Author Archives: Tara Seetharam

The 30 Day Song Challenge: Day 30

And so it comes to a close, with the final category:

A Song That Makes You Want to Be a Better Person.

Here are the staff picks:

Tara Seetharam: “Bridge Over Troubled Water” – Aretha Franklin

Maybe it’s the way the gospel arrangement evokes a guttural reaction or the way the lyrics are shamelessly selfless. As with the best songs, I can’t quite put my finger on why it moves me – but this song makes me want to live for others.

Kevin Coyne: “Hell Yeah” – Neil Diamond

This is how I want to look back on my life when it’s all said and done. I’m about halfway there.

Leeann Ward: “Man in Black” – Johnny Cash

This is a tough and weighty category for sure. “Man in Black” could just as easily fit the “worldview” category for me, but then, “What You Give Away” could fit this one too. Somehow, these lyrics, however, make me want to try harder to be better toward those around me: “I wear the black for those who’ve never read/ Or listened to the words that Jesus said/ About the road to happiness through love and charity/ Why, you’d think He’s talking straight to you and me.”

Dan Milliken: “Square One” – Tom Petty

My worst vice is that I’m perpetually behind on several things at once. Not just long-term shoulds, like “I’ve been meaning to call my old pal Jan,” but short-term imperatives like “I need to start that paper that was due three weeks ago.” I’ve gotten away with play-first-and-maybe-work-later for most of my life, and while it’s made me less uptight and more understanding of others’ foibles, it also means I’m usually walking under an invisible raincloud of sorts. The burden of something unfinished – let alone several things – is like an awful condom on the fun you can actually experience, the care you can give to other people, the love or joy you can feel – everything good about living, basically.

I want to be Tom Petty in “Square One.” He’s fought his way through his respective “world of trouble” and finally come out clean. “My slate is clear,” he sings, in the sweetest Tom Petty tone ever; “Rest your head on me, my dear.” With his baggage cleared out, he can finally live fully in the present, taking full advantage of the people and experiences he’s blessed with.

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The 30 Day Song Challenge: Day 26

Today’s category is…

A Song About Time.

Here are the staff picks:

Tara Seetharam: “For the Good Times” – Jamey Johnson

About a man spending one last night with his lover, frozen in the “good times” instead of thinking about the pain that will inevitably ensue. There are plenty of versions of this song that I enjoy, but Johnson’s hits on the exact swirl of genres that just gets to me.

Kevin Coyne: “Pushing Up Daisies” – Garth Brooks

My favorite metaphor about time and the importance of making it count is captured in the chorus of this song.

Leeann Ward: “Wayside (Back in Time)” – Chris Thile

When I looked through my iTunes to find a song about time, as you might imagine, many of them were reflective and conveyed some sort of sentimentality. But I love this breakneck version of Gillian Welch and David Rawling’s “Wayside (Back in Time)” the best.

Dan Milliken: “Time Changes Everything” – Bob Wills and the Texas Playboys

The sweet, simple truth: If you think you’ll never get over being discarded, wait.

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The 30 Day Song Challenge: Day 22

Today’s category is…

A Story Song.

Here are the staff picks:

Tara Seetharam: “The Dance” – Garth Brooks

I’m not sure if this song really constitutes as a “story”song, but its metaphor is so beautifully written that it feels as rich as the best country songs in this category. Regret is a funny thing; sometimes it’s easier to succumb to it than it is to own and embrace your memories – fleeting though they may be. Brooks takes this somewhat tried and true theme and spins it into a poignant, lovely tribute.

Kevin Coyne: “Lucille” – Kenny Rogers

Only Kenny could turn a song this dark into a sing-along.

Leeann Ward: “Here Comes That Rainbow Again” – Kris Kristofferson

Based on a scene from John Steinbeck’s book, Grapes of Wrath, this is a beautiful story of a simple act of kindness that affects me every time.

