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George Strait Honored As Artist of the Decade

May 28, 2009 Leeann Ward 43

There is really no new way to pontificate about the fascinating longevity of George Strait’s career. Many, including myself, have speculated regarding the many possible reasons behind his staying power, but it is more than likely that many of the factors that we have already considered could be easily applied to other artists with lesser careers to show for it. Therefore, the consensus that can be agreed upon by most everyone is that George Strait is consistent. In the last three decades, without being loud or splashy in any way, Strait has consistently remained a vibrant country music artist, both on the charts and in concert sales. As a result, he is one of the most respected, if not intriguing, artists in the business.

On May 27, the Academy of Country Music honored George Strait as their Artist of the Decade in a two hour CBS special. The show consisted of many of today’s biggest artists paying homage to Strait by singing the songs of the Man of Honor.

Unlike most tribute shows, this show moved along at a reasonably fast clip with few over-dramatic or slick moments to weigh it down, which was highly appropriate considering the man who was being honored that night.

The show opened with a rousing version of Strait’s Cajun flavored “Adalida” ably performed by Sugarland. Jennifer Nettle’s exaggerated drawl, while very different from Strait’s laid back vocals, gave the song energy and seemed to be a wise way to invigorate the crowd. Other energetic performances included a rocked up version of “All My Exes Live in Texas” by Jack Ingram, which was fun but lacked the whimsical charm of Strait’s western swing flavored interpretation. Alan Jackson did a faithful steel laden cover of “The Fireman”, which is always sung at events such as these, though it’s certainly not one of Strait’s most interesting classics.

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Please Re-Release Me

April 18, 2009 Kevin John Coyne 7

When Pam Tillis was at her commercial peak, I thought it was only a matter of time before Warner Bros. capitalized on her sucess by issuing the 1983 pop album she made for the label, Above and Beyond the Doll of Cutey.

They didn’t, so I had to settle for a cassette copy that a friend transferred to CD for me. Now, a full 26 years after its initial release, the album is being issued on CD for the first time, courtesy of Wounded Bird Records. It streets June 9.

It’s far from the best album that Tillis has released, but the completist in me will appreciate having it in digitally remastered sound. I’ve spent the past two weeks transferring old Dolly Parton albums, with and without Porter Wagoner, from vinyl to CD. It’s nice to finally have the songs in some form, and Paul W. Dennis of The 9513 was generous enough to fill in the gaps.

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The Untouchables

April 15, 2009 Guest Contributor 23

The following is a guest contribution from Charles H. Geier. Charles runs two excellent sites of his own – The Widening Geier and Sports Statistics: By the Numbers.

Country music is a genre which I have come to appreciate largely through osmosis. My parents did not play it in the house or the car when I was growing up. New York has had trouble maintaining a quality country station, and even when it has, the radio dial did not find its way down there often.

My youth occurred before the internet and satellite radio, and our tape deck for car trips tended to be filled with Phil Collins, Paul Simon and the soundtrack to various musicals (being the youngest, my objections were drowned out by “Diamonds on the Soles of her Shoes”…etc). My mother did occasionally refer to my father’s affinity for Glen Campbell’s “Wichita Lineman”, but mostly because he would never sing past the first seven words.

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The Beauty of Susan Boyle

April 14, 2009 Kevin John Coyne 13

I was going to connect this somehow to country music, perhaps by discussing K.T. Oslin’s sudden stardom at age 45, or seeing award show winners like Cal Smith or Suzy Bogguss completely stunned and humbled by the recognition of their talent.

But I’m really just sharing this because it made me smile broadly and think of the world as a better, brighter place.

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Dan Milliken is “Goin’ Green”

April 13, 2009 Leeann Ward 34

In conjunction with Earth Day and the global Earth Hour initiative, Belmont University is holding a contest to find their official “green” song. Five songs were chosen by a panel of professional songwriters, faculty members

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Recommend A Track: Shot to The Heart

March 28, 2009 Leeann Ward 15

Last Thursday, Bill and I celebrated our fifth wedding anniversary. It’s been a wonderful run so far. Of all the positive things that I can say, my favorite thing about our marriage is that we

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Random Question about Kellie Pickler

March 3, 2009 Kevin John Coyne 27

Entertainment Weekly included a song from Kellie Pickler among its selections for the Ultimate American Idol playlist. The title of the song – “Rocks Instead of Rice” –  caught my attention. Take a listen: httpv://www.youtube.com/watch?v=5habfvPIwcQ

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My Start in Country Music

March 2, 2009 Guest Contributor 11

The following article is by guest contributor and Country Universe commenter, Craig R. My Start in Country Music By Craig Ross My memories only started collecting at age four. That year, 1969, my uncle was

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An Evening with Carrie Underwood

February 22, 2009 Guest Contributor 19

The following is a guest post by longtime reader Vanessa Prince. She shares a story about Carrie Underwood that has also been featured in Country Weekly. When fate called, I was napping. The phone would

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Ten Ways to Fix the CMA Awards

November 15, 2008 Kevin John Coyne 15

The CMA Awards should be the evening every year where country music is shown in the best possible light. However, it’s been many years now since the CMA fully took advantage of the opportunities that prime-time

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