Posts Tagged ‘Asleep at the Wheel’

100 Greatest Men: #65. Asleep at the Wheel

Saturday, March 3rd, 2012

100 Greatest Men: The Complete List

It’s an old saying that Ray Benson most certainly would agree with: “It don’t mean a thing if it ain’t got that swing.”

Asleep at the Wheel has undergone many lineup changes since it was formed in 1970 by Benson, Lucky Oceans, and Leroy Preston.  They were joined shortly thereafter by Chris O’Connell, a female singer.  They started out as a country band, but their sound was forever changed by Merle Haggard’s tribute album to Bob Wills.  Since hearing that seminal album, they’ve been devoted to both the preservation and development of Western Swing.

Their debut album was released in 1973 by United Artists, but the band laid down roots in 1974 when they moved to Austin, Texas.  They recorded for a variety of major labels in the seventies and eighties, and had significant commercial success with four albums for Capitol.  The band became widely known for their outstanding live performances, and scored a few hits at country radio, too.

Early on in the band’s run, the lineup began to change, which has become a trademark of the band that has aided its incredible longevity.  The one constant has always been frontman Ray Benson, who has kept the band relevant through bringing in new talent regularly and through creative collaborations with other artists.  They’ve won a remarkable eight Grammy awards, including six for Best Country Instrumental Performance.

Their commitment to preserving the legacy of Bob Wills resulted in two widely hailed and warmly embraced tribute albums: 1993′s A Tribute to the Music of Bob Wills and the Texas Playboys, and 1999′s Ride with Bob.  The former earned a CMA nomination for Album of the Year, and the latter brought the band back to the country singles chart, thanks to unsolicited airplay for “Roly Poly”, a duet with the Dixie Chicks.

To celebrate Wills’ centennial, Benson starred in a touring musical called A Ride with Bob, where he played himself touring the life of Wills as his band plays along. The show received rave reviews, and one show was even attended by President George W. Bush and First Lady Laura Bush.

In 2009, almost three decades after the band first formed, they had the highest-charting album of their career with Willie and the Wheel, a collaboration with fellow Austin icon Willie Nelson.

Essential Singles:

  • Choo Choo Ch’Boogie, 1973
  • The Letter that Johnny Walker Read, 1975
  • Route 66, 1976
  • House of Blue Lights, 1987
  • Red Wing, 1993

Essential Albums:

  • Comin’ Right at Ya, 1973
  • Texas Gold, 1975
  • Asleep at the Wheel, 1985
  • Ten, 1987
  • A Tribute to the Music of Bob Wills and the Texas Playboys, 1993
  • Willie and the Wheel (with Willie Nelson), 2009

Next: #64. Jerry Reed

Previous: #66. David Houston

100 Greatest Men: The Complete List

The 30 Day Song Challenge: Day 14

Sunday, May 22nd, 2011

Today’s category is…

The First Song You Remember Liking.

Here are the staff picks:

Tara Seetharam: “She’s Not Cryin’ Anymore” – Billy Ray Cyrus

Cyrus released “Achy Breaky Heart” when I was seven years old, and I fell for it. The upside? My mom bought me his Some Gave All cassette tape, and I fell in love with “She’s Not Cryin’ Anymore.” It was the first song in my life to grip me with emotion, which would later come to define my bond with music.

Kevin Coyne: “I Love Rock’ n Roll” – Joan Jett & The Blackhearts

I know that it was either this or “Physical”, but I’m pretty sure it was this one because I have foggy memories of this being turned up for my amusement in the car when I was a small child. This is what happens when you’re a child of the eighties.

Dan Milliken: “Keep on Dancing” – The Gentrys

This is just my best guess. My dad used to crank this oldie in our living room and literally swing me and my little sister around in the air to it when we were young. I sometimes wonder if my preference for uptempo material (regardless of actual emotional tone) was established right there.

Leeann Ward: The songs of Raffi

I don’t have a particular song in mind, but when I think about it, I realize that the first music that I remember really liking was from Raffi, a children’s’ singer. There was a particular cassette that I was obsessed with (recorded by my dad from the TV), which was a recording of a concert that aired on the Disney channel and subsequently released on CD a few years later.

As an adult when I revisited the album, along with Raffi’s Christmas album, I realized that the instrumentation closely resembled the sounds of country music. In fact, the country music community released a tribute to Raffi, which includes adorable recordings by the likes of Keith Urban, Marty Stuart, Kathy Mattea, Lee Roy Parnell, Lari White, Elizabeth Cook, Eric Heatherly, Alison Krauss and Asleep at the Wheel, among others.

My favorite track from the tribute is Raul Malo’s version of “Thanks A Lot” (not the Ernest Tubb song). Although I didn’t fall in love with country until I was a young adolescent, as I see it, loving Raffi music proves that I was wired to naturally love country music, even as a young child.

ACM Flashback: Album of the Year

Sunday, March 28th, 2010

The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons.  First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start.  The ACM has also been more commercially-oriented from the beginning, as the history of this category proves.  Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.

Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs.  Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek!  At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.

A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010.  For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.

As with other flashbacks, we begin with a look at this year’s nominees:

2010

  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Brad Paisley, American Saturday Night
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands.  Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot.  This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.

2009

  • Jamey Johnson, That Lonesome Song
  • Montgomery Gentry, Back When I Knew It All
  • George Strait, Troubadour
  • Taylor Swift, Fearless
  • Carrie Underwood, Carnival Ride

Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.