Dan Milliken: “Her Diamonds” – Rob Thomas

This may be more “progressive scenario” than “story,” but either way I can’t get enough of the theme. It’s about seeing someone you love suffer and realizing that, despite your best intentions, there’s nothing you can do to fix or even understand their particular pain. No man is an island, the saying goes, but on a certain level we’re fundamentally disconnected from each other’s experiences, limited as we are to our own. You can tell this couple communicate as authentically as they can, but he can’t fully inhabit her hurt, and she can’t fully know the depth of his caring. The best they can do – tonight, at least – is spend their respective alonenesses together.

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The 30 Day Song Challenge: Day 14

Today’s category is…

The First Song You Remember Liking.

Here are the staff picks:

Tara Seetharam: “She’s Not Cryin’ Anymore” – Billy Ray Cyrus

Cyrus released “Achy Breaky Heart” when I was seven years old, and I fell for it. The upside? My mom bought me his Some Gave All cassette tape, and I fell in love with “She’s Not Cryin’ Anymore.” It was the first song in my life to grip me with emotion, which would later come to define my bond with music.

Kevin Coyne: “I Love Rock’ n Roll” – Joan Jett & The Blackhearts

I know that it was either this or “Physical”, but I’m pretty sure it was this one because I have foggy memories of this being turned up for my amusement in the car when I was a small child. This is what happens when you’re a child of the eighties.

Dan Milliken: “Keep on Dancing” – The Gentrys

This is just my best guess. My dad used to crank this oldie in our living room and literally swing me and my little sister around in the air to it when we were young. I sometimes wonder if my preference for uptempo material (regardless of actual emotional tone) was established right there.

Leeann Ward: The songs of Raffi

I don’t have a particular song in mind, but when I think about it, I realize that the first music that I remember really liking was from Raffi, a children’s’ singer. There was a particular cassette that I was obsessed with (recorded by my dad from the TV), which was a recording of a concert that aired on the Disney channel and subsequently released on CD a few years later.

As an adult when I revisited the album, along with Raffi’s Christmas album, I realized that the instrumentation closely resembled the sounds of country music. In fact, the country music community released a tribute to Raffi, which includes adorable recordings by the likes of Keith Urban, Marty Stuart, Kathy Mattea, Lee Roy Parnell, Lari White, Elizabeth Cook, Eric Heatherly, Alison Krauss and Asleep at the Wheel, among others.

My favorite track from the tribute is Raul Malo’s version of “Thanks A Lot” (not the Ernest Tubb song). Although I didn’t fall in love with country until I was a young adolescent, as I see it, loving Raffi music proves that I was wired to naturally love country music, even as a young child.

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The 30 Day Song Challenge: Day 12

Today’s category is…

A Drinking Song

Here are the staff picks:

Tara Seetharam: “Smoke a Little Smoke” – Eric Church

I’m still digging this one – part trippy, part creepy vibe and all.

Kevin Coyne: “Misery and Gin” – Merle Haggard

The Back to the Barroom album is best known for its raucous closing track, “I Think I’ll Just Stay Here and Drink.”  But the opening ballad sets the mood for the entire record, and sets the template for a whole bunch of George Strait hits to boot.

Leeann Ward: “Set ‘Em Up Joe” – Vern Gosdin

With as many cheating songs that there are in country music, there are at least just as many drinking songs. I love so many of them, but few more than Vern Gosdin’s “Set Em Up Joe”, to reach back a little. It’s even one of those prime examples of how to worthily drop a name.

Dan Milliken: “Tik Tok” – Ke$ha

I could choose from a couple dozen country favorites here. But they all come from an older perspective than mine. Ke$ha’s goofy trash-pop captures the experience of being twenty-one and living life tongue-in-cheek, trying to enjoy a last hurrah of irreverence and irresponsibility before proper adulthood.

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The 30 Day Song Challenge: Day 7

Today’s category is…

A Song That Reminds You of a Certain Event.

The staff picks are:

Tara Seetharam: “I Will…But” – SHeDaisy

My freshmen girls choir performed this song at our high school spring show ten years ago. The photos of me in a tacky red bandana halter top are painful, but the memories of my first taste of high school choir are precious.

