Articles by Sam Gazdziak
It’s hard to imagine that the talent-show winner who sang “Jesus Take the Wheel” would morph into a fully fledged pop superstar with speaker-rattling pop-rock songs like “Good Girl” and “Blown Away.”
While the evolution has been fascinating to watch, the problem is that someone who was thought of as the next female country superstar has effectively left country music behind and moved on to bigger things, and it’s a loss for the genre.
Leeann’s Pick: Kelly Willis and Wylie Gustafson
A search of my iTunes indicates that I like many versions of this song, but the one that stands out the most to me is from a compilation called Christmas Trail by Wylie Gustafson and Kelly Willis. The mix of rootsy production, Willis’ twang and Gustafson’s Orbison-like harmony is impossible to resist.
Along with all the other traditions that come with Christmas time – watching your favorite TV specials, getting together with family on Christmas Day, wondering how you ever lived without a pre-lit Christmas tree – one of the best ones involves breaking out the collection of Christmas music.
As a kid, it meant that the Bing Crosby and The Chipmunks Christmas albums make their way out of the buffet draw and take up a month-long residence on my mom’s stereo. Now, it means flipping over to my Christmas songs playlist on iTunes, where Patty Loveless, Dwight Yoakam and The Chieftains all are a part of the family’s Christmas soundtrack.
Though his career lasted about two years and ended tragically more than 50 years ago, Buddy Holly continues to impact and influence the music world. Part of it is his mystique: unlike many of his contemporaries, Holly never grew old, never had a scandal derail his career and never found himself wasting away on some oldies circuit. He’s the eternally young, energetic, slightly geeky-looking rock & roller with the hiccup in his voice and a Fender Stratocaster in his hands.
Mystique only goes so far, though. Holly left behind a strong collection of songs that have aged extremely well – mainly because they’re constantly being reinvented. His songs have been covered by hundreds of singers, across every music genre imaginable. Just this year alone, in commemoration of his 75th birthday, Buddy Holly tribute albums have featured both of the surviving Beatles, Lyle Lovett, Florence + The Machine, My Morning Jacket, Cee Lo Green and Justin Townes Earle.
Add to that mix Words of Love: Songs of Buddy Holly by Nashville’s Paul Burch. Much like the way Holly’s music has a timeless quality, Burch’s combination of classic country, blues and rock & roll has its roots in the 1950s and ’60s but never sounds dated. Beginning with 1998’s Pan-American Flash through 2009’s Still Your Man, Burch has released a series of critically acclaimed albums and recorded with luminaries such as Ralph Stanley and Mark Knopfler.
No, this isn’t Alan Jackson covering The Flatlanders, although that would have been phenomenal. Rather, this is Jackson performing right in his sweet spot: a simple enough song, yet with some clever lyrics, a generous dose of pedal steel and Jackson’s typical smooth, agreeable vocals. “Dallas” may not be Jackson at his most experimental (see “I’ll Go On Loving You”) or mainstream (“Chattahoochee”), but it’s a pleasant little gem in a very rich catalog of music.
Tailgates & Tanlines
Got a little boom in my big truck/Gonna open up the doors and turn it up. – “Country Girl (Shake It for Me)”
Girl you make my speakers go boom boom/Dancin’ on the tailgate in the full moon. – “Drunk on You”
Looking at those two lyrics from Lyke Bryan’s new album, you can assume one of two things: Either Bryan was heavily influenced by hip-hop pioneers L’Trimm and their hit “Cars With the Boom,” or Tailgates & Tanlines falls victim to lazy songwriting. With all due respect to Tigra and Bunny, it looks like it’s the latter.