2008

  • Rodney Atkins, If You’re Going Through Hell
  • Kenny Chesney, Just Who I Am: Poets and Pirates
  • Miranda Lambert, Crazy Ex-Girlfriend
  • Brad Paisley, 5th Gear
  • Taylor Swift, Taylor Swift

A visibly shocked Lambert accepted the trophy for her critically acclaimed sophomore set.  While it did go gold, it remains an anomaly among ACM album winners. You have to go all the way back to 1979 (Oak Ridge Boys) to find another ACM album winner that didn’t sell platinum or higher.

2007

  • Brooks & Dunn, Hillbilly Deluxe
  • Vince Gill, These Days
  • Rascal Flatts, Me and My Gang
  • George Strait, It Just Comes Natural
  • Carrie Underwood, Some Hearts

Carrie Underwood became the first solo female artist to win this award in eleven years with her 7 million-selling Some Hearts.

2006

  • Gary Allan, Tough All Over
  • Brad Paisley, Time Well Wasted
  • Rascal Flatts, Feels Like Today
  • Sugarland, Twice the Speed of Life
  • Lee Ann Womack, There’s More Where That Came From

A strikingly strong lineup, with the victory going to Brad Paisley. Due to differences in eligibility between the two shows, there are two CMA winners in this category. Not only did Paisley repeat his victory the following fall, Womack won the CMA the previous year.

2005

  • Kenny Chesney, When the Sun Goes Down
  • Sara Evans, Restless
  • Tim McGraw, Live Like You Were Dying
  • Keith Urban, Be Here
  • Gretchen Wilson, Here for the Party

Though he’s always been popular with the CMA and Grammy voters, Urban’s only Album award to date came courtesy of the ACMs. Oddly enough, they haven’t nominated him since.

2004

  • Brooks & Dunn, Red Dirt Road
  • Toby Keith, Shock’n Y’All
  • Martina McBride, Martina
  • Brad Paisley, Mud on the Tires
  • George Strait, Honkytonkville

On an evening where he won several major awards, Keith picked up his second Album of the Year trophy from the ACMs for an album that included the #1  hits “American Soldier”, “Whiskey Girl”,  and “I Love This Bar.”

2003

  • Kenny Chesney, No Shoes, No Shirt, No Problems
  • Dixie Chicks, Home
  • Alan Jackson, Drive
  • Toby Keith, Unleashed
  • Trick Pony, On a Mission

If you think all of those 2009 nominations for Heidi Newfield were surprising, check out Trick Pony’s presence in this category among four albums that sold more than 4 million copies each.  Alan Jackson picked up his third trophy in this category for the album that included “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”.

2002

  • Brooks & Dunn, Steers & Stripes
  • Toby Keith, Pull My Chain
  • Tim McGraw, Set This Circus Down
  • Soundtrack, O Brother, Where Art Thou?
  • Travis Tritt, Down the Road I Go

Big comeback albums for Brooks & Dunn and Travis Tritt were nominated, but it was no surprise to see the victory go to the landmark soundtrack that sold more than eight million copies in the end.

2001

  • Johnny Cash, American III: Solitary Man
  • Billy Gilman, One Voice
  • Toby Keith, How Do You Like Me Now?!
  • Brad Paisley, Who Needs Pictures
  • Lee Ann Womack, I Hope You Dance

Even Keith was a veteran in comparison to Gilman and Paisley, who were nominated with their debut albums, but the biggest surprise was the nomination of Cash for his third project with Rick Rubin. Even the CMA didn’t recognize those collaborations until the fourth volume and “Hurt.”

2000

  • Asleep at the Wheel, Ride With Bob
  • Dixie Chicks, Fly
  • Faith Hill, Breathe
  • George Jones, Cold Hard Truth
  • Tim McGraw, A Place in the Sun

An impressively eclectic lineup is unsurprisingly represented by the consensus choice Dixie Chicks, the one act that everybody used to agree on.

1999

  • Garth Brooks, Double Live
  • Dixie Chicks, Wide Open Spaces
  • Faith Hill, Faith
  • Jo Dee Messina, I’m Alright
  • George Strait, One Step at a Time

For the fourth time in the nineties, the trophy went to an artist’s breakthrough album.  After their shocking win at the Grammys a few weeks earlier, this Dixie Chicks victory wasn’t quite as surprising.

1998

  • Garth Brooks, Sevens
  • Patty Loveless, Long Stretch of Lonesome
  • Tim McGraw, Everywhere
  • George Strait, Carrying Your Love With Me
  • Shania Twain, Come On Over

Strait’s third victory in this category tied him with Alabama for most wins.  It was also his first album to top the overall Billboard 200, a feat he’s repeated with three additional albums.

1997

  • Brooks & Dunn, Borderline
  • Tracy Lawrence, Time Marches On
  • Patty Loveless, The Trouble With the Truth
  • LeAnn Rimes, Blue
  • George Strait, Blue Clear Sky

Strait’s victory came with an album that featured the #1 hits “Blue Clear Sky” and “Carried Away”, along with the rodeo-themed “I Can Still Make Cheyenne.”

1996

  • Brooks & Dunn, Waitin’ On Sundown
  • Patty Loveless, When Fallen Angels Fly
  • Tim McGraw, All I Want
  • George Strait, Lead On
  • Shania Twain, The Woman in Me

Although Loveless won the CMA award the previous fall, the ACM sided with the Grammy winner for Best Country Album, Shania Twain’s landmark set, The Woman in Me.

