“Little Toy Guns” Carrie Underwood Written by Chris DeStefano, Hillary Lindsey, and Carrie Underwood With her latest single, Carrie Underwood once again reaffirms that she is among the best and most compelling artists of modern country music. A depiction of verbal and emotional abuse on an epic scale, “Little Toy Guns” captures a truth not often talked about: that domestic violence can wound and scar without ever once raising a hand or breaking the skin, and can cause lasting collateral damage beyond even its intended target.
In early February, Zac Brown Band kicked off a brief cycle of Twitter Outrage when they performed a cover of Jason Isbell’s “Dress Blues,” which they are rumored to have cut for their upcoming album, during a high-profile ESPN gig. Some of Isbell’s devoted fans were livid that a mainstream country performer had covered Isbell’s song, insisting that it should be Isbell with the multi-platinum stats and sold-out arena tours. There’s something to that line of thinking, of course: Were commercial music a strict meritocracy, then Isbell would be an international superstar on the strengths of his one-of-a-kind songwriting and intuitive, soulful singing. Isbell, to his credit, responded to the uproar with a level-headed and fundamentally correct statement about how people who clamor for more substance in mainstream country shouldn’t be attacking artists who are interested in cutting songs like “Dress Blues.”
Telecast Winners: Best Country Album: Miranda Lambert, Platinum Album of the Year: Beck, Morning Phase Best New Artist: Sam Smith Record of the Year: Sam Smith, “Stay With Me (Darkside Version)” Song of the Year: “Stay With Me” – James Napier, William Phillips & Sam Smith Pre-Telecast Winners: Best Country Solo Performance: Carrie Underwood, “Something in the Water” Best Country Duo/Group Performance: The Band Perry, “Gentle on My Mind” Best Country Song: “I’m Not Gonna Miss You” – Glen Campbell and Julian Raymond Best American Roots Performance: Rosanne Cash, “A Feather’s Not a Bird” Best American Roots Song: “A Feather’s Not a Bird” – Rosanne Cash and John Leventhal Best Americana Album: Rosanne Cash, The River & the Thread Best Folk Album: Old Crow Medicine Show, Remedy Best Bluegrass Album: The Earls of Leicester, The Earls of of Leicester Best Contemporary Instrumental Album: Chris Thile & Edgar Meyer, Bass & Mandolin Read More
This year’s Grammy Awards air on Sunday, February 8, and country music will be represented with performances Eric Church, Miranda Lambert, and the tantalizing pairing of Brandy Clark and Dwight Yoakam. Most of the awards will be handed out before the show, and we will post the relevant winners here, as part of a Grammy Open Thread where CU readers and writers can share their thoughts on this year’s awards. Four CU writers, including myself, have shared our predictions and personal picks for the general and country-related categories below. Of course, one of the coolest things about the Grammys is that it celebrates a wide range of music from the past year, and as you’ll see by our varying levels of participation, our tastes here at CU run the gamut. This year, I’m as excited about the performances by Madonna, Kanye West (twice!), and that Hozier and Annie Lennox duet Read More
The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced. Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis: Entertainer Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line Who’s Out: Blake Shelton, George Strait, Taylor Swift Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition. Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail. Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Read More
David Nail I’m a Fire If he’s a fire, it’s one that doesn’t burn nearly enough. Three albums in, Nail continues to pair great potential with middling results. Despite having better pipes than most of his contemporaries and a knack for finding some genuinely interesting material each time out, his albums as a whole never quite take off.
The countdown concludes with our top twenty singles of 2014. Check out the first twenty entries here, and look for our countdown of the year’s twenty best albums tomorrow. #20 “The Devil is All Around” Shovels & Rope LW #5 | JK #13 The soulful husband-wife duo that comprises Shovels and Rope delivers a no holes barred analysis of trials and temptations, which boils down to the idea that the devil is all around, which means that one must do what he can to push against such a devastating force. – Leeann Ward
Updated: Best Country Duo/Group Performance The Band Perry, “Gentle on My Mind” Miranda Lambert and Carrie Underwood, “Somethin’ Bad” Little Big Town, “Day Drinking” Tim McGraw featuring Faith Hill, “Meanwhile Back at Mama’s” Keith Urban featuring Eric Church, “Raise ‘Em Up” Best American Roots Performance Greg Allman & Taj Mahal, “Statesboro Blues” Rosanne Cash, “A Feather’s not a Bird” Billy Childs featuring Alison Krauss and Jerry Douglas, “And When I Die” Keb’ Mo’ featuring the California Feet Warmers, “The Old Me Better” Nickel Creek, “Destination” Best Country Solo Performance Eric Church, “Give Me Back My Hometown” Hunter Hayes, “Invisible” Miranda Lambert, “Automatic” Carrie Underwood, “Something in the Water” Keith Urban, “Cop Car” Best New Artist includes last year’s actual best new artist! Iggy Azalea Bastille Brandy Clark (!!!!) HAIM Sam Smith Best Americana Album Rosanne Cash, The River & The Thread John Haitt, Terms of My Surrender Keb’ Mo’, Read More
“Mean to Me” Brett Eldredge Written by Scooter Carusoe and Brett Eldredge Winning a major award seems as good a time as any to pay closer attention to an artist. Brett Eldredge collected his New Artist award at last week’s CMA Awards while his current hit, “Mean to Me”, was already ascending the charts. Let’s get real here. We know going in that nothing can happen in 3 minutes and 50 seconds to make us say, “Hey, he totally deserved to win over Brandy Clark.” But “Mean to Me” does indicate that he’s a lot closer to Dierks Bentley or Kip Moore than he is to any of the interchangeable C-list acts that are singing about drinking and girls with their bare feet on the dashboard.