Archive for the ‘100 Greatest Men’ Category

100 Greatest Men: #47. Rodney Crowell

Sunday, July 8th, 2012

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First as a songwriter, then as a new country superstar, and currently as an alternative country icon, Rodney Crowell has made an indelible mark on country music for nearly four decades.

Born and raised in Houston, Texas, he was already a bandleader in high school, heading up a teenage outfit called the Arbitrators.   He was only 22 when he moved to Nashville, and by 1975, he’d been discovered by Jerry Reed, who heard him doing an acoustic set.   Reed not only recorded one of his songs, but also signed him to his publishing company.

Crowell was soon a member of Emmylou Harris’ Hot Band, and she was the first to record some of his compositions that went on to be big hits for other artists, including: “I Ain’t Living Long Like This”, a #1 hit for Waylon Jennings; “‘Til I Gain Control Again”, a #1 hit for Crystal Gayle;  “Leavin’ Louisiana in the Broad Daylight”, a #1 hit for the Oak Ridge Boys; and “Ashes By Now”, a top five hit for Lee Ann Womack.

His remarkable songwriting talent led to a record deal with Warner Bros.  While a trio of albums for the label were critically acclaimed, they failed to earn him success on the radio or at retail.   But as would be the case for his entire career, other artists mined those records for hits.  Most notably, “Shame on the Moon” became a #2 pop hit for Bob Seger & the Silver Bullet Band.

Crowell took a break from his solo career to focus on his songwriting and production responsibilities for then-wife Rosanne Cash.   This would be yet another successful avenue for Crowell, as his work with Cash produced several #1 singles and three gold albums.  The relationship also helped set his solo career on fire.  After signing with Cash’s label Columbia, his second set for the project was previewed with a duet with Cash, “It’s Such a Small World.”

It became the first of five consecutive #1 singles from Diamonds & Dirt, a gold-selling disc that briefly made Crowell an A-list country star, as five additional Cash singles that he had produced also hit #1 over the same time period.   He received a Grammy award for Best Country Song for “After All This Time.”   Two foll0w-up albums for Columbia also produced a handful of hits, with his final mainstream success being the pop crossover hit, “What Kind of Love.”

In the nineties, Crowell recorded two albums for MCA which were well-reviewed, but most notable for the second set including “Please Remember Me.”  It stalled as a single when Crowell released it, but  later that decade, Tim McGraw’s cover topped the charts for five weeks and earned Crowell a slew of award nominations.

The new century brought a reinvention on Crowell’s part, as he repositioned himself as an Americana artist with remarkable success.   A trio of albums earned rave reviews, as did his collaboration with old friends like Vince Gill on The Notorious Cherry Bombs, which earned a handful of Grammy nominations and included Crowell’s “Making Memories of Us.”  Once again, a current artist discovered it, and Keith Urban took it to #1 for several weeks.

Inducted into the Nashville Songwriters Hall of Fame in 2003, Crowell continues to build on his legacy as a singer, songwriter, and producer.  Most recently, Crowell produced Chely Wright’s confessional Lifted off the Ground and co-wrote an album with friend Mary Karr which features their songs recorded by several artists, including Crowell himself. 

Essential Singles:

  • I Ain’t Living Long Like This (Waylon Jennings), 1980
  • ‘Til I Gain Control Again (Crystal Gayle), 1982
  • Shame on the Moon (Bob Seger & the Silver Bullet Band), 1982
  • It’s Such a Small World (with Rosanne Cash), 1988
  • I Couldn’t Leave You if I Tried, 1988
  • After All This Time, 1989
  • What Kind of Love, 1992
  • Please Remember Me (Tim McGraw), 1999
  • Making Memories of Us (Keith Urban), 2005

Essential Albums:

  • Ain’t Living Long Like This, 1978
  • Diamonds & Dirt, 1988
  • The Houston Kid, 2001
  • Fate’s Right Hand, 2002
  • The Outsider, 2005

Next: #46. Dwight Yoakam

Previous: #48. Kris Kristofferson

100 Greatest Men: The Complete List

100 Greatest Men: #48. Kris Kristofferson

Friday, July 6th, 2012

100 Greatest Men: The Complete List

Though his Hall of Fame career has now stretched several decades, Kris Kristofferson will forever be defined by his legendary songwriting in the late sixties and early seventies.