1995

  • Garth Brooks, In Pieces
  • Mary Chapin Carpenter, Stones in the Road
  • Vince Gill, When Love Finds You
  • Alan Jackson, Who I Am
  • Tim McGraw, Not a Moment Too Soon

McGraw’s only victory in this category came with his first nomination. This set remains his top-selling to date, thanks to the presence of the massive hits “Don’t Take the Girl”, “Indian Outlaw”, “Down on the Farm”, and the title track.

1994

  • Brooks & Dunn, Hard Workin’ Man
  • Billy Ray Cyrus, It Won’t Be the Last
  • Vince Gill, I Still Believe In You
  • Alan Jackson, A Lot About Livin’ (And a Little ‘Bout Love)
  • Various Artists, Common Thread: The Songs of the Eagles
  • Dwight Yoakam, This Time

Alan Jackson picked up his second victory in this category with an album that included “Chattahoochee”, which would remain his biggest hit for nearly a decade.

1993

  • Garth Brooks, The Chase
  • Brooks & Dunn, Brand New Man
  • Mary Chapin Carpenter, Come On Come On
  • Billy Ray Cyrus, Some Gave All
  • Wynonna, Wynonna

These are some big selling albums. Wynonna and Mary Chapin Carpenter both sold five million and they are tied for last place among the nominees.  It’s easy to forget how fresh the Brooks & Dunn sound was when it first arrived on the scene.  Five hits, including the classic title track, “Neon Moon”, and “Boot Scootin’ Boogie”, helped power them to a win.

1992

  • Garth Brooks, No Fences
  • Garth Brooks, Ropin’ the Wind
  • Alan Jackson, Don’t Rock the Jukebox
  • Ricky Van Shelton, Backroads
  • Travis Tritt, It’s All About to Change

In perhaps the most bizarre moment in this category’s history, Garth Brooks competed again with No Fences, which won the same award last year. Alan Jackson emerged victorious with his sophomore set.

1991

  • Alabama, Pass it On Down
  • Garth Brooks, No Fences
  • Vince Gill, When I Call Your Name
  • Alan Jackson, Here in the Real World
  • Ricky Van Shelton, RVS III

No Fences includes the Garth Brooks classics “Friends in Low Places”, “Unanswered Prayers”, and “The Thunder Rolls”. It remains his highest-selling album to date, and second only to Shania Twain’s Come On Over among all single-disc country albums in history.

1990

  • Clint Black, Killin’ Time
  • Rodney Crowell, Diamonds and Dirt
  • Kathy Mattea, Willow in the Wind
  • Nitty Gritty Dirt Band, Will the Circle Be Unbroken? Vol. II
  • Randy Travis, Old 8×10

The winning album demonstrates why Clint Black was the head of the Class of ’89, even though he’d soon be overshadowed by fellow newbie Garth Brooks.

1989

  • Vern Gosdin, Chiseled in Stone
  • K.T. Oslin, This Woman
  • Ricky Van Shelton, Loving Proof
  • George Strait, If You Ain’t Lovin’ You Ain’t Livin’
  • Dwight Yoakam, Buenos Noches From a Lonely Room

K.T. Oslin dominated the awards circuit in 1988 and 1989, with her final victories coming at the ACM Awards.  Her Album of the Year winner included the #1 hit “Hold Me”, along with the top five hits “Hey Bobby” and the title track.

1988

  • The Judds, Heart Land
  • Dolly Parton, Linda Ronstadt, and Emmylou Harris, Trio
  • George Strait, Ocean Front Property
  • Randy Travis, Always and Forever
  • Hank Williams Jr., Born to Boogie

The classic project by legends Dolly Parton, Linda Ronstadt, and Emmylou Harris also won a CMA for Vocal Event and a Grammy for Best Country Performance by a Duo or Group with Vocals.

1987

  • The Judds, Rockin’ With the Rhythm
  • Ricky Skaggs, Live in London
  • George Strait, 7
  • Randy Travis, Storms of Life
  • Dwight Yoakam, Guitars, Cadillacs, Etc., Etc.

The neo-traditionalist movement at its peak, with a win by its standard-bearing artist with his standard-bearing debut album.

1986

  • Alabama, 40 Hour Week
  • Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson, Highwayman
  • The Judds, Why Not Me
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Hank Williams Jr., Five-O

The only #1 hit from this album was the title track, but “The Fireman” and “The Cowboy Rides Away” have since become signature songs for the legendary artist.

1985

  • Alabama, Roll On
  • Earl Thomas Conley, Don’t Make it Easy On Me
  • Ricky Skaggs, Don’t Cheat in Our Hometown
  • George Strait, Right or Wrong
  • Hank Williams Jr., Man of Steel

Their third victory in four years came on the strength of the hits “Roll On (Eighteen Wheeler)”, “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)”, “(There’s a) Fire in the Night”, and “When We Make Love.”

1984

  • Alabama, The Closer You Get
  • John Anderson, Wild & Blue
  • Merle Haggard, Going Where the Lonely Go
  • Merle Haggard & Willie Nelson, Pancho & Lefty
  • Ricky Skaggs, Highways & Heartaches

Over a field of traditionalists old and new, the pop-country supergroup Alabama won their second Album award. In addition to the hit title track, The Closer You Get… included the hits “Lady Down on Love” and “Dixieland Delight.”

1983

  • Alabama, Mountain Music
  • Willie Nelson, Always On My Mind
  • Kenny Rogers, Love Will Turn You Around
  • Ricky Skaggs, Waitin’ For the Sun to Shine
  • Don Williams, Listen to the Radio

Nelson’s biggest single powered the album of the same name to victory. It also included a pair of #2 hits: “Last Thing I Needed First Thing This Morning” and “Let it Be Me.”

