Grammy Awards 2012: Staff Picks & Predictions

February 11, 2012 // 2 Comments

The 54th annual GrammyAdele Awards air this Sunday at 8 p.m. Eastern. Look for appearances by Miranda Lambert, Dierks Bentley and Lady Antebellum as well as country-ish performances by Jason Aldean, Glen Campbell (with the Band Perry and Blake Shelton), Taylor Swift and Carrie Underwood. We’ve picked and predicted the awards below – share your thoughts, and be sure to drop by on Sunday night for our live blog!

Someone Like You

September 1, 2011 // 25 Comments

I didn’t expect much.

I’ve had the Adele album for a good bit now, and “Someone Like You” is my favorite track on it. I’d already heard how the song shot to #1 in the U.K. after she performed it on the Brit Awards.

I checked out that performance, and thought it was good. Not great, but good.

The 30 Day Song Challenge: Day 25

June 3, 2011 // 17 Comments

Today’s category is…

A Great Song That You Discovered After Everybody Else Already Heard It.

Here are the staff picks:

Dan Milliken: “Lord I Hope This Day is Good” – Don Williams

What can I say? I like to think I have a strong overview-type knowledge of country music, but I guess everyone’s got some inexplicable holes in their cultural patchwork. I’ve known of this classic by name for years and have listened through a fair amount of other Don Williams, but I’d never actually bothered to fire the song up until Leeann used it as her pick for one of these categories the other day. Good stuff, though.

The 30 Day Song Challenge: Day 24

June 2, 2011 // 21 Comments

Today’s category is…

A Great Song You Just Discovered.

Here are the staff picks:

Leeann Ward: “The Last Bus” – Zoe Muth and the Lost High Rollers

One of my favorite moments is when I put my iPod on shuffle and discover a song that I’ve never heard before and fall in love with it. Such an occasion occurred a few weeks ago. I’ve had this Zoe Muth album for quite some time, but as often happens, I bought the album and hadn’t gotten around to listening to it yet.

The song has my favorite kind of gentle instrumentation and Muth’s performance exudes the kind of melancholy that is easy to get wrapped up in, which is a testament to a well interpreted and well crafted song.