Tag Archives: Brooks & Dunn

The Best Singles of 1994, Part 3: #20 – #11

Our Best of 1994 Singles List continues with Part Three, which includes the ten songs that just missed the top ten! This section includes several #1 singles and signature hits, but kicks off with one of those should’ve been hits by a should’ve been star.
Joy Lynn White Wild Love

#20
“Wild Love”
Joy Lynn White

Written by Dennis Linde

JK #9 | SG #18 | KJC #39

A brash, fiery vocalist with an instantly recognizable timbre and sense of phrasing, White revels in the forthright sexuality of “Wild Love” and has the pipes to match the track’s blistering arrangement. White may never have cracked the top 40 at radio, but the influence of her vocal style is all over Natalie Maines’ singing, and “Wild Love” foretold the hard rock turn the genre would take a decade or so later. – Jonathan Keefe

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Single Review: Blake Shelton, “Neon Light”

Blake Shelton Neon Light“Neon Light”

Blake Shelton

Written by Andrew Dorff, Mark Irwin, and Josh Kear

Brooks & Dunn made an entire career out of honky tonk puns and play on words.  “Neon Light” is a throwback to those songs, with Blake Shelton previewing his new album with a song built around there being “a neon light at the end of the tunnel.”

To his credit, Shelton plays it subtle, with the song not having that arena-in-mind noisiness that has come to define today’s country music.  But the song never quite gets out of first gear, either.  Sure, the song didn’t need power chords and hair band chants.   But it certainly would benefit from more aggressive fiddle and steel guitar.

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CMA Awards: Entertainer of the Year (1967-2013)

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year.   Originally a revolving door of winners, the winner in early years was often not even nominated the following year.  In 1981, Barbara Mandrell became the first artist to win the award twice.   Alabama succeeded her with a three year run from 1982-1984.   Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

Eddy Arnold1967

  • Bill Anderson
  • Eddy Arnold
  • Merle Haggard
  • Sonny James
  • Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.”  He remains the only member of the Hall of Fame to win this award after being inducted.

Glen Campbell1968

  • Eddy Arnold
  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Charley Pride

Glen Campbell was a big awards favorite in 1968, with “By the Time I Get to Phoenix” and “Gentle On My Mind” both dominating the Grammy awards earlier that year.   His win in this category foreshadowed bigger things, as he soon became a network variety star, while also scoring major country and pop hits with “Wichita Lineman” and “Galveston.”

 johnny-cash1969

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Johnny Cash’s career was rejuvenated on the strength of two live prison albums, the latter of which produced the massive Shel Silverstein-penned smash, “A Boy Named Sue.”   His victory came in a year that marked the beginning of his network variety show and had him dominating the country singles charts, spending ten combined weeks at #1 with “Sue” and “Daddy Sang Bass.”

Merle Haggard1970

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Merle Haggard was a mainstay in this category from the beginning, nominated in each of the first seven years of the CMA Awards.  His victory in 1970 coincided with his commercial peak, with signature hits “The Fightin’ Side of Me” and “Okie From Muskogee” helping him secure his only win in this category.

Charley Pride1971

  • Merle Haggard
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed
  • Conway Twitty

The last of four consecutive years where the Male Vocalist winner matched the Entertainer winner, Charley Pride went home with both awards in 1971.   A winner on his fourth nomination, his popularity skyrocketed upon the release of “Kiss an Angel Good Morning,” which was climbing the charts at the time of the awards ceremony.

Loretta Lynn1972

  • Merle Haggard
  • Freddie Hart
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed

Instead of attending the awards show, Loretta Lynn’s husband Mooney went hunting.  He didn’t want to watch her lose, but he missed watching history unfold as she became the first woman to win Entertainer of the Year.  Lynn’s victory came on the heels of both solo hits like “One’s on the Way” and her popular duets with Conway Twitty.