1982

  • Alabama, Feels So Right
  • Rosanne Cash, Seven Year Ache
  • George Jones, Still the Same Ole Me
  • Oak Ridge Boys, Fancy Free
  • Dolly Parton, 9 to 5 and Odd Jobs

With the exception of George Jones, all the nominees here enjoyed significant pop success with these projects. Alabama won their first trophy in this category with Feels So Right, which included the hit title track, “Old Flame”, and their biggest crossover hit, “Love in the First Degree.”

1981

  • Charley Pride, There’s a Little Bit of Hank in Me
  • Kenny Rogers, Greatest Hits
  • Soundtrack, Coal Miner’s Daughter
  • Soundtrack, Urban Cowboy
  • Don Williams, I Believe in You

For all that it’s been maligned, the Urban Cowboy soundtrack does have a lot of classic hits on it.  Some of them were recycled, like “Devil Went Down to Georgia” and “Lyin’ Eyes”, but some were introduced on the soundtrack, most notably Anne Murray’s “Could I Have This Dance” and Johnny Lee’s “Lookin’ For Love.”

1980

  • Larry Gatlin, Straight Ahead
  • Emmylou Harris, Blue Kentucky Girl
  • Waylon Jennings, Greatest Hits
  • Willie Nelson, Willie Sings Kristofferson
  • Kenny Rogers, Kenny

Those of you wondering how on earth Larry Gatlin was the winner in this field should know that this was actually a platinum-selling album. Perhaps its big hit, “All the Gold in California”, endeared the project to west coast voters.

1979

  • Ronnie Milsap, It Was Almost Like a Song
  • Anne Murray, Let’s Keep it That Way
  • Willie Nelson, Stardust
  • Oak Ridge Boys, Y’All Come Back Saloon
  • Kenny Rogers & Dottie West, Every Time Two Fools Collide

They had made several albums as gospel stars, but it was their first big country hit that fueled this win for Album of the Year.

1978

  • Waylon Jennings, Ol’ Waylon
  • Dolly Parton, Here You Come Again
  • Elvis Presley, Moody Blue
  • Kenny Rogers, Kenny Rogers
  • Conway Twitty, Greatest Hits Vol. II

This self-titled album was renamed “Lucille” in later pressings to capitalize on its biggest hit.

1977

  • Mickey Gilley, Gilley’s Smokin’
  • Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser, Wanted! The Outlaws
  • Loretta Lynn, Somebody Somewhere
  • Marty Robbins, El Paso City
  • Conway Twitty, Now and Then

Gilley’s winning album features his most well known hit, “Don’t the Girls All Get Prettier at Closing Time.” It’s the most recent album in the category’s history that hasn’t reached at least gold status.

1976

  • Glen Campbell, Rhinestone Cowboy
  • Freddie Fender, Before the Next Teardrop Falls
  • Merle Haggard, Keep Movin’ On
  • Loretta Lynn & Conway Twitty, Feelins’
  • Willie Nelson, Red Headed Stranger

This shared award is the only Album trophy that either Lynn or Twitty won from the ACM or CMA, though Lynn did go on to win Best Country Album three decades later at the Grammys.

1975

  • John Denver, Back Home Again
  • Merle Haggard, Merle Haggard Presents His 30th Album
  • Loretta Lynn, They Don’t Make ‘Em Like My Daddy
  • Cal Smith, Country Bumpkin
  • Bob Wills, For the Last Time

Denver’s biggest country album, it spent thirteen weeks atop the country album chart. The title track topped the chart, and “Annie’s Song” became a wedding standard.

1974

  • Merle Haggard, I Love Dixie Blues…so I Recorded “Live” in New Orleans
  • Loretta Lynn, Love is the Foundation
  • Charlie Rich, Behind Closed Doors
  • Johnny Rodriguez, Introducing Johnny Rodriguez
  • Conway Twitty & Loretta Lynn, Louisiana Woman, Mississippi Man

Rich’s classic set has sold four million copies, an unheard of tally for a country album from this time period. It didn’t hurt that the title track and “The Most Beautiful Girl” were crossover hits, with the latter actually topping the pop singles chart.

1973

  • Mac Davis, Baby Don’t Get Hooked On Me
  • Donna Fargo, The Happiest Girl in the Whole U.S.A.
  • Merle Haggard, The Best of the Best of Merle Haggard
  • Merle Haggard, It’s Not Love (But It’s Not Bad)
  • Merle Haggard, Let Me Tell You About a Song
  • Freddie Hart, Bless Your Heart

Donna Fargo triumphed in a field of six albums, half of which were recorded by Merle Haggard! The Fargo set produced two million-selling singles – the title track and “Funny Face”.

1972

  • Merle Haggard, Hag
  • Merle Haggard, Someday We’ll Look Back
  • Freddie Hart, Easy Loving
  • Ray Price, I Won’t Mention it Again
  • Charley Pride, Charley Pride Sings Heart Songs

The title track was a massive hit, helping Hart’s Easy Loving reach gold status and spend nine weeks atop the country albums chart.

1971

  • Glen Campbell, The Glen Campbell Goodtime Album
  • Merle Haggard, The Fightin’ Side of Me
  • Merle Haggard, A Tribute to the Best Damn Fiddle Player in the World (or, My Salute to Bob Wills)
  • Ray Price, For the Good Times
  • Charley Pride, Charley Pride’s 10th Album

Who knows how many times Haggard could’ve won this award if he wasn’t nominated against himself? This year, Ray Price’s For the Good Times was the victor, thanks to the Kristofferson-penned title track.

