We can thank the shortsighted radio consultant Keith Hill for one thing: drawing attention to the women of country music in a year where so many of them are making outstanding music. As their mainstream counterparts cycle through a series of one-note styles and themes, female country artists are putting out diverse and decidedly more progressive music, even as they draw influence from previous generations. That they do so while supporting each other makes it all the more impressive.
Women of Country on Women in Country
In 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable. That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency. It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the Read More
Women of Country on Women in Country: Miranda Lambert
On the voice of women on country radio:
“I don’t know what’s going on with all the other great female artists. I don’t know where the connection is off right now as far as the airplay….I champion the females. I’m a huge fan of female artists, and strong females in general. I’m proud of them, and I’m so thankful I’ve been able to follow in the footsteps of the ones before me, and I’m holding the door open for the ones that want to follow behind me. This is just one of those waves where females are struggling a little bit, but we’ll come back around and be a force to be reckoned with.”
On the nineties:
“What I loved about being a woman in country music was there was something for everybody. There were a handful of us, probably 10 of us that were doing really, really well, but we were all a little bit different and I always thought it was easier.
People always said it’s so hard for a woman, but it’s easier because if you were a guy back in the 90’s you had two choices: You either wore the hat or you didn’t. So it was hard to distinguish yourself. As a woman it was easy because your image could be so completely whatever you wanted it to be. It was an awesome time to be a woman in the business.”