What can I say? Pat Green’s “Country Star” is gimmicky, bland and altogether misses the mark. It shamelessly namechecks artists such as Faith Hill, Kenny Chesney, Tim McGraw, Big & Rich, Brooks & Dunn, Vince Gill, Willie Nelson, Carrie Underwood, Keith Urban and alludes to a Toby Keith song with not even so much as a gesture toward originality. Along with its vapid lyrics, the production is unbearably stale.
The progressive decay of Pat Green’s once quality and fresh-sounding material is overtly purposeful, so it is impossible to feel sorry for him. It, nevertheless, is depressing to witness all the same.
To completely sell out, as Green has no doubt done, is a sad price to pay, all for the sake of being a “country star.”
The Academy of Country Music announced nominees for their 44th annual awards ceremony this morning at the Country Music Hall of Fame in Nashville. Julianne Hough, Kellie Pickler, Leann Rimes and Jessica Simpson were on hand to present this year’s nominees. More analysis to follow.
On Wednesday, February 11, the Academy of Country Music will unveil the nominees for their 44th annual awards ceremony. Last year, the usual suspects prevailed. Brad and Carrie repeated in the Vocalist categories, Brooks & Dunn claimed their 14th Vocal Duo prize and Kenny Chesney earned his fourth consecutive Entertainer of the Year award. As a prelude to the nominations announcement, here’s my projected slate for this year’s ceremony. (Favorites are in bold.)
Entertainer of the Year
Prognosis: The “no girls allowed” edict will likely be lifted. Underwood is the genre’s most prominent ambassador, and Sugarland’s rise to the high ranks has both commercial and critical support.
Note of interest: “The winner shall be determined by a combination of votes from the membership of the ACM and viewer voting.”
This afternoon, the Country Universe staff is following up last night’s personal picks with our actual predictions about who will win tonight. Check back tonight at show time to join the live blog and mock us for our defective divinations. Less
Kevin: BMG has to throw their weight behind either Chesney or Paisley. My hunch is they’ll back Chesney for Entertainer and Paisley for Male Vocalist. _
Leeann: It’s been Chesney all this time and not much has changed to make me think it won’t be Kenny again this year. _
Blake: Chesney remained steady on the concert trail and earned three #1 singles in the past year. This would be his fourth win, tying Garth Brooks for the most ever in the Entertainer lineup. _
Dan: It seems somewhat foolish to bet against a Chesney repeat, but I just have a nagging feeling that the favor will be thrown in Paisley’s direction this year by voters looking to honor someone new. (more…)
As we gear up for tomorrow night’s CMA Awards Show, the staff of Country Universe share our personal picks in all categories. Check back tomorrow for our predictions in each category. Our third annual Live Blog will commence at the beginning of the show.
Kenny Chesney- Blake
Brad Paisley – Leeann, Lynn
Sugarland – Kevin,Dan
Kevin: The only act in the running this year who has shown artistic, commercial and live performance growth is Sugarland, and they’ve grown by leaps and bounds. In a race with four other acts who have long since settled into their styles, they’re the only ones who are still charting new territory.
Leeann: While Paisley may not use explosions or other fancy tricks to entertain his crowds, much like Vince Gill, he keeps them mesmerized with his comedy, graphic creations, incredible guitar prowess and a catalog of engaging songs – in other words, natural talent.
Blake: Kenny Chesney is the most significant touring act in country music and a genre-crossing ambassador for both fans and fly-by-night followers.
Dan: They can’t claim Chesney’s utter domination of the road, but Sugarland have been consistent sellers in a time where the very idea of selling well feels antiquated. They’re probably the best mainstream ambassadors for the genre right now, too, with musical output that challenges commercial conventions (see “Stay”), at least sort of acknowledges country music’s traditions (again, see “Stay”), and draws creatively from other genres (see the Beyoncé duet, the high-profile covers of Dream Academy and Matt Nathanson, the mish-mashy new album).
Lynn: With natural talent, charm, good humor, humility, skills and grace, Paisley is my pick for Entertainer of the Year. He’s an asset to the genre, and manages to keep one foot in traditional country even as he branches out. Although he’s not as big of a touring act as Chesney, he’s still a huge draw, and despite all the gimmicks and gadgets in his concert, true to the genre, he keeps the music at the heart of his show.
Alan Jackson – Leeann
Brad Paisley - Blake
George Strait – Kevin, Dan, Lynn
Leeann: With Paisley as my close second choice, Jackson has the clear, smooth voice that ultimately gets my vote. Like the man, his voice is simple but it is able to expertly capture each emotion that is needed for each song that he sings. Moreover, every note that he sings comes with incredible ease.
Blake: His attempts at humor miss the mark occasionally, and his vocal range compares little to the great voices of the genre, but Paisley, with his tremendous guitar playing and stellar songwriting executes well enough to win a second consecutive Male Vocalist honor.