An intellectual of Swedish descent, Kristofferson’s father was in the U.S. military, and as a result, he moved around quite a bit while growing up.   His twin passions were writing and rugby, and he pursued both vigorously while completing his undergraduate studies in California.   He earned a Rhodes Scholarship to Oxford University, and while studying there, he gained distinction in boxing, and more importantly, he began writing songs.

He briefly pursued a performing career while in England, with hopes that success could help him toward his real goal of publishing a novel.   When this was unsuccessful, he succumbed to family pressure and joined the army in 1960.   Five years later, he left the army, which resulted in estrangement from his family, and he arrived in Nashville to pursue his songwriting craft full time.

The cuts came slowly, but after having a few chart hits by artists like Dave Dudley and Roger Miller, he became established around town.   As the sixties turned into the seventies, Kristofferson’s pen became legendary, thanks to a string of hits for other artists.   Sammi Smith’s recording of “Help Me  Make it Through the Night” won him a Grammy for Song of the Year, while he earned the CMA trophy for “Sunday Morning Coming Down” (Johnny Cash) and the ACM trophy for “For the Good Times” (Ray Price.)  Janis Joplin, who Kristofferson had dated for some time, found her greatest success after her death, as her recording of Kristofferson’s “Me and Bobby McGee” topped the pop singles chart for several weeks.

Kristofferson’s notoriety as a writer piqued enough interest in him to lead to a successful singing career of his own.  He had several well-received albums for Monument, two of which sold gold.   Radio was mostly indifferent to the projects, with the glaring exception of his stunning #1 hit, “Why Me”, in 1973.

While he continued to sing and write songs, Kristofferson’s career took a surprising turn toward Hollywood, and he became a legitimate film star, winning a Golden Globe for Best Actor starring opposite Barbra Streisand in A Star is Born.   He also had successful musical collaborations with his wife, Rita Coolidge.   Meanwhile, Nashville stars continued to record his songs, with friend Willie Nelson even recording a platinum-selling tribute album in 1979.

His last major success as a recording artist came in 1985 as part of the supergroup The Highwaymen with Johnny Cash, Waylon Jennings, and Willie Nelson.   That same year, he was inducted into the Songwriters Hall of Fame, while the Country Music Hall of Fame elected him in 2004.

Over the past two decades, he has continued to release albums of self-written material, while continuing to tour and appear in various films, including a prominent role in the Blade trilogy.
Essential Singles:

  • For the Good Times (Ray Price), 1970
  • Sunday Morning Coming Down (Johnny Cash), 1970
  • Me and Bobby McGee (Janis Joplin), 1971
  • Help Me Make it Through the Night (Sammi Smith), 1971
  • Please Don’t Tell Me How the Story Ends (Bobby Bare), 1971
  • Why Me, 1973
  • The Highwayman (with Johnny Cash, Waylon Jennings, and Willie Nelson), 1985

Essential Albums:

  • Kristofferson, 1970
  • Me and Bobby McGee, 1971
  • The Silver Tongued Devil and I, 1971
  • Jesus Was a Capricorn, 1972
  • To the Bone, 1981
  • Broken Freedom Song: Live From San Francisco, 2003

Next: #47. Rodney Crowell

Previous: #49. Toby Keith

100 Greatest Men: The Complete List

100 Greatest Men: #49. Toby Keith

Wednesday, July 4th, 2012

100 Greatest Men: The Complete List

After first finding success as a smooth country balladeer, Toby Keith got in touch with his sense of humor and aggressive bravado.  The combination made him one of the biggest country stars of the new century.

One of the few acts with primarily country roots to still get radio play, Keith cut his teeth on the music of Bob Wills and Merle Haggard while growing up in Oklahoma.   Though he always made time for performing music, his first professional pursuits were in the oil fields and in semiprofessional football.