Kevin Coyne: “I Wanna Be Sedated” – The Ramones

Our high school tradition was to rewrite a famous song to fit the occasion.  Nineties Manhattan hipsters that we were, we went eighties and the graduation song was “We’re Almost Graduated”, to the tune of the Ramones classic.

Our mascot was Karate Squid. We thought we were cool.

Leeann Ward: “Where Were You (When the World Stopped Turning)” – Alan Jackson

This is an obvious choice, but I can’t think of another song that has captured how I felt regarding an event better than this one does, right down to the “I Love Lucy reruns.”

Dan Milliken: “Your Cheatin’ Heart” – Hank Williams

Because it’s one of the only songs I can reliably conjure up out of the blue of my memory, it’s been a campfire singalong staple at all two of the camping trips I’ve taken in my adult life. Camping trips are the best.

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The 30 Day Song Challenge: Day 3

Today’s category is..

A Song That Makes You Happy.

Here are the staff picks:

Tara Seetharam: “Born to Fly” – Sara Evans

Maybe it’s because it reminds me of my adolescence, or maybe it’s because it represents to me the last batch of great 90s-esque country music – but this song makes my heart smile.

Kevin Coyne: “Up!” – Shania Twain

Perhaps too obvious a choice, but its the best representation of Twain’s patented positivity.  The book and reality show are great, but I really hope she gets back in the studio soon!

Leeann Ward: “Say Hey (I Love You)” – Michael Franti & Spearhead

This song simply makes me too happy to put it in the Guilty Pleasure category. It’s lightweight and corny, but it’s infectious and vibrant too.

Dan Milliken: “The Magic Position” – Patrick Wolf

It’s like if you could listen to a rainbow – one with a pot of gold. Big, romantic, and catchy, with hand claps and foot stomps and only a teeny smidgen of indie irony. (Not as dirty as the title might suggest, either.) Well worth YouTubing if you haven’t heard it.

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Single Review: Josh Abbott Band feat. Kacey Musgraves, “Oh, Tonight”

The Texas-bred Josh Abbott Band scored its first Billboard-charting single earlier this year with “Oh, Tonight,” featuring former Nashville Star contestant Kacey Musgraves.

Like a slightly unpolished Miranda Lambert, Musgraves spends the song trading conflicted thoughts with Abbott about giving into suppressed feelings. Their final agreement to “set the world on fire” sounds enticingly splashy against the otherwise simplistic lyrics.

The real fire behind the song, though, is Abbot and Musgraves’ unspoken organic chemistry. They lay out their desire more coolly than, say, Jason Aldean and Kelly Clarkson, but they perform with just enough urgency and rough-around-the-edges honesty to get under your skin. The unassuming acoustic arrangement serves as a soothing complement to their interplay, creating a vibe that feels sweet and primal all at once.

Ultimately, it’s tension that fuels their chemistry – Abbott and Musgraves tread realistically between pride and instinct, caution and reckless abandon. There’s a rugged believability to Abbott rationally delivering “so tell me what you want me to do” in one breath and hastily throwing it out in the next: “Oh, it’s too late baby/I’ve already fallen in love with you.”

How refreshing to hear a moment of passion in modern country music treated so gently and so effectively, without theatrics. Here’s to hoping “Oh, Tonight” serves as a reminder that sometimes raw emotion is better left to breathe –-and shine– on its own.

Written by Josh Abbott & Sunny Helms

Grade: B+

Buy:

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Grammy Awards 2011: Staff Picks & Predictions

It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!

Album of the Year

Should Win

  • Arcade Fire, The Suburbs - Dan
  • Eminem, Recovery - Kevin, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Will Win

  • Arcade Fire, The Suburbs
  • Eminem, Recovery - Kevin, Dan, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Kevin: In a field of newer artists, Eminem is the established veteran that is overdue for this award. It helps that he also made the best album of his career, as well as of the five nominees.

Dan: I could actually see Lady A coming out on top, since they’ve moved a lot of units and are the least divisive act here. But Recovery was a big comeback, and NARAS likes to use this award as a lifetime achievement thing. I don’t like that tendency, though; I’d rather we just reward the best set. To me, that was Arcade Fire’s ambitious concept album.