1970

  • Glen Campbell, Live
  • Johnny Cash, At Folsom Prison
  • Merle Haggard, Okie From Muskogee
  • Charley Pride, Best of Charley Pride
  • Tammy Wynette, Greatest Hits

Haggard’s only victory in this category was for a live album. Incidentally, he won over two other live albums and a pair of greatest hits sets.

1969

  • Glen Campbell, Wichita Lineman
  • Bobbie Gentry & Glen Campbell, Bobbie Gentry & Glen Campbell
  • Merle Haggard, The Best of Merle Haggard
  • Merle Haggard, Mama Tried
  • Buck Owens, Best of Buck Owens

Campbell won for the second year in a row, this time sharing the victory with Bobbie Gentry of “Ode to Billie Joe” fame.

1968

  • Glen Campbell, Burning Bridges
  • Glen Campbell, Gentle on My Mind
  • Merle Haggard, Branded Man
  • Merle Haggard, I’m a Lonesome Fugitive
  • Wynn Stewart, It’s Such a Pretty World Today

California favorite Glen Campbell won the first ACM trophy in this category, and he’d remain a favorite of the Academy over the next decade.

Facts & Feats

Multiple Wins:

  • (3) – Alabama, Alan Jackson, George Strait
  • (2) – Glen Campbell, Dixie Chicks, Toby Keith

Most Nominations:

  • (17) – Merle Haggard
  • (12) – George Strait
  • (7) – Garth Brooks, Glen Campbell, Willie Nelson
  • (6) – Alabama, Tim McGraw
  • (5) – Loretta Lynn, Brad Paisley, Kenny Rogers

Most Nominations Without a Win:

  • (4) – Vince Gill, Waylon Jennings, Charley Pride, Ricky Skaggs
  • (3) – Johnny Cash, Kenny Chesney, The Judds, Patty Loveless, Ricky Van Shelton, Hank Williams Jr., Dwight Yoakam

Albums that won the ACM Award and the CMA Award:

  • Merle Haggard, Okie From Muskogee
  • Charlie Rich, Behind Closed Doors
  • Willie Nelson, Always on My Mind
  • Alabama, The Closer You Get
  • George Strait, Does Fort Worth Ever Cross Your Mind
  • Garth Brooks, No Fences
  • George Strait, Blue Clear Sky
  • George Strait, Carrying Your Love With Me
  • Dixie Chicks, Fly
  • Soundtrack, O Brother Where Art Thou?
  • Alan Jackson, Drive
  • Brad Paisley, Time Well Wasted
  • George Strait, It Just Comes Natural
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Album of the Year:

  • Soundtrack, O Brother Where Art Thou?
  • Taylor Swift, Fearless

Albums that Won the ACM award and the Grammy for Best Country Album (only presented in 1965-1966 and 1995-present):

  • Shania Twain, The Woman in Me
  • Dixie Chicks, Wide Open Spaces
  • Dixie Chicks, Fly
  • George Strait, Troubadour
  • Taylor Swift, Fearless

Grammy 2010 Staff Picks & Predictions

Sunday, January 31st, 2010

Even in Grammy’s darkest hours, CU brings its picking powers!

- Superhero television show about our blog from the 50′s.

We won’t be live-blogging this time around, but will be reacting to the show in a full post tomorrow, and welcome your reactions in comments on this post. The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” - Tara
  • Lady GaGa, “Poker Face” - Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

Album of the Year

Picks

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame Kevin, Tara
  • Dave Matthews Band, Big Whiskey and the Groogrux King
  • Taylor Swift, Fearless - Dan

Predictions

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame
  • Dave Matthews Band, Big Whiskey and the Groogrux King - Kevin
  • Taylor Swift, Fearless - Dan, Tara

Kevin: I’d like to see dance music get some respect in the big category, even if there are a half-dozen Madonna albums at this point that would’ve been worthier winners than The Fame. Again, I think the Top 40 votes are going to be split, leaving Dave Matthews Band the winners.

Dan: In little over a year, Fearless has grown from success story to cultural artifact. It’s that rare pop album that seems to have a personality all its own, like Jagged Little Pill in a yellow sundress (and sung about as well). I could see anyone but the Peas taking this, but I think Swift’s support in both Nashville and the Top 40 crowd will take her to the top.

Tara: I have to say I was fairly shocked to see Swift’s truckload of Grammy nominations, so I’m having a little trouble wrapping my mind around the Academy’s thought process – but, I suppose a Swift win in this category is inevitable. However, I fully back Lady GaGa, who is the perfect storm of creativity, vision, swagger and raw vocal talent (remember that, pop world?). (more…)

Best Country Albums of 2009, Part 2: #10-#1

Friday, January 15th, 2010

Round 2 – FIGHT!


#10
Play On
Carrie Underwood

World: meet Underwood. She’s fiercely compassionate and endearingly idealistic (the riveting “Change”). She holds her beliefs with a firm but quiet conviction (“Temporary Home”). She’s as comfortable and convincing at tearing down a wrong-doer (the Dixie Chicks-esque “Songs Like This”) as she is nursing an irreparable heartache, whether it’s in the form of a haunting country standard (“Someday When I Stop Loving You”) or a rich pop ballad (“What Can I Say?”). And she’s one of the most gifted vocalists of this generation, possessing an instrument that, when colored and layered with emotion as she’s aptly learned to do on Play On, can have bone-chilling effects.