Roy Clark1973

  • Roy Clark
  • Merle Haggard
  • Tom T. Hall
  • Loretta Lynn
  • Charley Pride

Today he’s best known for Hee Haw, the country music variety show that he co-hosted, and it’s no coincidence that he won while the show was in its prime. Still, Clark is also one of country’s most admired legends, and his legacy goes far beyond the television show that showcased his extensive musical and comedic talents.

Rich_Charlie_002_c_MOA.jpg1974

  • Roy Clark
  • Mac Davis
  • Loretta Lynn
  • Olivia Newton-John
  • Charlie Rich

The massive success of “The Most Beautiful Girl” and “Behind Closed Doors” helped Charlie Rich win this award.  It was a long time coming, as Rich toiled in obscurity despite critical acclaim for his work.   He would continue to score big hits on the country and pop charts over the next couple of years, at one point charting hits on different labels at the same time.

John Denver1975

  • John Denver
  • Waylon Jennings
  • Loretta Lynn
  • Ronnie Milsap
  • Conway Twitty

John Denver’s victory in this race led to the most infamous moment in CMA history. Though he claimed it was due to medication later on, presenter Charlie Rich seemed to be making a furious statement against the pop crossover artists dominating country music when he opened the envelope, read it, and then lit a cigarette lighter and burned the envelope. The paper went up in flames as he derisively snarled the winner’s name, “My friend, Mister John Denver.” Poor John, accepting via satellite, was clueless to what was going on at the Opry house, and graciously accepted his award.

Mel Tillis1976

  • Waylon Jennings
  • Ronnie Milsap
  • Willie Nelson
  • Dolly Parton
  • Mel Tillis

This 2007 Hall of Fame inductee won this award just as he was changing labels.  Tillis first gained notoriety for his remarkable songwriting talent, but eventually he was scoring enough hits to earn a place in this category. He would go on to have several more big hits after winning this award, earning another nomination in this category two years later.

Ronnie Milsap1977

  • Merle Haggard
  • Waylon Jennings
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers

Ronnie Milsap dominated the CMA Awards, becoming one of its most frequently honored performers during the formative years of the awards show.  He finally won the big prize on his third try, powered by the success of his classic hit, “It was Almost like a Song.”

Dolly Parton1978

  • Crystal Gayle
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers
  • Mel Tillis

Her famous quote – “I’m not leaving country. I’m taking it with me” – must have held some water with the Nashville establishment, as Parton won this award at the height of her pop crossover success with “Here You Come Again,” the title track of her first platinum album.  The front of her dress popped open before she went up to receive the trophy, prompting her to quip, “That’s what I get for trying to put fifty pounds of mud in a five pound bag.”

Willie Nelson1979

  • Crystal Gayle
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers
  • Statler Brothers

He never won Male Vocalist of the Year, but superstar Willie Nelson was given his due by the CMA in 1979 when they awarded him Entertainer of the Year.   While it wasn’t his biggest year on the charts, residual goodwill from Stardust and his collaborations with Waylon Jennings helped carry him to victory.

Barbara Mandrell 21980

  • Charlie Daniels Band
  • Larry Gatlin & The Gatlin Brothers
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers

She had a few big hits in 1980, like “Crackers” and “The Best of Strangers.”  But it was her incredibly popular variety show with sisters Louise and Irlene that truly showcased her versatility as an entertainer, securing the first of two wins in this category.

Barbara Mandrell 11981

  • Alabama
  • George Jones
  • Barbara Mandrell
  • Oak Ridge Boys
  • Kenny Rogers

Despite sharing the category with four artists who had never won this award, Barbara Mandrell became the first artist in CMA history to win Entertainer of the Year for the second time.  Credit the continued popularity of her television show and the biggest hit of her career, “I Was Country When Country Wasn’t Cool”,  which featured a guest turn by fellow nominee George Jones.

Alabama 21982

  • Alabama
  • Barbara Mandrell
  • Willie Nelson
  • Oak Ridge Boys
  • Ricky Skaggs

The band that laid the groundwork for all other country bands that followed, Alabama set a new bar for commercial success in the early eighties.   The eligibility period included the release of their biggest-selling studio album, and also two of their signature hits: “Mountain Music” and “Love in the First Degree.”

