2015 is off to a sad start for country music as a whole, and the Grand Ole Opry in particular. From the Tennessean: Country Music Hall of Famer Jimmy Dickens, the Grand Ole Opry’s most beloved and diminutive ambassador, died Friday at a Nashville area hospital. He was 94. Mr. Dickens starred for decades on the “Opry,” where he was a vital part of the scene both onstage and backstage. His dressing room was an essential stop for performers on the show, and it was there that he held court for a variety of artists, some of whom came to the Opry more than a half century after Mr. Dickens’ 1948 debut. He remained a vital performer throughout his life, last playing the “Opry” on Dec. 20, a day after his 94th birthday and five days before he would be admitted to the hospital after suffering a stroke on Christmas Read More
Country Universe has reviewed more than a thousand singles during its ten year run. Some of them have been real turkeys. Here are some of the worst, with highlights and links to the original reviews. “Party Like Cowboyz” Big & Rich Reviewed on December 12, 2012 “Yes, from the opening cry of ‘Come on, cowboys and cowgirls, it’s time to par-tay!’ to the stupid ‘Z’ slapped onto the end of the title, this is just bad, bad, bad.” – Ben Foster
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
100 Greatest Men: The Complete List The Poet of the Common Man. Merle Haggard emerged from the Bakersfield music scene in the mid-sixties, and over the course of time, became the greatest man in the history of country music. Born during the height of the Great Depression, the son of a honky tonk fiddler and a church-going mother, Haggard’s life was a hard one from early on. When he lost his father at age nine, he rebelled to the point that much of his youth was spent in juvenile detention centers. His only positive outlet was country music, and he listened to and studied obsessively the work of his heroes Bob Willis, Hank Williams, and Lefty Frizzell, all of whom would shape his singing and his songwriting.
No word for a while yet on whether the album will sell a million copies, but as far as the single goes, it lives up to the promise of the two singers more than it does to its title.
Brad Paisley’s had a lot of hit love songs over the years, many of which I’ve found irritating because they are either blithely condescending (“To the world, you’re nothing, but to me, you’re the world!”) or downright insulting (“I love the little moments where you do something stupid!”)
For the second year, Country Universe is publishing a 40-deep list of the year’s best albums. Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music. As usual, that’s where most of the cool stuff can be found.
Country Universe will close out our year with the conclusion of this list tomorrow. As always, share your thoughts and opinions in the comments!
Individual rankings: #12 – Jonathan
The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. – Jonathan Keefe
Recommended Tracks: “Skeletor,” “300 Beers”