My earliest Christmas memory is 1985. I was six years old, still believed in Santa Claus, and like my older sister, I was on the receiving end of plenty of gifts that I never would’ve thought to ask for.
This particular Christmas, I had asked for a cassette of Soul Kiss, of all things. I had seen a video on HBO of a song from the album, and somehow my parents were able to figure out how to get that specific tape, which I hadn’t asked for by title. So it was in my stocking. No big deal.
This year, instead of writing about this year’s crop of Christmas projects individually, I’ve decided to round them up in one post in an effort to make sure I acknowledge all of them. Unless I’ve overlooked one, the only album that will be omitted from this roundup is Shelby Lynne’s Christmas album, which is super good/compelling and funky, so it deserves its own review and it will come as soon as I figure out how to write about it.
Let the fun begin!
Carter’s Chord, Christmas
As Toby Keith’s best discovery so far, Carter’s Chord is a talented sister duo that hasn’t yet gotten the success that they deserve. With only one digitally released studio album that has received criminally little attention, they’ve still managed to deliver a delightful 4-song EP that would be well worth adding to your Christmas collection.
Instead of bombarding our readers with a million Christmas posts, we thought it would be more efficient to gather a bunch of 2009’s Christmas singles and provide a quick rundown in one post. So, in no particular order, here are my thoughts on this year’s Christmas singles.
Carter Twins, “Let It Snow” (Listen)
This brother duo treats this lightweight classic with an unimaginative contemporary production. It does not bring anything interesting to the table and is, mercifully, an all in all forgettable track.
It’s a shame that the most talented act (besides Keith himself, of course) on Toby Keith’s Show Dog label has not gained any traction in the last couple of years. It seems that, so far, the only way Carters Chord will be heard is through digital downloads, as their very good 2008 studio album was only released in digital form. Likewise, they have just released a 2-song Christmas EP that contains a pretty version of “O Come, O Come Emanuel” and a sassy interpretation of “Santa Baby.” Both tracks are well produced with prominent dobro and acoustic guitar in the mixes. “Santa Baby” is less whimsical and more assertive than the original version. “O Come O Come Emanuel” is well sung with beautiful sister harmonies and very few vocal gymnastics.
A Guest Contribution
by Stephen Fales
“the night was freezing cold, from a heavy snow that day, we warmed our hearts on old time songs and danced the night away” — Gordy/Loveless
Back in 2001, Patty Loveless made a wondrous, rustic and rootsy album called Mountain Soul, a stunningly beautiful and highly acclaimed work of art. Mountain Soul was a natural evolution for the coal miner’s daughter Loveless, who has always been known for the passionate mountain sound that she brings to her award winning Country repertoire. Mountain Soul is potential realized, a bountiful harvest that Loveless continues to cultivate to this day, her current masterwork Mountain Soul II being her most recent offering.