Alabama 31983

  • Alabama
  • Merle Haggard
  • Barbara Mandrell
  • Willie Nelson
  • Ricky Skaggs

As their studio albums sold in the millions, every single Alabama released to radio was hitting #1, a stretch that would eventually include 21 consecutive chart-toppers.  They repeated in this category on the strength of hits like “Dixieland Delight” and “The Closer You Get.”

Alabama 11984

  • Alabama
  • Lee Greenwood
  • Barbara Mandrell
  • Ronnie Milsap
  • Oak Ridge Boys

A mere three years after Barbara Mandrell made history by being the first artist to win two Entertainer awards, Alabama went her one better and won three. They remain one of only two acts to win this award three years in a row, doing so as their hits “Roll On (Eighteen Wheeler)” and “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” dominated the airwaves.

1Ricky Skaggs985

  • Alabama
  • Lee Greenwood
  • Reba McEntire
  • Ricky Skaggs
  • George Strait

Few country artists command as much respect as Ricky Skaggs, a consummate singer and musician. Skaggs’ victory in this category signaled the resurgence of traditional country music, as he was the first winner since 1976 to not have achieved crossover hits on pop radio.

Reba McEntire1986

  • The Judds
  • Reba McEntire
  • Willie Nelson
  • Ricky Skaggs
  • George Strait

One of the most popular new traditionalists of the mid-eighties, McEntire achieved her commercial breakthrough with “Whoever’s in New England”, which was aided in popularity by her first of many high-concept music video clips.  McEntire would eventually become the most nominated woman in history, scoring ten nominations over eleven years.

Hank Williams Jr 11987

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

When Hank Williams, Jr. won the Music Video award the previous year, he reminded voters, “I make audio, too.”  They finally got around to acknowledging his meaningful contributions to the genre,  awarding him the first of two Entertainer trophies in 1987.

Hank Williams Jr 21988

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Hank Jr. may have waited a long time for some CMA love, but once it came, it was in droves. He won Album of the Year the same night he repeated in this category.  His biggest hit of the year, “Young Country”, featured guest appearances by up and comers like Highway 101 and Marty Stuart.

George Strait 11989

  • Reba McEntire
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Three years after his most recent Male Vocalist trophy, megastar George Strait was named Entertainer of the Year. He would go on to have one of his biggest years at radio, with two multi-week #1 singles in the twelve months that followed his victory.

George Strait 21990

  • Clint Black
  • Kathy Mattea
  • Ricky Van Shelton
  • George Strait
  • Randy Travis

While Randy Travis dominated the Male Vocalist race, George Strait was given his due again in the Entertainer category.   He wore an Entertainer of the Year cowboy belt on the cover of Livin’ it Up, perhaps giving him good luck toward his second victory.  He remains the most nominated in this category, and is only the second Hall of Famer to receive a nomination after being inducted into the Hall.

Garth Brooks 19911991

  • Clint Black
  • Garth Brooks
  • Vince Gill
  • Reba McEntire
  • George Strait

A mere year after winning the Horizon award, Garth Brooks was the Entertainer of the Year at the CMA Awards. He was breaking every sales record in the book by that point.  Shortly before the ceremony, he became the first country artist to enter the overall album chart at #1, leading to a media frenzy that gained unprecedented exposure for both Garth and the genre he represented.

Garth Brooks 21992

  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire
  • Travis Tritt

Given that he was already the biggest-selling country artist the world had ever seen, it was no surprise that Garth Brooks won his second Entertainer of the Year trophy in 1992.  His continued popularity was fueled by sold out live shows that soon led to network specials showcasing his unique brand of arena country.

Vince Gill 11993

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

Vince Gill capped off an amazing night at the 1993 CMA Awards with his first victory in this category. It was his fifth win of the night, as he also took home Male Vocalist, Song, Album and Vocal Event.   As he was also the show’s sole host, the collective exposure pushed him to multi-platinum sales.

