing her classic country songs and sweeping her hair up off the floor after putting her to bed. – Kevin Coyne
Recommended Tracks: “Elephant”, “Songs that She Sang in the Shower”, “Live Oak”
Same Trailer Different Park
Individual rankings: #3 – Dan; #4 – Ben; #6 – Sam; #8 – Leeann, Tara; #10 -Kevin
Kacey Musgraves set some mighty high expectations for herself to live up to with the universally acclaimed dark horse hit “Merry Go ‘Round,” but her major label debut release delivers in full. Same Trailer Different Park announces the arrival of one of country music’s most distinct and potent new voices, marked by keen-eyed observation, maturity beyond her years, and a refreshing willingness to tell it like it is.
The dawning optimism of “Silver Living” and “Step Off” is made all the more meaningful by the fact that Musgraves never shies away from themes of heartache, despondence, and frustration. But even the bitterest moments are sweetened by accessible melodies, comforting arrangements, and a down-to-earth vocal style.
In a genre that has long prided itself on being “real,” Musgraves has become one of a precious few mainstream artists to actually live up to that ideal, and by so doing has laid bare just how contrived the format has become. The fact that Same Trailer Different Park found the mainstream audience it richly deserved feels like an answered prayer. Don’t blow this now, country radio.– Ben Foster
Recommended Tracks: “Merry Go ‘Round,” “Keep it to Yourself,” “Follow Your Arrow,” “It Is What It Is”
Like a Rose
Individual rankings: #3 – Jonathan; #4 – Tara; #6 – Leeann; #8 – Ben; #9 – Kevin, Dan; #13 – Sam
A beautifully drawn character sketch, Like a Rose showcases Ashley Monroe’s gift for using authentic first-person detail to give depth to her distinctive, unconventional narratives. The persona Monroe projects over the course of the album’s brief song cycle is one of a young woman who has been scarred by the events in her past but who uses those scars as the jumping-off point for compelling stories rather than letting them define who she is or who she aspires to be. – Jonathan Keefe
Recommended Tracks: “Like a Rose,” “Two Weeks Late,” “Used,” “The Morning After”
Individual rankings: #1 – Tara; #2 – Dan, Ben; #3 – Leeann; #8 – Kevin, Jonathan
Rimes subtitled Spitfire as the “truth in no particular order,” an apt description for an album whose truth shines like a prism, flashing different, nuanced colors at us with each twist and turn. If Spitfire is meant to narrate Rimes’ messy history –her “truth” as so many have come to define her by–, it succeeds; but, the gifted artist that she’s become, Rimes knows that truth is more than intentions and events and aftermath. It’s in the intimate honesty that spills out from the smallest corners of thought, whether from places of regret or passion, shame or fearlessness, or in those boundless grey areas in between. Spitfire has it all, packaged in the most colorful, intriguing performances of the year. – Tara Seetharam
Recommended Tracks: “Borrowed,” “I Do Now,” “Who We Really Are,” “What Have I Done””
Individual rankings: #1 – Kevin, Leeann, Dan, Ben; #2 – Tara; #4 – Jonathan; #5 – Sam
Brandy Clark’s 12 Stories was shopped around to several record labels, but none of them would commit to taking on the album, even the ones that admitted that it was the best album they’d heard in years.
Since it’s impossible to reasonably imagine why label executives who loved the album wouldn’t jump at the chance to put Clark on their roster, perhaps they assumed that the album was just too smart and good for the mainstream music scene they put their dollars behind. While this is certainly a simple, and maybe even naive, view of things, other explanations simply evade me. Fortunately, however, somebody did believe in Brandy Clark’s music and the album was organically promoted as an independent release.
Even after listening to the album at least a zillion times since first receiving a promo copy well before its official release, it is a challenge to find the proper words to appropriately describe this nearly perfect debut album. Clark’s sharp, clear eyed songs are supported by crisp and satisfying productions and solid, warm vocals. Without judgment, but with intelligence, she observes and explores the tougher parts of life such as unfaithfulness, divorce and various forms of mental anguish; all the while keeping the album accessible.
