Asleep at the Wheel

Album Sales Update

May 23, 2009 // 20 Comments


* Rascal Flatts, Unstoppable – 669,000
* Keith Urban, Defying Gravity – 349,000
* Jason Aldean, Wide Open – 241,000
* Dierks Bentley, Feel That Fire – 189,000
* Martina McBride, Shine – 89,000
* John Rich, Son of a Preacher Man – 89,000
* Rodney Atkins, It’s America – 72,000
* Jake Owen, Easy Does It – 70,000
* Eric Church, Carolina – 66,000
* Randy Travis, I Told You So: Ultimate Hits – 59,000
* Randy Rogers Band, Randy Rogers Band – 57,000
* Pat Green, What I’m For – 54,000
* Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
* Billy Ray Cyrus, Back to Tennessee – 29,000
* Jason Michael Carroll, Growing Up is Getting Old – 26,000
* Dean Brody, Dean Brody – 5,000

Satirical Songs

April 30, 2009 // 18 Comments

I’ve known about Kinky Friedman for some years now. Actually, I should be more specific and say that I’ve known Kinky Friedman’s name for quite some years now. Because, to be honest, the only thing I really knew about him until very recently is that Willie Nelson supported him for Texas Governor in 2006, which should have peaked my interest enough to research him back then.

It wasn’t until recently, after doing an Amazon search for stray Todd Snider songs, that I realized that the colorful and fascinating Friedman, while politically extreme at times, was quite the singing satirist. On the 2006 album Why The Hell Not…The Songs of Kinky Friedman, I discovered an incredible cast of artists (Willie Nelson, Todd Snider, Bruce Robison, Asleep at the Wheel, Delbert McClinton, Charlie Robison, Dwight Yoakam, Kevin Fowler & Jason Boland) doing covers of Friedman’s songs, many so sharp that I was more than a little taken aback at first. Through satire and, sometimes, even seriousness, Freidman offers a lot of social commentary that is often colorful and always intriguing.

Review: Willie Nelson & Asleep at the Wheel, “Hesitation Blues”

January 27, 2009 // 1 Comment

The lead single from Willie Nelson’s forthcoming Western Swing collaboration with Asleep at the Wheel (titled Willie and the Wheel, natch) offers lots of reasons to expect that the album’s February 3rd release will signal a great day for music fans. “Hesitation Blues” is an old blues standard which has been knocked around by everyone from Jelly Roll Morton to Janis Joplin to Doc Watson to modern jug band Old Crow Medicine Show, but Nelson & Co. manage to bring an unusual rightness to their take, honoring the song’s traditions while still making an effort to mix things up in a way that feels organic rather than calculated. Of course, it helps that one of the song’s traditions is to mix things up. You’d be hard-pressed to find two renditions of “Hesitation Blues” that actually have a great deal in common since, as with many standards popularized in the early Read More

Grammy Flashback: Best Country Album

January 17, 2009 // 23 Comments

A look back at the previous winners and nominees of the Best Country Album Grammy, updated to include the 2009 contenders. The Grammys have been doing better in the country categories since they reintroduced the Best Country Album category in 1995, which had only been in existence for two years in the 1960s. Prior to 1995, albums and singles were both eligible in the vocalist categories, so full albums would compete against single tracks in Best Male Country Vocal Performance,  for example. Looking over the history of this fairly young category, you can see trends emerge, with certain acts clearly being favorites of NARAS. You see the same trend with the CMAs, just with different people. What is clear with the Grammys is that radio and retail success will only carry you so far. For awards that are supposed to be based on artistic merit, that’s how it should be. Read More

Discussion: 2009 Wish List

December 29, 2008 // 33 Comments

Anybody looking forward to particular releases next year?  Country Music Central is my go-to place for upcoming releases, and it looks like things are typically slow for the first quarter. I’m looking forward to the  new Dierks Bentley and the Willie Nelson/Asleep at the Wheel collaboration.   The new year should also bring studio albums from Keith Urban and Tim McGraw.    More than anything else, I’d like some new music from Shania Twain and Faith Hill, who have gone quite a few years without a proper new album. But what I’m most pumped for right now is the February release of Wynonna’s Sing – Chapter 1.   Listening to the samples below, this sounds like it will be the most interesting covers collection since Dwight Yoakam’s. <A HREF=”” mce_HREF=””> Widgets</A> What releases are you looking forward to and hoping for in 2009?

Favorite Songs By Favorite Artists: Christmas Edition

December 24, 2008 // 25 Comments

One of my favorite features to write for Country Universe is Favorite Songs by Favorite Artists. So, since I love Christmas music, it seems natural that I change the format a bit to accommodate a list of my favorite Christmas songs. Narrowing my favorite Christmas songs down to twenty-five choices proved to be a nearly impossible challenge. In order to accomplish this feat, I had to do two things: (1) disqualify all quintessential versions of classics, i.e., Bing Crosby’s “White Christmas” or any songs by Gene Autry. Instead, I’ve stuck to modern country versions of any classics that may appear on this list. (2) Limit the number of classics included on this list so that there can be room for as many original Christmas songs as possible. You can listen to most of the songs and purchase them through the Amazon link at the end.  Merry Christmas! #25 Asleep At Read More

Various Artists, Ultimate Grammy Collection: Classic Country and Contemporary Country

December 13, 2008 // 1 Comment

Various Artists Ultimate Grammy Collection: Classic Country Contemporary Country Earlier this year, the Grammys celebrated their fiftieth anniversary with a series of compilations focusing on winners in different fields.  Two of the best entries in this series focused on country music.  With five decades of winners to choose from, it’s no surprise that Ultimate Grammy Collection: Classic Country and Ultimate Grammy Collection: Contemporary Country are solid collections. The Classic Country set is particularly strong, including a diverse selection of significant artists from the sixties and seventies.   Even better, most of them are represented with their signature tracks.    Roger Miller opens the set with “King of the Road”, easily his biggest hit.   Other superstars include Tammy Wynette (“Stand By Your Man”), Johnny Cash (“A Boy Named Sue”) and Waylon & Willie (“Mammas Don’t Let Your Babies Grow Up to Be Cowboys.”) As the collection moves on to the seventies and eighties, Read More

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