Like it or leave it, Play On is the most authentic encapsulation of Underwood’s artistry and persona to date, and serves as an exciting glimpse at how far a little growth can carry her. The best is yet to come, but in the meantime, the “good” is pretty damn good. – Tara Seetharam


#9
Sara Watkins
Sara Watkins

As most people know by now, Sara Watkins is the female member of the now-disbanded (hopefully temporarily) New Grass trio, Nickel Creek. While Nickel Creek was difficult to classify in a certain genre (not bluegrass, not country), they were embraced by bluegrass and country music fans alike. Each member of the popular trio has released intriguing projects outside of Nickel Creek, but Watkins’ album  has assumed the most decidedly country direction of them all. As a result, we are treated to a sublime album thanks to Watkins’ sweet voice and a set of impressively solid songs. – Leeann Ward (more…)

Best Country Singles of 2009, Part 2: #20-#1

Wednesday, January 6th, 2010

We proceed.

#20

Taylor Swift, “You Belong with Me”

Teen-pop perfection, bursting with personality and unshakable hooks. – Dan Milliken

#19

Keith Urban, “‘Til Summer Comes Around”

There’s nothing quite as lonely as a carnival that has shut down, except for being alone at a carnival, surrounded by everyone but the love who has left you behind. – Kevin Coyne

#18

Lady Antebellum, “I Run to You”

Sheer passion and pulsing energy from start to finish. – Tara Seetharam (more…)

The 100 Greatest Albums of the Decade, Part 5: #60-#51

Friday, December 4th, 2009

    The 100 Greatest Albums of the Decade, Part 5

    bruce robison country sunshine

    #60
    Bruce Robison, Country Sunshine

    One of modern country’s little-known heroes, Robison has built a career on simple songs of unusually strong focus, voice and insight. His strongest collection from this decade mainly explores love at its point of disenchantment, with characters sitting at various fallouts pondering who’s to blame, who used who, or why the feelings aren’t requited. Not so much Sunshine, then, but quite a bit of Country. – Dan Milliken

    Recommended Tracks: “Friendless Marriage”, “What Would Willie Do”, “Tonight”

    59 Rascal

    #59
    Rascal Flatts, Feels Like Today

    The group has yet to hit the nail on the “Rascal Flatts” head again like they did with this country-pop album – a collection of powerful, melody-driven songs on which Gary LeVox manages to tastefully reign in his tenor. When paired with the right material –particularly deep-rooted love songs like “Bless The Broken Road” –, the Flatts boys can emote like it’s nobody’s business, resulting in soaring, passionate performances. – Tara Seetharam

    Recommended Tracks: “Where You Are”, “Bless The Broken Road”, “Oklahoma-Texas Line”

    58 Keith

    #58
    Keith Urban, Love, Pain & the whole crazy thing

    Urban’s creativity peaked with this ambitious set, with arrangements as revelatory as his lyrics. As an album, it’s a cohesive work of art, yet it still managed to produce his strongest collection of singles that work just as well outside of their home. – Kevin Coyne

    Recommended Tracks: “I Told You So”, “Stupid Boy”, “Got it Right This Time”

    57 Willie

    #57
    Willie Nelson and Asleep at the Wheel, Willie and The Wheel

    Willie Nelson teamed up with Western swing giants Asleep at the Wheal to create a project filled with warm treatments of Western swing standards. While Nelson sounds very much alive on this album, his trademark phrasing perfectly captures a relaxed, yet proficient, vibe. In order to be as prolific as Nelson tends to be, it’s common for him to minimally prepare for his recordings. It’s been reported that this was not the case for this album, however. Instead, he studied and practiced these songs until he felt comfortable enough to really do them justice. His extra effort is clearly evident as a result. – Leeann Ward

    Recommended Tracks: “Hesitation Blues”, “I Ain’t Gonna Give Nobody None…”, “Right or Wrong”

    56 Brad

    #56
    Brad Paisley, American Saturday Night

    I’m drawn to albums that can flawlessly blend contemporary and traditional country music, and Paisley’s eighth album is a remarkable example in all senses. It’s a surprisingly revealing, carefully-written album that’s engaging yet lighthearted, and it embraces social consciousness as effectively as it does Paisley-seasoned humor. He’s not the first to do so, but Paisley certainly furthers the case that you can successfully look both forwards and backwards on the same album. – TS

    Recommended Tracks: “Welcome To The Future”, “Everybody’s Here”, “You Do The Math”

    ryan heartbreaker

    #55
    Ryan Adams, Heartbreaker

    Adams had already released some exemplary work with Whiskeytown by the time the Aughts rolled around, but it was his classic solo debut that cemented him as alt-country’s “It” Boy. With the aural looseness of folk and the shrewd scrutiny of classic country, Heartbreaker plays like the very encapsulation of despair, each track exposing a cathartic new layer of its creator’s weary, self-mocking psyche. It would all be insufferably bleak if it didn’t sound so strangely healing. – DM

    Recommended Tracks: “AMY”, “Oh My Sweet Carolina”, “Come Pick Me Up”

    54 Bruce

    #54
    Bruce Springsteen, We Shall Overcome: The Seeger Sessions

    Recorded in Springsteen’s living room, The Seeger Sessions is a project that celebrates the songs of activist and folk singer, Pete Seeger. For this unique recording, Springsteen temporarily breaks away from his rock E Street Band and forms the more organic, big band style Sessions Band, which includes horns, banjo, guitar, percussion, piano, B3 organ, Harmonica, violin and upright bass. The result is a delightful album that sounds like a well executed jam session rather than a stuffy studio affair. – LW

    Recommended Tracks: “Old Dan Tucker”, “O Mary Don’t You Weep for Me”, “Pay Me My Money Down”

