Today’s Daily Top Five asks you to pick the five albums you would use to make a case for country music to the unconverted listener. Here are the five albums I would lend/rip/share in a .zip to someone willing to give country music a chance: Dixie Chicks, Home Tim McGraw, Live Like You Were Dying Reba McEntire, For My Broken Heart Alan Jackson, A Lot About Livin’ (and a Little ‘Bout Love) Shania Twain, The Woman in Me What are your Top Five Country Convert Albums?
There’s a cool Guy Clark documentary Kickstarter campaign happening right now that I encourage country music lovers to check out and, perhaps, make a pledge toward. Long time publicist, biographer and Guy Clark champion, Tamara Saviano, is in the process of producing and directing a documentary on Clark, a revered songwriter in country music. The campaign is already almost fully funded, which is a testament to the wide and strong impact of Clark. However, while they’ve almost raised the initial funds, any extra money on top of that modest goal will only allow the documentary to be even better than it already promises to be, not to mention the opportunities for various perks that are offered to backers of the project. After reading about and pledging to this campaign, I’ve been going down a Guy Clark Rabbit hole for the last couple of days, which has included listening to songs Read More
As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year. How many of those albums, however, will we still be listening to in twenty years? We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year. At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago. What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into Read More
The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre. #10 “(Who Says) You Can’t Have it All” Alan Jackson Written by Alan Jackson and Jim McBride LW #10 | BF #5 | JK #38 What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward
Our Best of 1994 Singles List kicks off today with the bottom quarter of our top forty. The list was compiled by weighing each individual writer’s choices, with preference given to songs that appeared on multiple lists. Each writer’s individual ranking is listed under the songwriter credits. Bonus retro fun: Check out those cassette singles covers! #40 “Livin’ on Love” Alan Jackson Written by Alan Jackson SG #14 | JK #23 | BF #37 Country music has, historically, given voice to those disenfranchised by poverty, validating and finding the value in the struggles of economic hardship. What elevates the appropriately bare-bones narrative of “Livin’ on Love” is the warmth and real sense of empathy in Jackson’s performance. – Jonathan Keefe
Country Universe has reviewed more than a thousand singles during its ten year run. Some of them have been real turkeys. Here are some of the worst, with highlights and links to the original reviews. “Party Like Cowboyz” Big & Rich Reviewed on December 12, 2012 “Yes, from the opening cry of ‘Come on, cowboys and cowgirls, it’s time to par-tay!’ to the stupid ‘Z’ slapped onto the end of the title, this is just bad, bad, bad.” – Ben Foster
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
100 Greatest Men: The Complete List The Poet of the Common Man. Merle Haggard emerged from the Bakersfield music scene in the mid-sixties, and over the course of time, became the greatest man in the history of country music. Born during the height of the Great Depression, the son of a honky tonk fiddler and a church-going mother, Haggard’s life was a hard one from early on. When he lost his father at age nine, he rebelled to the point that much of his youth was spent in juvenile detention centers. His only positive outlet was country music, and he listened to and studied obsessively the work of his heroes Bob Willis, Hank Williams, and Lefty Frizzell, all of whom would shape his singing and his songwriting.
“Burnin’ it Down” Jason Aldean Written by Rodney Clawson, Tyler Hubbard, Brian Kelley, and Chris Tompkins Country music isn’t historically prudish. It covers the topical gambit of love, drinking, cheating, murder and, yes, even passion. Conway Twitty, Alabama, Charlie Rich, even Alan Jackson ,as well as many others, haven’t shied away from memorably singing about sexual intimacy. But their songs maintained a respect for the intimacy, which Jason Aldean’s “Burnin” it Down” grossly fails to do. Instead, the song is high octane graphic with no sense of real intimacy and nothing left up to the imagination.
100 Greatest Men: The Complete List Since arriving on the country music scene in 1989, Alan Jackson has become one of the most critically acclaimed and commercially successful superstars to ever call country music home. Amazingly, in this modern era, he did it all as a traditionalist. Hailing from small town Georgia, Jackson started with singing gospel, but by his teenage years, he was already part of a local country duo. He worked odd jobs while performing with his country band, and got his first big break when his wife, Denise, passed on his demo tape to Glen Campbell after a chance meeting in an airport. He encouraged them to move to Nashville, and Jackson continued to work odd jobs while honing his craft as a singer and songwriter.