CMA Flashback: Single of the Year
Here’s a look back at CMA Single of the Year, starting with this year’s nominees.
Billy Ray Cyrus
Sunday Selections: September 11, 2016
It’s Trio Collection release week, y’all!
Single Review: Alan Jackson, “Jim and Jack and Hank”
“Jim and Jack and Hank” Alan Jackson Written by Alan Jackson It’s country. It’s clever. It’s funny. It’s classic Alan Jackson, with his signature attention […]
2014 Country Music Hall of Fame Inductees: Hank Cochran, Ronnie Milsap, and Mac Wiseman
Good news for three legends of the genre, one of whom we lost to cancer only four years ago:
Single Review: Tim McGraw, "Better Than I Used to Be"
Flipping through an old country magazine, I read a review of Tim McGraw’s then-new album, Everywhere.
The journalist noted his surprise at the title track, which demonstrated more subtlety and gravitas than he’d previously thought McGraw was capable of.
That was so many years ago that it’s hard to remember that McGraw was something of a novelty singer back in the day, a step or two above Billy Ray Cyrus but not quite up there with Joe Diffie.
The 30 Day Song Challenge: Day 14
Today’s category is…
The First Song You Remember Liking.
Here are the staff picks:
Tara Seetharam: “She’s Not Cryin’ Anymore” – Billy Ray Cyrus
Cyrus released “Achy Breaky Heart” when I was seven years old, and I fell for it. The upside? My mom bought me his Some Gave All cassette tape, and I fell in love with “She’s Not Cryin’ Anymore.” It was the first song in my life to grip me with emotion, which would later come to define my bond with music.
Single Review: Kip Moore, “Mary Was the Marrying Kind”
Kip Moore’s debut single is an almost country spin on River-era Bruce Springsteen, via early Billy Ray Cyrus.
You might want to let that sink in before deciding to click the Listen link.
400 Greatest Singles of the Nineties: #150-#126
Signature hits, breakthrough hits, and why-weren’t-they-hits abound in this entry.
400 Greatest Singles of the Nineties: #150-#126
#150
Gone Country
Alan Jackson
1994 | Peak: #1
A perfect time capsule of the boom times, as Jackson wryly notes all of those genre-hoppers who saw dollar signs in the growing country music scene. Funny how they didn’t arrive on radio until a decade later. – Kevin Coyne
#149
I Want to Be Loved Like That
Shenandoah
1993 | Peak: #3
Sometimes the deepest understanding of love comes from what you see around you. The narrator in this song won’t settle for anything less than the unwavering love he’s witnessed in his life, and his examples are stunning in the way they slice straight to the core of love, to the bond that can’t be broken by the physical world. This is one of the purest tributes to love I’ve ever heard. – Tara Seetharam
How Very Nineties: George Jones & Friends, and other All Star Jams
New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.
There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!
ACM Flashback: Album of the Year
The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons. First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start. The ACM has also been more commercially-oriented from the beginning, as the history of this category proves. Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.
Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs. Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek! At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.
A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010. For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.
As with other flashbacks, we begin with a look at this year’s nominees:
2010
- Lady Antebellum, Lady Antebellum
- Miranda Lambert, Revolution
- Brad Paisley, American Saturday Night
- Carrie Underwood, Play On
- Zac Brown Band, The Foundation
Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands. Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot. This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.
2009
- Jamey Johnson, That Lonesome Song
- Montgomery Gentry, Back When I Knew It All
- George Strait, Troubadour
- Taylor Swift, Fearless
- Carrie Underwood, Carnival Ride
Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.