When both avenues were effectively closed for him, he pursued his music full-time, touring honky-tonks and recording demo tapes and sides for indie labels.  One of his tapes led to a deal with Mercury Records, and it contained self-written songs which would become huge hits once sent to radio.  He was a star out of the gate, reaching #1 with his first single, “Should've Been a Cowboy.”  The 1993 hit would go on to become the most played song of the nineties.

Keith became a reliable star, consistently selling gold and platinum and scoring radio hits, but he felt limited by his image as a ballad singer in the same vein as Vince Gill.   In 1999, he left Mercury for Dreamworks.   His second single for them, “How Do You Like Me Now?!” , rebranded him as a tongue-in-cheek, cocky showman, and it set the stage for him to reach superstar status.

He won the CMA trophy for Male Vocalist in 2001, but he truly hit the pinnacle of his fame the following year when he released “Courtesy of the Red, White, and Blue (The Angry American.)”   It laid the foundation for two consecutive albums selling over four million copies, and complete domination of the radio dial, with several multi-week #1 singles that became signature songs for Keith.

His massive success led to him opening up his own label, Show Dog Records, which now has a partnership with Universal Music.   Keith's record sales slowed with the new label, but overall he's doing better because of his larger financial stake in the label and the success of his restaurant chain Toby Keith's I Love This Bar and Grill.

Most recently, Clancy's Tavern became his first album in three years to earn a gold certification, and his first in six to produce three top ten radio hits.   “Red Solo Cup”, a novelty song from the set, has become Keith's biggest single in years, and as a result, exposed him to a new, younger audience.

Essential Singles:

  • Should've Been a Cowboy, 1993
  • Who's That Man, 1994
  • How Do You Like Me Now?!, 1999
  • Courtesy of the Red, White, and Blue (The Angry American), 2002
  • Beer For My Horses (with Willie Nelson), 2003
  • I Love This Bar, 2003
  • As Good as I Once Was, 2005
  • Red Solo Cup, 2011

Essential Albums:

  • Toby Keith, 1993
  • Dream Walkin', 1996
  • Pull My Chain, 2001
  • Unleashed, 2002
  • Shock'n Y'all, 2003

Next: #48. Kris Kristofferson

Previous: #50. Don Williams

100 Greatest Men: The Complete List

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100 Greatest Men: #50. Don Williams

Wednesday, July 4th, 2012

100 Greatest Men: The Complete List

As soft-spoken off the record as on, Don Williams became known as the Gentle Giant, as he quietly racked up dozens of hits over the course of two decades.

The native Texan played guitar from a young age, and dabbled in many different genres while searching for his own definitive style.  His first professional break was as a member of the pop group the Pozo-Seco Singers in the mid-sixties.   The group had a handful of minor hits before disbanding in 1971.

Williams moved to Nashville to pursue songwriting, but eventually emerged as a solo artist.   He first recorded for JMI Records,  but broke through on ABC/Dot, scoring several top ten hits, including many #1 singles.   His most notable hits in the seventies included “Tulsa Time” and “It Must Be Love.”  He switched to the MCA roster when it acquired ABC/Dot as its own.

Despite his humble nature, the industry took notice of his talents, awarding him the CMA Male Vocalist trophy in 1979.   By that time, he was an international star, becoming a major presence in the European market while also racking up hits at home.   Recording for MCA in the eighties, the big hits continued, with his signature song, “I Believe in You”, pushing the album of the same name to platinum sales and another CMA trophy, this time for Album of the Year.

Williams continued to record for major labels after leaving MCA in 1986.  He scored his final #1 single for Capitol the same year, “Heartbeat in the Darkness.”  A stint with RCA brought him critical acclaim.  His 1991 album, True Love, produced a trio of top ten hits, but its follow-up, Currents,  received no support at radio and failed to crack the album chart, in spite of excellent reviews.

