Tag Archives: Brett James

CMA Awards 2014: Staff Predictions and Picks

Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music.  This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory.  His win for Entertainer saved a dismal show in its closing minutes.

Here’s our take on this year’s contenders:

George Strait ACMEntertainer of the Year

Should Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Kevin, Jonathan, Tara, Ben
  • Keith Urban

Will Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Jonathan, Kevin, Tara, Ben
  • Keith Urban

Kevin:  I’d settle for a Miranda Lambert victory, as she had an amazing year.  But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert.   The rest of these nominees have either won before or still seem to have their best days ahead of them.  There will never be another George Strait again.

Jonathan: The appalling sense of entitlement Jason Aldean has shown in his seemingly endless campaign of adult temper-tantrums disguised as interviews since these nominees were announced makes it all the more satisfying that the voters didn’t exclusively consider commercial and touring stats when voting for this award. I think that will likely continue with the final ballots, giving Strait the win here as a final send-off– a win that, as Kevin said, Strait’s last concert fully justifies based on even Aldean’s logic.

Tara: I have a feeling I’ll be pulling for Lambert next year, but 20 months after seeing it, I’m still high on Strait’s phenomenal farewell show. He deserves this.

Ben: Why not? Miranda will have plenty more shots at it, but this could be our last chance to see George Strait accept a CMA Entertainer of the Year trophy. Let the cowboy ride away in style.

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Single Review: Carrie Underwood, “Something in the Water”

carrie-underwood-something-in-the-water

“Something in the Water”

Carrie Underwood

Written by Chris DeStefano, Brett James, and Carrie Underwood

If anybody’s going to sing a song about the power of the water to cleanse your soul, it should be Carrie Underwood.   Her voice and her presence on record are enough to wash country listeners’ ears clean from all the dreck we’re being assaulted with these days.

Underwood previews her upcoming hits collection by revisiting a theme that she’s explored before, but with a wisdom and maturity that can only come from life experience.  “Something in the Water” shifts the transformative experience of “Jesus, Take the Wheel” into the first person, a sign, along with her co-writing credit, of how much more personal ownership she now takes over her work.  So as great as that first hit was, it’s the new release that throbs with urgency and intensity, moving the spiritual experience from something philosophical into something viscerally real.

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2014 CMA Nominations

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.

George Strait ACMEntertainer of the Year

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Keith Urban

Who’s In:  Miranda Lambert, Keith Urban

Who’s Out: Jason Aldean, Taylor Swift

George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

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Single Review: Miranda Lambert and Carrie Underwood, “Somethin’ Bad”

Miranda Lambert Carrie Underwood Somethin' BadMiranda Lambert’s tempting fate with her titles, calling her upcoming album Platinum and her high-profile collaboration with Carrie Underwood, “Somethin’ Bad.”

No word for a while yet on whether the album will sell a million copies, but as far as the single goes, it lives up to the promise of the two singers more than it does to its title.

It does so by trying not to be as ambitious as the caliber of the collaborators would make you expect it to be.  This was a trap both ladies fell into when collaborating with other A-listers, making  Lambert’s duet with Keith Urban and Underwood’s with Brad Paisley not as successful as they could’ve been.

This is just a plain ol’ good girls on their baddest behavior ditty.  Well, not their baddest behavior.  Underwood doesn’t key up anyone’s car and Lambert doesn’t kill anybody.  But it’s all in good fun, and both ladies can perform the thing solo just fine when the other isn’t around.

And kudos to the production, I feel I should mention.  There were a few moments I thought it was gonna go all eighties glam rock, but the record pulls back before it goes over the edge, and we get just the ladies and a rhythm track, which actually supports the lyric better.  Somethin’ bad’s gonna happen, but….not yet.  Good stuff.

Written by Chris DeStefano, Brett James, and Priscilla Renea

Grade: B+

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Single Review: Dierks Bentley, “I Hold On”

Dierks Bentley I Hold OnDierks Bentley has done a lot of growing up since his young man’s anthem, “What Was I Thinkin'”, launched him to stardom.

“I Hold On” has the energetic groove that Bentley always does so well, but there’s a refreshing lyrical depth that makes this song stand out among its lesser peers on the radio today.  His sentimental attachment to his old pickup truck because he worked on it with his departed father is reminiscent of Alan Jackson’s now-classic “Drive (For Daddy Gene)”, and there’s a nice mix of nostalgia and pride in him hanging on to the beat up guitar that he strapped on during all those rowdy club dates early in his career.

The song is so personal that even the patriotic clinging to the flag seems more genuine than cloying, though it does slow the song down a bit, at least until he pivots to promising to hold on to the love he’s found with his one true flame.

It’s not perfect, but it’s better than most.  I’m always on board with country music for grownups.

Written by Dierks Bentley and Brett James

Grade: B+

 

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Single Review: Kenny Chesney, “Reality”

The song is about how we use vacations and spirits and such to escape the mundane lives we’ve settled into.

It’s a strong concept.  But the fairly flat delivery and a production that never takes off keeps things a little too grounded in reality for it to actually sound like the escapism it celebrates.

Written by Kenny Chesney and Brett James

Grade: B

Listen:  Reality

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