    53 Lady

    #53
    Lady Antebellum, Lady Antebellum

    There isn’t anyone in country music quite like this vibrant trio, whose debut is a heartfelt, organic mainstream country album with undertones of 70′s-esque R&B. There’s a beautiful imperfection to the pairing of Charles Kelley and Hillary Scott’s equally soulful voices, and they’ve got a particular knack for writing melodies that are as interesting as they are expressive. Lady Antebellum is both a skillful showcase of these strengths and an exciting glimpse at the group’s potential in country music. – TS

    Recommended Tracks: “All We’d Ever Need”, “Love’s Lookin’ Good On You”, “I Run To You”

    52 Alan

    #52
    Alan Jackson, Like Red On a Rose

    Who would think that the combination of bluegrass legend Alison Krauss and traditional country legend Alan Jackson would result in an album like this? With Krauss as producer, Jackson became the consummate crooner, singing with such depth and nuance that it was like hearing a completely different singer. – KC

    Recommended Tracks: “Like Red On a Rose”, “Nobody Said That it Would Be Easy”, “The Firefly’s Song”

    51 Brad

    #51
    Brad Paisley, Time Well Wasted

    Brad Paisley’s fourth album continues the more aggressively muscular sound that its predecessor, Mud on the Tires had already wisely adopted. As is typical for a Paisley album his sharp wit shows up throughout the disc in the form of sly observations to which people can easily relate. However, he strays from the humor at times in order to deliver some of the most beloved songs of his career, including “Waitin’ on A Woman” and “When I Get Where I’m Going.” – LW

    Recommended Tracks: “Rainin’ You”, “Easy Money”, “Time Well Wasted”

    - – -

    Get 3 Country Albums for $5 from Amazon

    Wednesday, September 2nd, 2009

    Lincoln-portraitBe sure to check out Amazon’s digital store for their fifty albums for $5 for the month of September. While the choices are a little light on the country music this month, two out of the three country offerings more than make up for the disparity.

    First, Gloriana’s debut album is replete with slick harmonies and even slicker production. The album has been met with some mixed reviews, but most agree that they are a very talented group of people if not too polished.

    Trisha Yearwood’s 2007 album , received unanimous critical praise. Her first album with the then new Big Machine Records, after departing from powerhouse MCA Records, is one of her strongest albums to date. Singles like the title track and “This Is Me You’re Talking To” landed high on various end-of-the year lists in their respective release years. Moreover, non-singles such as the pretty “Let the Wind Chase You” (with Keith Urban), the cool as water “Cowboys Are My Weakness” and the unshakably gorgeous “Dreaming Fields” made equally strong impressions on the country music fans who had the pleasure of hearing Yearwood’s refreshingly rock solid album, which was likely and, surprisingly, one of country music’s best albums of 2007.

    Finally, fans of Willie Nelson and western swing music will be pleasantly satisfied with Nelson’s collaborative project with western swing giants, Asleep at the Wheel. It’s been reported that while Willie typically goes into the studio and pounds out his parts very quickly for various albums, he took extra time to really learn the songs for this album. On Willie And the Wheel, Willie Nelson sounds especially relaxed and one with Asleep at the Wheel’s expert swing arrangements. Although it’s true that Willie Nelson’s output is incredibly prolific, this album is certainly one of the best that has come from his recent endeavors.

    Happy shopping!




    Album Sales Update: July 2009

    Saturday, July 11th, 2009

    It’s time for an album sales update, our first since May 23.   Brad Paisley is off to a strong start with American Saturday Night, selling 130k in its first week. That’s about 70k less than his previous two studio albums – Time Well Wasted and 5th Gear – opened with, but not a terrible drop-off, considering the state of the music market.

    Meanwhile, the new studio albums by Rascal Flatts and Keith Urban are slowing down considerably, now being outpaced on a weekly basis by 2008 releases by Taylor Swift, Zac Brown Band, Darius Rucker and Lady Antebellum.

    Among younger acts with a new album in 2009, the most impressive sales are coming from Jason Aldean, while 2008 releases from Kellie Pickler, Billy Currington, and Randy Houser are showing new signs of life.

    Biggest disappointments? It’s hard not to look in the direction of Martina McBride, who has barely cleared the 100k mark on her new studio set.  Lee Ann Womack’s 2008 set just made it over that mark, too.  Then again, one only needs to have sold 455 copies to make the chart this week, with the anchor position going to Wynonna with that total. Her covers album Sing – Chapter 1 has sold 41k to date.

    Here are the latest totals for albums released over the past three years that are still charting:

    2009

    • Rascal Flatts, Unstoppable – 842,000
    • Keith Urban, Defying Gravity – 452,000
    • Jason Aldean, Wide Open – 384,000
    • Kenny Chesney, Greatest Hits II – 281,000
    • Dierks Bentley, Feel That Fire – 219,000
    • Martina McBride, Shine – 104,000
    • John Rich, Son of a Preacher Man – 103,000
    • Eric Church, Carolina – 94,000
    • Rodney Atkins, It’s America – 88,000
    • Jake Owen, Easy Does It – 81,000
    • Randy Travis, I Told You So: Ultimate Hits – 78,000
    • Montgomery Gentry, For Our Heroes – 64,000
    • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 56,000
    • Steve Earle, Townes – 47,000
    • Colt Ford, Ride Through the Country – 45,000
    • Jason Michael Carroll, Growing Up is Getting Old – 45,000
    • Wynonna, Sing – Chapter 1 – 41,000
    • Hank Williams Jr. – 127 Rose Avenue – 34,000
    • Ryan Bingham, Roadhouse Sun – 15,000
    • Tracy Lawrence, Rock – 11,000
    • Darryl Worley, Sounds Like Life – 8,000
    • Holly Williams, Here With Me – 5,000
    • Charlie Robison, Beautiful Day – 3,000
    • Tanya Tucker, My Turn – 3,000