Vince Gill 21994

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

The soft-spoken Gill won for a second year, which was no big surprise given his widespread popularity in Music City. He also went home with Album and Male Vocalist the same night, giving him a stunning fourteen trophies in only five years.

Alan Jackson 11995

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

As one of the evening’s top nominees, Alan Jackson brought his parents as his special guests.  After losing in every other category, he expressed relief that he finally won something, as going home empty handed would’ve been embarrassing.   Jackson would eventually become one of the organization’s most awarded artists.

Brooks and Dunn1996

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

They were already winners of five CMA awards, due solely to their domination of the Vocal Duo category. But in 1996,  they finally won another race, and it was a big one. Brooks & Dunn remain the only duo to win this award, with The Judds and Sugarland being the only other duos to receive nominations.

Garth Brooks 31997

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

In a year when all five nominees had won this award before, it was Garth Brooks who returned to the winner’s circle, tying Alabama’s long-standing record of three victories in this category.   Adding to the sense of déjà vu, this was the third year in a row where all five nominees were the same.

Garth Brooks 41998

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Tim McGraw
  • George Strait

As hard as it is to believe that there were any records left for him to break by 1998, Garth Brooks shattered another one, becoming the first artist in the history of the CMA to win four Entertainer of the Year awards. By this time, Garth had already sold more than 60 million albums, and while he has yet to win this award again, he remains the top-selling solo artist of all time in the United States.

Shania Twain1999

  • Garth Brooks
  • Dixie Chicks
  • Tim McGraw
  • George Strait
  • Shania Twain

The odds seemed against Shania Twain, as she had never won a CMA award before and the last woman to win was Reba McEntire thirteen years earlier.  Fittingly, McEntire was on hand to present the trophy to Twain, who won on the strength of Come On Over, which eventually became  top-selling country album of all time and the top selling album of the decade from any genre.

Dixie Chicks2000

  • Dixie Chicks
  • Faith Hill
  • Alan Jackson
  • Tim McGraw
  • George Strait

The Dixie Chicks capped off a stunning three-year run at the CMA Awards with this victory, one of nine that they racked up since 1998.   Within those three years, their first two albums each sold over ten million copies, and the band was widely credited for championing country radio and traditionalism while other top acts were crossing over to pop radio.

Tim McGraw2001

  • Brooks & Dunn
  • Dixie Chicks
  • Alan Jackson
  • Tim McGraw
  • George Strait

After winning two Male Vocalist and two Album of the Year honors in the previous three years, Tim McGraw finally won the CMA’s top award. It was a satisfying acknowledgment of an artist who’d had his talent underestimated in the first few years of his stardom, but built up a reputation for his stellar taste in choosing material.

Alan Jackson 22002

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • George Strait

Jackson’s win in 1995 came as he was reaching his commercial peak.  In the years that followed, Jackson remained a successful and well-respected artist that got less attention every year when it came time to hand out awards. Then came the one-two punch of “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”, both of which were viewed as the very embodiment of all that makes country music unique and essential.   This was one of five awards he was honored with that night.

Alan Jackson 32003

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Although the ACM had chosen Toby Keith as their standard bearer a few months earlier, the CMA stuck with the previous year’s winner Alan Jackson. By 2003, Jackson had evolved into an elder statesman for the genre, but still managed to stay relevant with hits both clever (“It’s Five O’Clock Somewhere”) and poignant (“Remember When.”)

Kenny Chesney2004

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Chesney’s long dry spell at the CMA’s came to a satisfying end as the superstar collected both Entertainer and Album of the Year trophies. He had been charting for eleven years before finally winning his first CMA award.

keith-urban2005

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Brad Paisley
  • Keith Urban

One of the most surprising and endearing wins in the history of this category, a shocked and humbled Urban accepted this award in New York City. He couldn’t have picked a better night to bring his Australian parents to the ceremony.

kenny-chesney2006

  • Brooks & Dunn
  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • Keith Urban

It’s pretty rare to come back and win this award for a second time, as most multiple wins have been consecutive in this category. But Kenny Chesney joined Garth Brooks and Alan Jackson as the only other artists to pull it off when he won in 2006, a club that would later be joined by Taylor Swift.

kenny_chesney2007

  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • George Strait
  • Keith Urban

Chesney entered the elite company of Garth Brooks, Alabama, and Alan Jackson with his third victory in this category. Rascal Flatts, meanwhile, became the first group since the Dixie Chicks to score back-to-back nominations, a feat also accomplished by Alabama and the Oak Ridge Boys.