Tara: I really respect The Suburbs and really dig Recovery. Both are deserving, but Eminem probably has the edge with NARAS for the reasons stated above. (PS – I’m still not over it. TEENAGE DREAM?)

Record of the Year

Should Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You” - Dan, Tara
  • Jay-Z featuring Alicia Keys, “Empire State of Mind” - Kevin
  • Lady Antebellum, “Need You Now”

Will Win

  • B.O.B featuring Bruno Mars, “Nothin’ On You”
  • Eminem featuring Rihanna, “Love the Way You Lie”
  • Cee Lo Green, “F*** You”
  • Jay-Z featuring Alicia Keys, “Empire State of Mind”
  • Lady Antebellum, “Need You Now” - Kevin, Dan, Tara

Kevin: Perhaps it’s an instinctual reaction as a native New Yorker, but I still get chills every time I hear “Empire State of Mind.” Jay-Z’s casual “Long live the World Trade” in the second verse perfectly captures how our city moved briskly forward after 9/11 like we always do, but we haven’t forgotten it.

No Urban or Hip-Hop record has ever won this award, so it pains me to predict that Lady Antebellum will triumph over four better records. I hope I’m wrong.

Dan: Cee Lo’s viral novelty hit was one of last year’s biggest delights. I could see this award going to any track but “Nothin’ On You,” but suspect voters will probably go with the least edgy track.

Tara: I could make an argument for four of the five songs here, but I can’t peel myself away from Green’s personality-packed throwback hit that practically begs you to love it. And do I. I agree with Dan and Kevin, though, that Lady A will take this.

Song of the Year

Should Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin - Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “Beg, Steal, or Borrow” – Ray LaMontagne
  • “F*** You!” – Brody Brown, Cee Lo Green, Philip Lawrence & Bruno Mars
  • “The House That Built Me” – Tom Douglas & Allen Shamblin – Kevin, Tara
  • “Love the Way You Lie” – Alexander Grant, Skylar Grey & Marshall Mathers
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: I think the biggest hurdle for “The House That Built Me” was getting the nomination. It really stands out in this field. It used to be rare for the Song victor to not be nominated for Record, but it has happened three times in the last seven years, including last year.

Tara: I’d honestly be happy to see any of these songs win. I’ll back “The House That Built Me” and just take a guess that the voters will, too.

Best New Artist

Should Win

  • Justin Bieber
  • Drake
  • Florence + the Machine
  • Mumford & Sons - Dan, Kevin, Tara
  • Esperanza Spalding

Will Win

  • Justin Bieber
  • Drake – Kevin, Dan, Tara
  • Florence + the Machine
  • Mumford & Sons
  • Esperanza Spalding

Kevin: I dig Mumford & Sons the most, but Drake seems to be the guy to beat.

Dan: I think Mumford has the most potential going forward. They’re got a dark-horse shot at the win, too, though Drake does seem like the most logical choice. Bieber’s by far the biggest name right now, but NARAS didn’t give it to tween-fave forerunners Hanson or Jonas Brothers, so…

Tara: Ditto. Although I have an unexplainable inkling that the Bieber might nab the award.

Best Country Album

Should Win

  • Dierks Bentley, Up on the Ridge – Kevin, Tara, Leeann
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song - Dan
  • Lady Antebellum, Need You Now
  • Miranda Lambert, Revolution

Will Win

  • Dierks Bentley, Up on the Ridge
  • Zac Brown Band, You Get What You Give
  • Jamey Johnson, The Guitar Song
  • Lady Antebellum, Need You Now – Dan
  • Miranda Lambert, Revolution - Kevin, Tara, Leeann

Kevin: I think Bentley made the best record, and perhaps the slew of collaborators will help raise its profile with voters. Usually the country album nominated for overall Album wins this award, but I’m thinking that Lambert’s recent awards streak will continue here.

Dan: I pick Johnson by a nose, but genuinely like every album here besides Need You Now. Hoping Kevin’s right about that one.