    2008

    • Taylor Swift, Fearless – 3,464,000
    • Sugarland, Love on the Inside – 1,683,000
    • George Strait, Troubadour – 914,000
    • Alan Jackson, Good Time – 869,000
    • Darius Rucker, Learn to Live – 754,000
    • Kenny Chesney, Lucky Old Sun – 721,000
    • Zac Brown Band, Foundation – 681,000
    • Rascal Flatts, Greatest Hits Vol. 1 – 680,000
    • Lady Antebellum, Lady Antebellum – 674,000
    • Toby Keith, 35 Biggest Hits – 652,000
    • Jamey Johnson, That Lonesome Song – 509,000
    • Toby Keith, That Don’t Make Me a Bad Guy – 403,000
    • James Otto, Sunset Man – 374,000
    • Julianne Hough, Julianne Hough – 314,000
    • Kellie Pickler, Kellie Pickler – 261,000
    • Dierks Bentley, Greatest Hits – 255,000
    • Brad Paisley, Play – 247,000
    • Dolly Parton, Backwoods Barbie – 208,000
    • Tim McGraw, Greatest Hits Vol. 3 – 206,000
    • Billy Currington, Little Bit of Everything – 191,000
    • Trace Adkins, X – 185,000
    • Montgomery Gentry, Back When I Knew it All – 184,000
    • Joey + Rory, Life of a Song – 167,000
    • Blake Shelton, Startin’ Fires – 165,000
    • Eli Young Band, Jet Black and Jealous – 108,000
    • Lee Ann Womack, Call Me Crazy – 102,000
    • Craig Morgan, Greatest Hits – 81,000
    • Hank Williams III, Damn Right Rebel Proud – 80,000
    • Randy Houser, Anything Goes – 79,000
    • Lost Trailers, Holler Back – 69,000

    2006-2007

    • Taylor Swift, Taylor Swift – 4,129,000
    • Carrie Underwood, Carnival Ride – 2,918,000

    Album Sales Update

    Saturday, May 23rd, 2009

    Here are the latest totals for albums released over the past three years that are still charting:

    2009

    • Rascal Flatts, Unstoppable – 669,000
    • Keith Urban, Defying Gravity – 349,000
    • Jason Aldean, Wide Open – 241,000
    • Dierks Bentley, Feel That Fire – 189,000
    • Martina McBride, Shine – 89,000
    • John Rich, Son of a Preacher Man – 89,000
    • Rodney Atkins, It’s America – 72,000
    • Jake Owen, Easy Does It – 70,000
    • Eric Church, Carolina – 66,000
    • Randy Travis, I Told You So: Ultimate Hits – 59,000
    • Randy Rogers Band, Randy Rogers Band – 57,000
    • Pat Green, What I’m For – 54,000
    • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
    • Billy Ray Cyrus, Back to Tennessee – 29,000
    • Jason Michael Carroll, Growing Up is Getting Old – 26,000
    • Dean Brody, Dean Brody – 5,000

    2008

    • Taylor Swift, Fearless – 3,220,000
    • Sugarland, Love on the Inside – 1,594,000
    • George Strait, Troubadour – 860,000
    • Alan Jackson, Good Time – 803,000
    • Keith Urban, Greatest Hits – 737,000
    • Kenny Chesney, Lucky Old Sun – 696,000
    • Darius Rucker, Learn to Live – 642,000
    • Rascal Flatts, Greatest Hits Vol. 1 – 642,000
    • Toby Keith, 35 Biggest Hits – 630,000
    • Lady Antebellum, Lady Antebellum – 572,000
    • Zac Brown Band, Foundation – 511,000
    • Jamey Johnson, That Lonesome Song – 438,000
    • Toby Keith, That Don’t Make Me a Bad Guy – 384,000
    • James Otto, Sunset Man – 368,000
    • Julianne Hough, Julianne Hough – 309,000
    • Dierks Bentley, Greatest Hits – 244,000
    • Brad Paisley, Play – 238,000
    • Jewel, Perfectly Clear – 226,000
    • Kellie Pickler, Kellie Pickler – 216,000
    • Dolly Parton, Backwoods Barbie – 199,000
    • Heidi Newfield, What am I Waiting For? – 197,000
    • Tim McGraw, Greatest Hits Vol. 3 – 196,000
    • Trace Adkins, X – 174,000
    • Montgomery Gentry, Back When I Knew it All – 173,000
    • Blake Shelton, Startin’ Fires – 152,000
    • Joey + Rory, Life of a Song – 152,000
    • Billy Currington, Little Bit of Everything – 133,000
    • Chuck Wicks, Starting Now – 129,000
    • Jimmy Wayne, Do You Believe Me Now – 127,000
    • Lee Ann Womack, Call Me Crazy – 94,000
    • Eli Young Band, Jet Black and Jealous – 92,000
    • Hank Williams III, Damn Right Rebel Proud – 76,000
    • Craig Morgan, Greatest Hits – 73,000
    • Lost Trailers, Holler Back – 65,000
    • Randy Houser, Anything Goes – 58,000

    2006-2007

    • Taylor Swift, Taylor Swift – 4,129,000
    • Carrie Underwood, Carnival Ride – 2,852,000
    • Trace Adkins, Greatest Hits Vol. 2 – 627,000

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