Writing a song about a current event that pulls at the heartstrings is a difficult thing to accomplish without seeming opportunistic, not to mention that the part of current fades away over time and can potentially make a song seem irrelevant as a result. It’s inevitable, however, that such songs will be written, since one of the most emotional ways to respond to a tragedy is to process feelings through music.
As you may have noticed, the Country Universe staff loves to find ways to participate in joint writing projects. So, while it won’t be the exclusive way that we review albums, we thought we would give a new, more collaborative album review format a try. As an offshoot of our Round Table Single Reviews, which could become repetitive when we all agreed on a particular track, we are test-driving Round Table Album Reviews, which will give us all a chance to weigh in on different tracks and aspects of a single album. With this format, even if we all generally positively (or negatively) agree on an album, as happens to be the case here, we still have room for a variety of perspectives.
The comfortingly reliable George Strait mixes it up a bit during his 1992-1993 run of singles with a cover of a beloved classic, hardcore country, a surprising country rocker, and a sweet love song for good measure.
Strait ably tackles the Hank Williams classic. He doesn’t surpass the original, but it’s cool that he brought the song back in 1992. Imagine if somebody tried to do that now.