Kenny Chesney2008

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Sugarland
  • Keith Urban

As Sugarland became only the third duo in history to receive a nomination and George Strait extended his record number of nominations to sixteen, Kenny Chesney tied Garth Brooks for the most wins in this category with his fourth victory.  His popularity at radio and retail was remarkable, but it was Chesney’s highly attended summer stadium tours that earned him these wins.

Taylor Swift CMA2009

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Taylor Swift both made history and prevented it with her win in this category.  She simultaneously became the youngest artist ever and the first female solo artist in ten years to take home the prize. She also kept Kenny Chesney from becoming the sole all-time champion in this category, as he remains tied with Garth Brooks with four wins to date.

paisley2010

  • Lady Antebellum
  • Miranda Lambert
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band

2010 shook up the category, with three first-time contenders in the running for the crown for the first time since 1981. Despite all the new blood, sixth time proved to be the charm for Brad Paisley, who finally won this award after five consecutive losses.  Paisley’s persistent popularity helped him earn the nod in a year where the two previous winners weren’t even nominated.

Taylor Swift Fearless Tour 2009 In New York City2011

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift
  • Keith Urban

Thirty years after Barbara Mandrell became the first woman to win this award twice, Swift became the second to do so.  She won the award on the strength of her third set, Speak Now, which showcased her growing maturity as a songwriter and her growing appeal beyond her teenage and young adult fan base.

Shelton2012

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift

One of the most surprising wins in CMA history, few saw Blake Shelton’s victory coming.  But it isn’t too surprising when you consider the number of artists who parlayed network television exposure into a win in this category.  Perhaps in this new era of media saturation and minimal album sales, television may once again become a deciding factor when choosing the genre’s top star every year.

question_mark2013

  • Jason Aldean
  • Luke Bryan
  • Blake Shelton
  • George Strait
  • Taylor Swift

George Strait’s farewell tour helped return him to the category for the first time since 2009, earning him a record-extending  eighteenth career nomination.  Strait joins previous winners Taylor Swift (2009, 2011) and Blake Shelton (2012) in attempting a return to the winner’s circle.   Luke Bryan earns his first nomination, just months after winning the ACM trophy.  Jason Aldean, meanwhile, is hoping to get lucky the third time around.

Facts & Feats

Multiple Wins:

  • (4) – Garth Brooks, Kenny Chesney
  • (3) – Alabama, Alan Jackson
  • (2) –Vince Gill, Barbara Mandrell, George Strait, Taylor Swift, Hank Williams, Jr.

Most Consecutive Wins:

  • (3) – Alabama (1982-1984), Kenny Chesney (2006-2008)
  • (2) – Garth Brooks (1991-1992, 1997-1998), Vince Gill (1993-1994), Barbara Mandrell (1980-1981), George Strait (1989-1990), Hank Williams, Jr. (1987-1988)

Most Nominations:

  • (18) – George Strait
  • (12) – Alan Jackson
  • (11) – Brooks & Dunn
  • (10) – Reba McEntire
  • (9) –  Garth Brooks, Kenny Chesney
  • (8) –  Vince Gill, Merle Haggard, Brad Paisley
  • (7) – Keith Urban
  • (6) – Barbara Mandrell, Tim McGraw, Willie Nelson, Brad Paisley, Charley Pride, Keith Urban
  • (5) – Alabama, Loretta Lynn, Ronnie Milsap, Kenny Rogers

Most Nominations Without a Win:

  • (5) – Kenny Rogers
  • (4) – Toby Keith, Randy Travis
  • (3) – Jason Aldean, Waylon Jennings, The Judds, Oak Ridge Boys