Dan: They all kind of put me to sleep this year, but George did it with the strongest set of songs. Paisley will probably repeat, but I say “Strait ’08.”
Lynn: This is a tough category for me this year. I’m a fan of Alan Jackson, Brad Paisley and George Strait, but none of them really impressed me with their musical output. I’m going with Strait for keeping it country.
Kevin: All of these men have been repeatedly honored by the CMA. Collectively, they have 54 awards and 240 nominations to date. It’s been a decade since Strait took this one home, and he’s put out better music this year than both Jackson and Urban, the only other vocalists here that are in his league.
Miranda Lambert – Kevin, Leeann, Blake (tie), Dan, Lynn
Carrie Underwood – Blake (tie)
Blake: Underwood’s powerful pipes and positive contribution to the image of the genre deserve props. Likewise to Lambert’s intelligent songwriting, fearless stage attitude and feisty vocal firepower.
Dan: We’re all pretty big fans of Crazy Ex-Girlfriend here, so…yeah.
Lynn: Except for Swift, vocally this category is a toss-up, and could be decided solely on personal preference. However, if one considers the strength of material as well, this award goes to Miranda Lambert, hands down.
Kevin: Alison Krauss and Carrie Underwood are both worthy of the honor, but Miranda Lambert deserves it the most. She made the best music.
Leeann: Miranda has proven that she can sing a rocker with the necessary grit and energy to appropriate drive her up-tempo songs, but she has also demonstrated a lesser known ability to be able to sing with vulnerability and sensitivity when called upon to do so. Out of the female singers on this list, Lambert has the most interesting voice.
For a look back at the other major categories, visit our CMA Awards page.
Zac Brown Band
Usually there isn’t this much turnover in this race unless most of last year’s nominees are ineligible. This year, only one of the four eligible nominees from last year – Zac Brown Band – earns a nomination. With their massive success and their multiple nominations, they’ve got an excellent shot at winning. Then again, Easton Corbin is elsewhere on the ballot, too. It could be a horse race. 2009
Zac Brown Band
Thirteen years after winning the Best New Artist Grammy as part of Hootie & The Blowfish, Darius Rucker won the country music equivalent, adding an exclamation point to the most successful pop-to-country crossover in a generation.
The industry favorites Lady Antebellum became the fourth band in history to win this award, following Rascal Flatts, Dixie Chicks and Sawyer Brown.
Little Big Town
In the year since winning the Horizon Award, Swift has solidified her position as the genre’s most successful rising star. While her debut album hasn’t reached the sales heights of the first discs by previous winners Carire Underwood and Gretchen Wilson, Swift is still one of the genre’s only significant sellers.
Little Big Town
I had a sneaking suspicion that Josh Turner was going to take this home, but as I’ve said before, Carrie’s got the best pipes since Trisha Yearwood. That she’ was acknowledged for that at such an early stage of her career is pretty amazing. Somehow I think the thrill of winning Horizon was short-lived, as winning Female Vocalist the same night left that memory in the dust.
Big & Rich
Four of these five were nominees again the following year, and all in categories besides just Horizon, though Lambert got another shot at that as well.I think Big & Rich and Sugarland are making the most interesting music, and they’re moving more units than Bentley, though he’s no slouch himself.The CMA showed good judgment this year.
mp; Rich’s music. If you enjoy that element, you’ll love this record. If you’re like me, and you appreciate Big & Rich for their flashes of brilliant songwriting or cheeky humor, this one will leave you completely cold. Personally, I’d rather see them send “You Shook Me (All Night Long)” out there. It would certainly sell them a lot more records than this and country radio might actually play it.
The lyrics are great, and they should be knocking this one out of the park. Somehow, they just don’t. It sounded good within the context of the album, but it’s a bit of a slog hearing it on it’s own. I guess if you’re stuck between raising hell and amazing grace, you don’t have the fire burning in you that comes with being at the extremes. I’d remix this one to kick it into a higher gear.
Big & Rich Between Raising Hell and Amazing Grace Cialis online ordering ukile-link image” title=”stars-312.gif” href=”void(0)”>
It’s a strange new era of music, this digital age. As the emphasis has gone from buying albums to downloading individual tracks, the album has found itself threatened, something of a dying art form in pop, rock, hip-hop, and now, increasingly, in country music. The older, more traditional country music consumer base has slowly begun to embrace digital downloads, coming late to the party much like they did with compact discs a generation ago.
Trend-setters that they aspire to be, Big & Rich has expanded their challenge of country music conventions from just incorporating styles from other genres to fully disregarding the traditional structure of the country music album. The result, Between Raising Hell and Amazing Grace, is as surprising a listen for its song sequence as it is for the song selection itself.