His recording and touring both slowed down after he left the major label world, but he continued to put out albums sporadically.   He even did a farewell tour in 2006, which was intended to mark his retirement.  Thankfully for fans, 2012 has brought an artistic resurgence for Williams, as his new album for Sugar Hill Records, And So it Goes, features appearances from Alison Krauss and Vince Gill.  An international tour is underway in support of the record.

Essential Singles:

  • You’re My Best Friend, 1975
  • Till the Rivers All Run Dry, 1976
  • Tulsa Time, 1978
  • It Must Be Love, 1979
  • I Believe in You, 1980
  • Lord, I Hope This Day is Good, 1981
  • Heartbeat in the Darkness, 1986

Essential Albums:

  • Volume One, 1973
  • Harmony, 1976
  • Expressions, 1978
  • Portrait, 1979
  • I Believe in You, 1980

Next: #49. Toby Keith

Previous: #51. Sonny James

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100 Greatest Men: #51. Sonny James

Sunday, July 1st, 2012

100 Greatest Men: The Complete List

Decades before Taylor Swift found her way from country to pop radio, Sonny James scored the first teenage love crossover hit, setting up a long-running career that would eventually earn him a slot in the Country Music Hall of Fame.

Sonny James hails from Alabama.   His birth name, James Hugh Loden, and he grew up in a musical clan that performed as the Loden Family.   In the band, he used the handle Sonny Loden, and his father quickly noticed that his son's talent meant the band could perform full-time.  Now dubbed Sonny Loden and the Southerners, they played radio stations and dance halls across the south, until the marriages of his bandmate sisters set in motion the band's demise.

Sonny went back and finished high school, and after a brief military stint in Korea, he returned to professional music, signing with Capitol Records.  The label suggested the stage name Sonny James, and the young singer made a name for himself on radio and television spots, while also scoring modest country hits.

His big break came with the smash hit “Young Love”, a sweet song about teenage devotion that skyrocketed to gold-selling status in 1956.  It topped the country chart for nine weeks, and reached #2 on the pop chart.   On the latter tally, its success was limited by Capitol's inability to meet demand for the 45.  Actor Tab Hunter reaped the benefits of this, and had the #1 pop single despite radio preferring James' version.

During this period, James became known as the Southern Gentleman through his various television appearances, and he joined the Grand Ole Opry cast for a time, beginning in 1962.   Throughout the early sixties, he recorded for a handful of different labels before returning to Capitol in 1963.  It was with his second stint at the label that he achieved his greatest success, scoring a stunning string of hits that included sixteen consecutive #1 singles.  In 1971, he earned a star on the Hollywood Walk of Fame.

He switched to Columbia in 1972, and for a brief period, radio played hits from his new label while also spinning records that Capitol continued to release after his departure from their roster.  As with many artists from his era, the hits slowed down as the seventies came to an end, and he reached the top ten for the 43rd and final time in 1977, with the appropriately titled, “You're Free to Go.”

James retired in 1983, but made his first television appearance in more than two decades in 2006, as he accepted his induction into the Country Music Hall of Fame.   He continues to reside in Nashville, and he makes occasional public appearances for special events.

Essential Singles:

  • Young Love, 1956
  • You're the Only World I Know, 1964
  • I'll Never Find Another You, 1967
  • It's the Little Things, 1967
  • Running Bear, 1969
  • It's Just a Matter of Time, 1970
  • Empty Arms, 1971

Essential Albums:

  • The Southern Gentleman, 1957
  • Sonny, 1957
  • Need You, 1967
  • Empty Arms, 1971

Next: #50. ?

Previous: #52. Keith Whitley

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100 Greatest Men: #52. Keith Whitley

Saturday, June 30th, 2012

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Some of the greatest artists in country music left the scene just as they reached staggering artistic heights, leaving fans to forever wonder what might have been.

Keith Whitley was born and raised in Kentucky, and was performing music from a very young age.  A prodigious talent, he was only fifteen years old when he met Ricky Skaggs while competing in a regional music contest.  The two became fast friends, and were soon performing on stage with bluegrass legend Ralph Stanley.

