Tim McGraw Sundown Heaven Town Tim McGraw returning to form is the musical equivalent of reconnecting with an old friend, where spending a little time with them suddenly reminds you why you were such good friends in the first place. Sundown Heaven Town is McGraw’s strongest album in ten years, his best since 2004’s award-winning Live Like You Were Dying, which I still consider his strongest collection to date. In the years since that collection, he’s been chasing trends more than setting them. Each album had its strong moments, but always fewer than the previous one. His simple formula – find a great song, sing it with enthusiasm, and keep the clutter in check – got lost along the way. It’s not a coincidence that all of his recent awards attention have been for collaborations, usually with artists who hit the scene well after him. He’s been chasing trends, not Read More
Dolly Parton Blue Smoke A big step up from her last few projects, Dolly Parton’s Blue Smoke is her most balanced album since Backwoods Barbie. While it lacks cohesion due to so many different styles being used, there’s a solid entry from every kind of Dolly – country Dolly, pop Dolly, mountain Dolly, gospel Dolly, duet-with-fellow-legend Dolly. While it isn’t likely to be anyone’s favorite Dolly Parton album because of this, it’s also unlikely that any fan of hers won’t find something here that reminds them of why they became a fan in the first place.
Miranda Lambert Platinum Miranda Lambert’s life experience has caught up with her talent. Platinum is a confident, intelligent record that weaves the themes of nostalgia, femininity, and celebrity together over sixteen tracks. It’s a cohesive set, with lead single “Automatic” making much more sense in the context of the full album. It’s also remarkably, defiantly country, which shows more of a rock-and-roll attitude these days than rocking out does.
Wrecking Ball: Deluxe Edition
Nonesuch has released an impressive deluxe edition of the landmark Emmylou Harris album, Wrecking Ball. For those who are new to the set, this is the edition you should buy. But it’s also worth the upgrade for those who already have this set in their collection.
Produced by Daniel Lanois, this album was a stunning departure for Harris, so much so that she personally requested that it not be eligible for the country charts. That’s funny in retrospect, given that alongside legends like Jimi Hendrix, Bob Dylan, and Neil Young, the album was anchored by compositions by up-and-coming songwriters like Gillian Welch, Lucinda Williams, and Julie Miller. With further cuts by writers like Anna McGarrigle, Steve Earle, and Rodney Crowell, Wrecking Ball helped set a template for what would become a vibrant Americana scene over the years that followed.
Modern bluegrass legend Rhonda Vincent shows off two sides of her musical repertoire with her delightful new album Only Me, which is split across two six-track discs. The first disc is a collection of bluegrass songs, while the second showcases Vincent’s prowess in performing traditional country music.
Our Brandy Clark coverage continues with a round table review of her hotly anticipated debut album, which is out this today.
She teased us earlier this year with “Stripes,” which I proudly awarded a solid A in my review of the song, calling it “a clever and original, not to mention humorous, twist on a tried-and-true country music theme.” It was more than enough to whet our appetites for the album to follow, which ended up going so far as to supersede expectations.
Alabama & Friends
To recognize the impact that Alabama has had on modern country music, you could consider their millions of albums sold, their hundreds of awards, their many #1 songs or their induction into the Country Music Hall of Fame in 2005. You could also look at how the boys from Fort Payne, Ala. have the distinction of bringing something entirely new into country music.
Pam Tillis & Lorrie Morgan
If you have a soft spot for the great country artists of the nineties – particularly the generation of mature, articulate women who ruled the genre for much of the decade – the announcement of a duets album between Pam Tillis and Lorrie Morgan was likely a tremendous cause for excitement. With both ladies being second-generation country stars, Opry members, touring partners, and great friends, a studio collaboration would seem a natural progression, and the lofty potential is obvious.
As you may have noticed, the Country Universe staff loves to find ways to participate in joint writing projects. So, while it won’t be the exclusive way that we review albums, we thought we would give a new, more collaborative album review format a try. As an offshoot of our Round Table Single Reviews, which could become repetitive when we all agreed on a particular track, we are test-driving Round Table Album Reviews, which will give us all a chance to weigh in on different tracks and aspects of a single album. With this format, even if we all generally positively (or negatively) agree on an album, as happens to be the case here, we still have room for a variety of perspectives.