Leeann: Like Kevin said, Bentley deserves to win and I hope he does, but I think Lambert’s album may win due to accessibility and her reputation for artistic integrity.

Tara: Up on the Ridge and Revolution both hit my sweet spot: they straddle the line between reverent and relevant and make me genuinely excited about country music’s future. Bentley’s album is the better of the two (and the best of the bunch) – but I think Lambert’s will pick up the most votes.

Best Female Country Vocal Performance

Should Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Will Win

  • Jewel, “Satisfied”
  • Miranda Lambert, “The House That Built Me” - Dan, Kevin, Tara, Leeann
  • LeAnn Rimes, “Swingin’”
  • Carrie Underwood, “Temporary Home”
  • Gretchen Wilson, “I’d Love to Be Your Last”

Kevin: This is Lambert’s best shot at a Grammy. Underwood will threaten, as always, but I think the strength of this song makes it tough to beat.

Leeann: Lambert’s signature song is the strongest and likely most long-lasting of the bunch.

Tara: Lambert and Underwood turn in two of the most emotive, powerful performances of their careers, but “The House That Built Me” is undeniably the better song. Since Underwood’s Grammy streak seems to be up for now, I think the voters will side with Lambert.

Best Male Country Vocal Performance

Should Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)” - Kevin, Leeann
  • David Nail, “Turning Home” - Dan
  • Keith Urban, “‘Til Summer Comes Around”
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”  - Tara

Will Win

  • Jamey Johnson, “Macon”
  • Toby Keith, “Cryin’ For Me (Wayman’s Song)”
  • David Nail, “Turning Home”
  • Keith Urban, “‘Til Summer Comes Around” - Dan, Kevin, Tara, Leeann
  • Chris Young, “Gettin’ You Home (The Black Dress Song)”

Kevin: I am not going to complain about Urban winning again for my favorite single from his last two albums. But Toby Keith is way overdue in this category, and he’s nominated for one of his best vocal performances to date.

Dan: Nail’s nuanced performance brought what could have been a very rote song to life. And his career could use the boost.

Leeann: I think the Grammy voters will reflexively give the award to Keith Urban, but Toby Keith’s song is the most poignant of the nominees.

Tara: Urban’s got his hold on this category, but I’m in Young’s corner. His slow-burning hit is as charming as it is sexy, which isn’t an easy thing to pull off. And that voice.

Best Duo/Group Country Vocal Performance

Should Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now”
  • Little Big Town, “Little White Church”- Tara
  • The SteelDrivers, “Where Rainbows Never Die” - Kevin, Leeann

Will Win

  • Zac Brown Band, “Free”
  • Dailey & Vincent, “Elizabeth”
  • Lady Antebellum, “Need You Now” - Kevin, Tara, Leeann
  • Little Big Town, “Little White Church”
  • The SteelDrivers, “Where Rainbows Never Die”

Kevin: I think it’s a race between Lady Antbellum and Zac Brown Band, with LA in the lead. But the SteelDrivers get the annual “song I discovered because it was nominated for a Grammy and fell in love with after hearing it” award from me.

Leeann: The SteelDriver’s song is my favorite with Little Big Town at a close second, but I suspect that Lady A won’t be shut out for such a hugely popular radio hit across the board.

Tara: Dear NARAS: since “Single Ladies” got screwed over for ROTY last year, please show Little Big Town some love for their crazy awesome countrified version. It’s just as good…maybe even better?

Best Country Collaboration with Vocals

Should Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Will Win

  • “Bad Angel” — Dierks Bentley, Miranda Lambert & Jamey Johnson
  • “Pride (In The Name Of Love)” — Dierks Bentley, Del McCoury & The Punch Brothers
  • “As She’s Walking Away” — Zac Brown Band & Alan Jackson – Kevin, Tara, Leeann
  • “Hillbilly Bone” — Blake Shelton & Trace Adkins
  • “I Run To You” — Marty Stuart & Connie Smith

Kevin: Best collaboration in a very long time. Love hearing an artist from my youth playing elder statesman so well.