Whitley made two separate runs as a member of the Clinch Mountain Boys with Stanley, then performed in a group called New South, led by J.D Crowe.   After appearing on more than a dozen albums, first with the Boys and then with New South, he finally pursued a solo career in the early eighties, signing with RCA records.

His first album, A Hard Act to Follow, made little impact, but his second set, L.A. to Miami, earned him stardom. It featured his breakout hit, “Miami, My Amy”, and raised his profile considerably, but Whitley was displeased with the album's slick sound.   He truly found his voice on his first gold album, Don't Close Your Eyes, which featured three consecutive #1 hits, including the CMA Single of the Year, “I'm No Stranger to the Rain”, and the modern standard, “When You Say Nothing at All.”

Whitley became a new standard-bearer for neo-traditional country music, receiving critical acclaim that exceeded that of contemporaries like Randy Travis and Ricky Van Shelton.   With the chart success and a marriage to fellow country artist Lorrie Morgan that had just produced a son, Whitley was poised for long-term professional and personal success.

Sadly, he was battling alcoholism, a fight that he lost in May 1989, when he died of alcohol poisoning.  Amazingly, his success continued posthumously with the album, I Wonder Do You Think of Me also selling gold and featuring three big hits.   He remained a presence on radio in the early nineties through duets with other artists.   A collaboration with Morgan earned the CMA Vocal Event trophy, and a collaboration with Earl Thomas Conley reached #2 in 1991.

Whitley's recording career was brief, but much like Patsy Cline before him, his influence has cast a long shadow over the genre.

Essential Singles:

  • Miami, My Amy, 1985
  • Don't Close Your Eyes, 1988
  • When You Say Nothing at All, 1988
  • I'm No Stranger to the Rain, 1989
  • I Wonder Do You Think of Me, 1989
  • Brotherly Love (with Earl Thomas Conley), 1991

Essential Albums:

  • L.A. to Miami, 1985
  • Don't Close Your Eyes, 1988
  • I Wonder Do You Think of Me, 1989
  • Kentucky Bluebird, 1991

Next: #51. Sonny James

Previous: #53. Brooks & Dunn

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100 Greatest Men: #53. Brooks & Dunn

Thursday, June 28th, 2012

100 Greatest Men: The Complete List

The very definition of the whole being greater than the sum of its parts, two struggling solo artists came together in the nineties and became the most c0mmercially successful duo in country music history.

Kix Brooks and Ronnie Dunn both released solo work in the eighties to little fanfare, though they had encountered some success in other areas.  Brooks earned many songwriting credits, including hits by John Conlee (“I'm Only in it For the Love”), Nitty Gritty Dirt Band (“Modern Day Romance”), and Highway 101 (“Who's Lonely Now.”)  Dunn had recorded a few sides for Churchill records that received little attention, and won a nationwide talent contest in 1988 that earned him another shot to record in Nashville.

Arista Nashville founder Tim DuBois thought the two would work well together as a duo, and despite reservations on both their parts, the chemistry was immediately there.   Upon release of their debut album Brand New Man in 1991, the duo instantly shot to the top of the charts.  Thanks to a string of four #1 singles, their first album sold more than six million copies, beginning a remarkable run of success at both radio and retail.

With Dunn usually handling lead vocals and Brooks providing the most energy in their live shows, the duo had a mostly uninterrupted run, with all but their final album selling at least gold, and most selling platinum.   They won dozens of industry awards, mostly in the Vocal Duo categories, but they were also named Entertainers of the Year twice at the ACM's and once at the CMA's.

As their career progressed, their critical acclaim largely dwindled, as their emphasis on rave-ups overshadowed their often remarkable ballads.  Still, by the time they had broken up in 2009, they had accumulated 26 #1 hits and record sales in excess of 27 million, making them the top-selling duo in country music and second only to Simon & Garfunkel among duos of all genres.    Both Brooks and Dunn are now pursuing solo careers, with Dunn already scoring a #1 country album and top ten single at radio.