Winners in First Year of Nomination:
Eddy Arnold (1967), Garth Brooks (1991), Glen Campbell (1968), John Denver (1975), Charlie Rich (1974), Taylor Swift (2009), Mel Tillis (1976), Shania Twain (1999), Keith Urban (2004), Hank Williams, Jr. (1987)

CMA Entertainers of the Year Who Have Never Won the ACM Award:
Eddy Arnold, Johnny Cash, Glen Campbell, Roy Clark, John Denver, Vince Gill, Alan Jackson, Tim McGraw, Ronnie Milsap, Brad Paisley, Charlie Rich, Blake Shelton, Ricky Skaggs, Taylor Swift, Mel Tillis, Keith Urban

ACM Entertainers of the Year Who Have Never Won the CMA Award:
Luke Bryan, Mac Davis, Mickey Gilley, Freddie Hart, Toby Keith, Kenny Rogers, Carrie Underwood

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100 Greatest Men: #53. Brooks & Dunn

100 Greatest Men: The Complete List

The very definition of the whole being greater than the sum of its parts, two struggling solo artists came together in the nineties and became the most c0mmercially successful duo in country music history.

Kix Brooks and Ronnie Dunn both released solo work in the eighties to little fanfare, though they had encountered some success in other areas.  Brooks earned many songwriting credits, including hits by John Conlee (“I'm Only in it For the Love”), Nitty Gritty Dirt Band (“Modern Day Romance”), and Highway 101 (“Who's Lonely Now.”)  Dunn had recorded a few sides for Churchill records that received little attention, and won a nationwide talent contest in 1988 that earned him another shot to record in Nashville.

Arista Nashville founder Tim DuBois thought the two would work well together as a duo, and despite reservations on both their parts, the chemistry was immediately there.   Upon release of their debut album Brand New Man in 1991, the duo instantly shot to the top of the charts.  Thanks to a string of four #1 singles, their first album sold more than six million copies, beginning a remarkable run of success at both radio and retail.

With Dunn usually handling lead vocals and Brooks providing the most energy in their live shows, the duo had a mostly uninterrupted run, with all but their final album selling at least gold, and most selling platinum.   They won dozens of industry awards, mostly in the Vocal Duo categories, but they were also named Entertainers of the Year twice at the ACM's and once at the CMA's.

As their career progressed, their critical acclaim largely dwindled, as their emphasis on rave-ups overshadowed their often remarkable ballads.  Still, by the time they had broken up in 2009, they had accumulated 26 #1 hits and record sales in excess of 27 million, making them the top-selling duo in country music and second only to Simon & Garfunkel among duos of all genres.    Both Brooks and Dunn are now pursuing solo careers, with Dunn already scoring a #1 country album and top ten single at radio.

Essential Singles:

  • Brand New Man, 1991
  • Neon Moon, 1992
  • Boot Scootin' Boogie, 1992
  • You're Gonna Miss Me When I'm Gone, 1995
  • My Maria, 1996
  • The Long Goodbye, 2001
  • Red Dirt Road, 2003
  • Believe, 2005

Essential Albums:

  • Brand New Man, 1991
  • Borderline, 1996
  • Steers & Stripes, 2001
  • Red Dirt Road, 2003

Next: #52. Keith Whitley

Previous: #54. Hank Thompson

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Single Review: Chris Young, "Neon"

Chris Young’s third single off of Neon continues to position him as an artist with a skill so few of his contemporaries possess: the ability to gracefully tread the line between vintage and current.

It's easy to compare this title track to Brooks & Dunn’s dance hall classic, for example, but Young’s ode to a bar has legs all its own. “Neon” puts a different spin on melancholy – less aching and more content in defeat. If there’s a broken heart in the mix, Young’s too deep into his sweet escape (on the rocks) to care.

That’s not to say “Neon” drifts into drowsiness. As effectively as “Neon Moon” had us wallowing in Dunn’s loneliness, “Neon” has us reveling in a blissful swirl of booze, Santa Fe sunsets and Texas sunflowers. Its imagery is both vibrant and slyly playful, packing little punches like: “The sun can do the job in the daytime / But the moon ain’t quite bright enough / To light up the way to playtime for people like us.”