Leeann: It’s difficult for me to imagine that “As She’s Walking Away” won’t be rewarded for both its popularity and the significance of the still active veteran, Alan Jackson, dispensing wisdom to the up-and-coming bright stars of country music in the Zac Brown Band.

Tara: I love the groove of “Bad Angel,” but its collaboration isn’t nearly as dynamic nor as fitting as that of “As She’s Walking Way.” I can’t imagine any “wise man” but Jackson pulling up a stool next to Brown in this song.

Best Country Instrumental Performance

Should Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” – Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Will Win

  • Cherryholmes, “Tattoo of a Smudge”
  • The Infamous Stringdusters, “Magic #9″
  • Punch Brothers, “New Chance Blues” - Kevin, Leeann
  • Darrell Scott, ‘Willow Creek”
  • Marty Stuart, “Hummingbyrd”

Kevin: Punch Brothers are approaching Nickel Creek levels of awesomeness. Possibly exceeding them.

Leeann: Kevin’s right. Even as someone who isn’t typically fond of instrumentals, I dig those of the Punch Brothers.

Best Country Song

Should Win

  • “The Breath You Take” — Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — Zac Brown
  • “The House That Built Me” — Tom Douglas & Allen Shamblin - Dan, Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — Kimberly Perry
  • “Need You Now” — Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Will Win

  • “The Breath You Take” — written by Casey Beathard, Dean Dillon & Jessie Jo Dillon
  • “Free” — written by Zac Brown
  • “The House That Built Me” — written by Tom Douglas & Allen Shamblin – Kevin, Tara, Leeann
  • “I’d Love To Be Your Last” — written by Rivers Rutherford, Annie Tate & Sam Tate
  • “If I Die Young” — written by Kimberly Perry
  • “Need You Now” — written by Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott

Kevin: My heart is owned by “If I Die Young”, but I think that “The House That Built Me” is objectively the best song.

Leeann: While The Band Perry’s song sounds the coolest, the writing for “The House That Built Me” is clear frontrunner for the best song of the year.  It deserves and likely will be recognized as such, especially since it was both very critically acclaimed and successful as a single.

Tara: No question “The House That Built Me” is the best written song of the group, and I think it’ll be recognized as such.

Best Bluegrass Album

Should Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless – Kevin

Will Win

  • Sam Bush, Circles Around Me
  • Patty Loveless, Mountain Soul II
  • The Del McCoury Band, Family Circle – Kevin
  • Peter Rowan Bluegrass Band, Legacy
  • The SteelDrivers, Reckless

Kevin: Kudos to Loveless for her nomination, but I like the SteelDrivers set more.

Best Americana Album

Should Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music – Dan, Kevin
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone

Will Win

  • Rosanne Cash, The List
  • Los Lobos, Tin Can Trust
  • Willie Nelson, Country Music
  • Robert Plant, Band of Joy
  • Mavis Staples, You Are Not Alone - Kevin

Kevin: So I think Staples is nominated for an awesome gospel album and Nelson for an awesome country album. This category is confusing.

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Single Review: David Nail, “Let It Rain”

“Let It Rain” kicks off with Nail’s cheating character claiming he’s more crushed by the pain he’s caused his wife than by his own feelings of shame – but does anyone really believe that? The chorus is nothing if not a pity party, centering on a singular theme: “She don’t love me anymore.”

But it’s an effective pity party. Nail delivers the song with tortured self-loathing, using the shades of soul in his voice to wring out his emotion. His character may not garner any sympathy (“When the shades start coming down/The guilt you feel’s the last thing on your mind”), but his pain is believable, in a pathetic sort of way.  Sarah Buxton’s earthy background vocals serve as a gorgeous complement to the rawness of his plea, though they’re a little difficult to make out against the bombastic production.

Then again, sweeping self-pity is exactly the kind of thing that calls for a dramatic, Gary LeVox-style arrangement. A power ballad with a purpose? I’ll bite.

Written by David Nail & Jonathan Singleton

Grade: B

Listen: Let It Rain


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