Essential Singles:

  • Brand New Man, 1991
  • Neon Moon, 1992
  • Boot Scootin' Boogie, 1992
  • You're Gonna Miss Me When I'm Gone, 1995
  • My Maria, 1996
  • The Long Goodbye, 2001
  • Red Dirt Road, 2003
  • Believe, 2005

Essential Albums:

  • Brand New Man, 1991
  • Borderline, 1996
  • Steers & Stripes, 2001
  • Red Dirt Road, 2003

Next: #52. Keith Whitley

Previous: #54. Hank Thompson

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100 Greatest Men: #54. Hank Thompson

Sunday, June 3rd, 2012

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A legendary star who performed for more than sixty years, Hank Thompson stayed relevant as country music slowly moved from a regional music to a national one.

Born and raised in Waco, Texas,  Thompson modeled his musical style after Texas swing greats like Bob Wills and Gene Autry.  After a stint in the navy,  Thompson developed his musical craft, putting together an outstanding backing band called the Brazos Valley Boys.   The band released a few singles on independent labels, before Tex Ritter landed them a major label deal with Capitol.

Thompson would record with Capitol for eighteen years, and most of his essential work would be recorded during that period.  Thompson and his band recorded scores of hits in the fifties, including classics like “The Wild Side of Life”, which spent fifteen weeks at #1.   Before Thompson finally went solo in 1968, the band had accumulated more than two dozen top ten singles.

Thompson was a pioneer in country music marketing, starring in the first color television variety show the genre had seen, and having the first tour with corporate sponsorship.  Along with Marty Robbins, he was one of the first to make full-length country albums with a unifying concept, and in 1961, he released country music's first big live album.

Thompson recorded solo material with Dot starting in 1968, which earned him a few scattered hits in the late sixties and the early seventies.   Like many of the country stars of his generation, his star dimmed with the arrival of the Nashville sound and the increasing urbanization (and suburbanization) of the genre's audience.  Still, he remained a huge concert draw around the world, and was inducted into the Hall of Fame in 1989.

Thompson passed away in 2007, only a month after officially retiring from live performing.

Essential Singles:

  • Humpty Dumpty Heart, 1949
  • The Wild Side of Life, 1952
  • Rub-a-Dub-Dub, 1953
  • Wake Up, Irene, 1953
  • Wildwood Flower, 1955
  • Squaws Along the Yukon, 1957

Essential Albums:

  • Songs of the Brazos Valley, 1956
  • Dance Ranch, 1958
  • Songs for Rounders, 1959
  • At the Golden Nugget, 1961
  • A Six Pack to Go, 1966
  • Smoky the Bar, 1969

Next: #53. Brooks & Dunn

Previous: #55. Roy Clark

100 Greatest Men: The Complete List

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100 Greatest Men: #55. Roy Clark

Sunday, June 3rd, 2012

100 Greatest Men: The Complete List

Thanks to a long-running syndicated television show, well-rounded entertainer Roy Clark was one of the most familiar country music personalities for more than two decades.

He grew up along the eastern coast of America, born in Virginia and living in both Staten Island, New York and Washington D.C.  Even in his youth, he refused to limit himself, pursuing boxing and baseball as passionately as the banjo.   Still, by age 17 he had performed on the Grand Ole Opry.   His stellar musicianship scored him a spot backing Jimmy Dean, and he made several appearances on Dean's D.C. television show.

After further stints backing Hank Penny and Wanda Jackson, his solo career took of in the sixties.  Though he was never a consistent hitmaker, he did record two signature songs during this decade: “The Tips of My Fingers” for Capitol in 1963, and “Yesterday, When I Was Young” in 1969.  He was better known for his appearances on variety shows and sitcoms like the Beverly Hillbillies.

His true legendary status came when he signed on as co-host of Hee Haw, the country knock-off of the very popular Laugh In.   The show was a ratings smash when it debuted in 1969, and after switching to syndication in 1971, it would remain a television staple until 1992.   Clark's combination of musicianship and humor made him an icon for the genre during an era where it still received  limited exposure on television.

