11:33 Ben: I had a blast. Big thanks to Dan for doing a bang-up job leading the live blog, and thanks to everyone who partipated in the comments. See y’all at ACM season!
11:32 Tara: Thanks for hanging out, y’all! Tonight’s show kind of grew on me, with its surprising focus on the music (how quaint). And lest we forget: when Adele wins, we all win.
11:27 Dan: And we close the show with a spirited “Carry that Weight” with Paul McCartney, The Boss, Dave Grohl, and a bunch of guitar dudes I’m ashamed to say I don’t recognize. Slow night, but some really nice moments!
Whenever we get new music from Alison Krauss & Union Station, there are two things we can generally count on: stellar musicianship, and pure, naturally beautiful vocals. Still, one variable is whether or not the music builds on the group’s tried-and-true musical formula of modern-bluegrass-meets-adult-pop, and moves it forward such that the approach does come across as merely business-as-usual. Last year’s set Paper Airplane contained the usual goods, but suffered to some extent from what one might call the plodding midsection syndrome – a cluster of competent but not particularly memorable tracks bookended by moments of brilliance.
The countdown continues to continue. Scroll down to the bottom to hear samples of each song and to share your comments!
Top 40 Singles of 2011, Part Three: #20-#11
Joey + Rory
Individual Rankings: #6 – Sam; #15 – Leeann; #17 – Ben
Joey Feek is not a woman to be trifled with. Blow off a day with her to go fishing with your buddies, and be prepared for a holdout that would make the recent NBA lockout look like a bathroom break. Along with a steel guitar-centric, pure country sound, the song’s humor doesn’t wear thin after repeated listenings. (Are you paying attention, Brad “Camouflage” Paisley?) – Sam Gazdziak
Of course, it’s not just the Americana acts that can’t get radio play these days. Even top-selling albums by Scotty McCreery and Alison Krauss & Union Station weren’t embraced.
Country Universe editors and contributors each submitted a list of their ten favorite albums of 2011. 31 different albums were included on our lists, and over the next two days, we’ll share with you our collective top twenty.
Top Twenty Albums of 2011, Part One: #20-#11
Beat the Devil and Carry a Rail
His tenure with the Punch Brothers and his winning of the first annual “Steve Martin Prize for Excellence in Banjo and Bluegrass” in 2010 both earned Noam Pikelny the clout to release Beat the Devil and Carry a Rail, his second solo album and first since 2004. Joined by an all-star roster of fellow pickers, Pikelny’s mostly instrumental set is a showcase both for its lead artist’s extraordinary technical skills and for the banjo’s wide-ranging potential. – Jonathan Keefe
Cover songs can be a hot topic at just about any given time. We recently got to hear a somewhat underwhelming OneRepublic cover by Faith Hill, which Kevin recently reviewed. Other recent attempts include Sara Evans’ pop-country reworking of Rod Stewart’s “My Heart Can’t Tell You No,” as well as last year’s polarizing Beyoncé cover by Reba McEntire.
Since cover songs are so much fun to talk about, I thought I’d weigh in on a few well-known cover songs from the past few years – the good ones, as well as a few that we would rather forget. My criteria is simple: A good cover song should bring something new to the table, and the song should be treated in a way that is well-suited to the artist as well as the genre. This list focuses specifically on country covers of non-country songs.
I’ve had the Adele album for a good bit now, and “Someone Like You” is my favorite track on it. I’d already heard how the song shot to #1 in the U.K. after she performed it on the Brit Awards.
I checked out that performance, and thought it was good. Not great, but good.
A Relaxing Song.
Here are the staff picks:
Dan Milliken: “Can’t Go Back Now” – The Weepies
This husband-wife duo’s sound is mega-soothing, the perfect match for a song which gently nudges the listener to persevere through reality’s burdens and chores. When I need relaxation, it’s usually because I’ve stopped feeling like I can. This one helps me realign.
As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.
400 Greatest Singles of the Nineties: #75-#51
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3
This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne
1993 | Peak: #1
Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward