A comedic flair, a speech impediment, and a famous daughter have often overshadowed the fact that Mel Tillis is one of the finest songwriters and performers in the history of country music.
Though his Hall of Fame career has now stretched several decades, Kris Kristofferson will forever be defined by his legendary songwriting in the late sixties and early seventies.
With a career that has spanned seven decades, Bobby Bare’s body of work has made him one of the genre’s most influential and critically acclaimed recording artists.
A Cheating Song.
Here are the staff picks:
Kevin Coyne: “(Margie’s at) The Lincoln Park Inn” – Bobby Bare
Proof that while the other woman can sometimes sound sympathetic, there’s no getting around the fact that the guy is a heel, allowing his selfishness to wreck the lives at home and at the Lincoln Park Inn.
The first quarter of the countdown comes to a close, highlighted by excellent comeback attempts by T. Graham Brown, Emmylou Harris, and Willie Nelson.
400 Greatest Singles of the Nineties: #325-#301
He Would Be Sixteen
1992 | Peak: #31
Sometimes the choices that you make linger forever. Here, a woman in her thirties drives past a high school football game, and her mind wanders to the painful void left in her heart from the son she gave up for adoption. – Kevin Coyne
It Matters to Me
1995 | Peak: #1
Faith Hill’s sophomore album is a surprisingly deep set, filled with candid insights into different womens’ lives. The title track represents that spirit well, as a woman articulates the differences in her and her man’s relationship approaches with impressive precision. – Dan Milliken
The following is a guest contribution by Country Universe reader Tad Baierlein.
When Dan Seals died of lymphoma last Wednesday, a great deal of the press coverage centered on his days as “England Dan” in the soft rock duo England Dan and John Ford Coley. Seals’ country career, though more successful for a longer period of time, seemed to be treated as an afterthought.
Many of the obituaries mentioned Seals’ biggest country hit, “Bop”; hardly an accurate representation of his years spent in country. Now, it’s perfectly justifiable to glance at a person’s career highlights for a newspaper obituary, but I think that a great deal more attention should’ve been paid to Seals’ death within the country music community. I would like to contribute this little appreciation to one of my favorite country artists.
Rebel Heart, 1983
For two years following the split of England Dan and John Ford Coley, nothing seemed to be going right for Seals. First off, he recorded two solo soft rock albums just as that sound was going out of favor. Aside from one single ekeing its way into the Adult Contemporary charts, the albums were considered huge failures. Secondly, Seals had accrued a massive amount of debt to the IRS; almost everything he owned was repossessed to pay it. Seals’ move to Nashville had been planned for quite a while but in 1982 it seemed almost a necessity.
This song that he wrote for Rebel Heart would seem to place his frustrations and hope in the story of a man trying to save his land from an evil, number-crunching banker. Sometimes when it seems like all hope is lost all you can do is work to get yourself out of trouble. Seals could only hope that the oil-rich resolution of “The Banker” came true in his life as well; he wouldn’t have to worry.