The show's early run raised his profile on the radio as well, and he scored seven top ten hits between 1970 and 1976, including his only #1 single, “Come Live With Me.”   After winning the CMA award for Comedian in 1970, he was named the Entertainer of the Year in 1973.   With the advent of cable television, Clark received further exposure on televised episodes of the Grand Ole Opry, which finally made him a member in 1987.   He also helped establish Branson, Missouri as a mecca for country legends, opening his own theater there in 1983.

Clark was inducted into the Country Music Hall of Fame in 2009.

Essential Singles:

  • Tips of My Fingers, 1963
  • Yesterday, When I was Young, 1969
  • I Never Picked Cotton, 1970
  • Thank God and Greyhound, 1970
  • Come Live With Me, 1973
  • If I Had to Do it All Over Again, 1976

Essential Albums:

  • The Lightning Fingers of Roy Clark, 1962
  • Yesterday, When I was Young, 1969
  • Roy Clark Live!, 1972
  • Roy Clark's Family Album, 1973
  • The Entertainer, 1974
  • Roy Clark in Concert, 1976

Next: #54. Hank Thompson

Previous: #56. Bobby Bare

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100 Greatest Men: #56. Bobby Bare

Monday, April 9th, 2012

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With a career that has spanned seven decades, Bobby Bare's body of work has made him one of the genre's most influential and critically acclaimed recording artists.

Raised in poverty by his widowed father, Bare was on his own by age fifteen.  He built his own guitar and played in a Springfield, Ohio band before moving to Los Angeles to pursue a music career full-time.  His first single, “The All-American Boy”, was recorded under the name Bill Parsons.  It became a surprise pop hit, reaching #2 in America and the top thirty in England.

His pop career was short-lived, thanks to being drafted into the army.  When he returned from service, he resumed performing under his own name, pursuing a singing and songwriting career in the pop music field.  He shared an apartment with Willie Nelson and toured with some big pop acts, before turning his attention to country music in the early sixties.

Chet Atkins signed him to RCA in 1962, and he had a string of  big hits for the label, including classics like “Detroit City”, “The Streets of Baltimore”, and “500 Miles Away From Home.”  Bare began incorporating elements of the folk music scene into his music, and by the end of the decade, he'd established a reputation for tackling challenging material on record, including the controversial “(Margie's at) the Lincoln Park Inn.”

A brief stint on Mercury Records in the early seventies continued the streak of critically acclaimed albums, but he returned to RCA shortly thereafter. It was on that label that he released the landmark album Bobby Bare Sings Lullabys, Legends, and Lies.  The double album showcased the songs of Shel Silverstein, including the #1 hit, “Marie Laveau” and a duet with his son on “Daddy What If?”  Thus began a fruitful partnership with Silverstein that resulted in more critically acclaimed albums, though none of them would approach the commercial success of their first collaboration.

As the seventies progressed, Bare became aligned with the Outlaw movement, and by the early eighties, he was drawing on the catalog of writers such as Guy Clark and Townes Van Zandt.  After releasing his 1983 album Drinkin' From the Bottle, Singin' From the Heart, Bare took more than a decade off from recording. In recent years, he has returned to prominence through the Americana scene, and is now viewed as one of the forefathers of that fledgling musical movement.

Essential Singles:

  • Detroit City, 1963
  • 500 Miles Away From Home, 1963
  • The Streets of Baltimore, 1966
  • (Margie's at) the Lincoln Park Inn, 1969
  • How I Got to Memphis, 1970
  • Daddy What If? (with Bobby Bare, Jr.), 1974
  • Marie Laveau, 1974

Essential Albums:

  • Detroit City and Other Hits, 1963
  • 500 Miles Away From Home, 1963
  • (Margie's at) the Lincoln Park Inn, 1969
  • This is Bare Country, 1970
  • Bobby Bare sings Lullabys, Legends, and Lies, 1973
  • Down & Dirty, 1980

Next: #55. Roy Clark

Previous: #57. Kenny Chesney

100 Greatest Men: The Complete List

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