As much as can and should be written about this album, the most direct thing to be said is that this was the clear favorite of the very diverse Country Universe staff, with most of us selecting it as our Number One album and none of us ranking it below number five. The rest of this list shows how far apart we often are on tastes; Brandy Clark is one artist we can all get behind. – Leeann Ward
Recommended Tracks: “Pray to Jesus”, “What’ll Keep Me Out of Heaven”, “Take a Little Pill”, “Hungover”
Country Universe’s Best of 2013:
So glad to see “12 Stories” as #1. It certainly deserves to be. Every time I listen to it I think I can’t believe how good this is. My favorite comment in Leeann’s review: “Without judgment, but with intelligence, she observes and explores the tougher parts of life”. I’m so glad I got to see her perform. Love her voice and for me vocals are very important.
Related to my comment on the top 20 single “All Kinds of Kinds”, i would add that besides the great lyrics and music, another plus to Brandy’s album:
There are no run-on songs, 3 minute songs stretched to 4 or 5 minutes for no good reason.
An album I would have included in the top 20 would be Maggie Rose’s “Cut to Impress”. I like most of Ashley Monroe’s “Like a Rose”. Re Kacey’s “Same Trailer”, I agree with a comment by Occasional Hope back n April: “I admire the scope and ambition here, but I don’t like the sound very much on most of the tracks.”
Great job by all the writers as usual. A happy & healthy new year to all.
I have been enjoying the ever loving heck out of Sturgill Simpson’s album “High Top Mountain”. It’s as if you’re reliving Waylon Jennings music but in a fresh, interesting way rather than one that sounds like a cover artist. I am very much looking forward to future works by Simpson.
As far as mainstream albums go, Ashley Monroe’s entire album has been getting so many plays that the vinyl is all scratched and the record skips. “Used”, “Weed Instead of Roses”, “You Ain’t Dolly, You Ain’t Porter” and “Like a Rose” are getting the most repeats. I desperately want her to be the or a savior of mainstream country music. I know I’m grasping, but somehow I hope she can contribute to a resurgence in records that are A) Actually good and B) actually country.
Outside of your top ten, there didn’t seem to be a whole lot of concensus this year – I have four of your numbers 40-21 and ten of your numbers 20-1.
I didn’t bother compiling a list this year although several of the albums issued by Heart of Texas Records would have been on my list aling with several on the Hillside label out of Miami.
I think my top seight would be:
1) MY FAVORITE PICTURE OF YOU – Guy Clark
2) SAME TRAILER, DIFFERENT PARK – Kasey Musgraves
3) SONGS OF THE CHEROKEE COWBOY – Curtis Potter
4) THE WORLD YOU’RE LIVING IN – Amber Digby
5) OLD YELLOW MOON – Emmylou Harris / Rodney Crowell
6) CHEATER’S GAME – Bruce Robison / Kelly Willis
7) 12 STORIES – Brandy Clark
8) PRIDE – Neal McCoy
These eight were clearly my favorites and on another day I might place any one of them at the top of my list
There were actually two Ray Price tributes issued this year (the other one was on the Hillside label by Ray Sanders) both before his demise, but the Ray Sanders record is merely very good
Neal McCoy’s Pride tribute is quite good, actually.
Interesting list. I haven’t heard of a lot of these, but I’m not as in-tune with the fringe country scene. Why haven’t more of these albums been discussed in full posts over the last year? Knowing how you guys feel about them, I’m honestly surprised that the Civil Wars didn’t make it on here. I also think that George Strait should have been included as well, but there’s little that George releases that I don’t like. I also enjoyed The Barefoot Movement’s latest album.
The Civil Wars album was submitted by one of our writers, and several of us enjoyed the George Strait album as well, but neither received enough points to make the final list. And since each of us has to narrow our personal list down to twenty, such is often the case with many fine albums. I haven’t heard The Barefoot Movement album, but I will make a point to check it out.
I’m sure I can speak for all of us in saying that we wish we could devote full posts to every single one of our favorite albums of the year. Unfortunately, time constraints tend to make that difficult – especially in a year that includes as many great albums as 2013 did. Thanks for sharing your thoughts on our countdown!
Very interesting list. I’m not very deep into the country scene (I live in England) and I rely on lists like these and the reviews of the album to determine whether it’s worth listening to. The only albums I own are Brandy, Kacey and Ashley’s, so I very much look forward to listening to the rest.
While I think that Kellie Pickler’s “The Woman I Am” was overlooked this year, I agree with the majority of these picks.
Great list like always guys!
I recently got Charlie Worsham’s cd. Very impressed by the cd and by him. I hope that he breaks out in 2014! :)