Bobbie Cryner

Favorite Songs by Favorite Artists: Suzy Bogguss

August 15, 2011 // 19 Comments

Written by Bob Losche.

Suzy Bogguss has been my favorite female vocalist for about 20 years now. The first time I heard her was on some TV show with Jerry Reed in 1991. She sang “Aces” and “Night Riders Lament” and I was hooked. Since then, I’ve seen her in concert about a dozen times from New York to Nashville and in-between. She still tours on her own in addition to her “Wine, Women and Song” shows with great songwriter friends Matraca Berg and Gretchen Peters. Suzy has done some writing herself having co-written 56 songs, including hits “Hey Cinderella” and “Just Like the Weather”.

400 Greatest Singles of the Nineties: #75-#51

August 20, 2010 // 42 Comments

As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.

400 Greatest Singles of the Nineties: #75-#51


#75
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3

Listen

This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne


#74
Alibis
Tracy Lawrence
1993 | Peak: #1

Listen

Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward

Searching For Bobbie Cryner

May 10, 2010 // 23 Comments

I’ve been wanting to write about Bobbie Cryner for a long time. Thanks to some kind folks uploading her music on to YouTube, I can finally do so. (For whatever reason, her two fantastic albums – Bobbie Cryner and Girl o f Your Dreams – have yet to see digital release.)

This woman was good. Real good. Possibly the best unheralded singer-songwriter of her time, with a sultry voice formed at the crossroads of Bobbie Gentry and Dottie West. She first surfaced on Sony, releasing her self-titled debut in 1993. It was previewed by the autobiographical “Daddy Laid the Blues on Me.”

The 201 Greatest Singles of the Decade, Part 3: #160-#141

December 16, 2009 // 17 Comments

The 201 Greatest Singles of the Decade, Part 3: #160-#141

lee-ann-womack-call-me-crazy

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

100 Greatest Albums of the Decade, Part 2: #90-#81

December 1, 2009 // 17 Comments

The 100 Greatest Albums of the Decade, Part 2

90 Miranda

#90
Miranda Lambert, Kerosene

On her first major-label album, Lambert reveals herself as a fiery, spirited artist with a lot to say, and a clever voice with which to speak. Her sharp songwriting skills, though a work in progress as we’d later learn, take her naturally from aggression to desolation and back again. But most notably, through Kerosene, Lambert got the traditionalists to pay a little more attention to mainstream country music and its more promising artists. – Tara Seetharam

Recommended Tracks: “Kerosene”, “I Can’t Be Bothered”

89 Kris

#89
Kris Kristofferson, This Old Road
This Old Road has not have received as much mainstream attention as Kristofferson’s recent appearance in Ethan Hawke’s Rolling Stone article; an unfortunate fact, given it was the legendary writer’s first album of new material in 11 years. With This Old Road Kristofferson shines a spotlight on the world much in the same his earlier writing shined a spotlight on himself. The result is an overtly political album with more depth than most modern attempts have been able to produce.- William Ward

Recommended Tracks: “The Last Thing to Go”, “Pilgrim’s Progress”