But no amount of clever prose could make “Neon” soar the way Young’s instrument does when paired with the neo-traditional arrangement. His voice sinks into the groove of the song so effortlessly you’d think he was singing in his sleep, skating around the melody with an appropriate blend of conviction and restraint. By the time the last chorus hits, he's melted the entire song into a sublime pool of resignation – a near-perfect encapsulation of those hazy, memory-drowning nights.

Written by Shane McAnally, Josh Osborne & Trevor Rosen

Grade: A-

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Single Review: Kix Brooks featuring Joe Walsh, “New to This Town”

I’ve always liked Kix as a singer, so I was happy to see that this single exists. He’s got one of those modest-but-charming Everyman voices, the kind that makes every song feel like a conversation with your ol’ pal.

He also sounds positively thrilled to flex it for us again, which is just infectious. Listen to how he relishes every note of “New to This Town,” like he doesn’t want waste a moment of this reintroduction. Love that! I love that.

Just want to hear it on a different song. This one’s got some good bones – the main chorus cadence (before it becomes a crutch), the theme of wishing you could rewrite a history gone wrong. But the first verse about the younger man doesn’t set up a compelling launching pad for the rest of the song, and I don’t know if I buy Kix Brooks with this sound – pulsing verses, big rock chorus. Plus, the subject matter invites comparison to Tim McGraw’s dazzling “Old Town New,” and there aren’t a lot of songwriters who can go head-to-head with Bruce Robison or Darrell Scott, much less the two of ‘em together.

So as an appetizer, I can’t say it kix ass but…….! (I’m done writing forever.)

Written by Kix Brooks, Marvin Green & Terry McBride

Grade: B-

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Retro Single Review: Alan Jackson, “Chattahoochee”

1993 | Peak: #1

This timeless classic won CMA trophies for both Single and Song of the year, and was Jackson’s signature song for the rest of the nineties.

Why did it work so well?

Perhaps because it looked back on the innocence of adolescence with bemusement and fondness for that transitional period of life.

Or perhaps because it rhymed Chattahoochee with “hoochie coochie.”

Regardless, with so many of our male stars today in a permanent state of adolescence, “Chattahoochee” is a refreshing reminder that your late teens should shape who you are today, not who you wish you could still be.

Oh, and if you came to country music in the current century, this is the song that “Red Dirt Road” ripped off.

Written by Alan Jackson and Jim McBride

Grade: A

Next: Mercury Blues

Previous: Tonight I Climbed the Wall

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Single Review: Randy Houser, “In God’s Time”

Self-sufficient-life.com 150.jpg” alt=”” width=”150″ height=”150″ />I think I can officially call myself a Randy Houser fan now. After feeling lukewarm to apathetic about his glossy debut album, I was much more enthusiastic about his more organic, but vibrant, sophomore project, They Call Me Cadillac.

Even though that album was only released in October, it produced no hits for Houser. As a result, the album seems to have been abandoned in order to release the inspirational “In God’s Time”, the lead single for an undetermined third album.

The song conveys that the timing of the trajectory of our lives is not always in our control, but instead, the orchestration of God’s timing. The theme of the song is what one might automatically assume it to be by its straightforward title. In fact, its overt nature could easily cross the line to heavy handedness, as so many songs of its ilk tend to do.

Fortunately though, Houser interprets this song with a humble conviction that can only be reliably conveyed by a person who must viscerally know the message to be true.

To accompany Houser’s impassioned, yet graceful performance, the instrumentation for this track is wonderfully restrained. It begins with gentle acoustic guitar strums and manages to subtly build without the obvious swells of an annoying orchestra, but rather, a sweet steel guitar solo instead.

There are similarities to Brooks & Dunn’s “Believe”, but I don’t mind going out on a limb to suggest that, despite Houser’s smaller status, it is a stronger performance and composition when all factors are considered. I can’t predict how “In God’s Time” will do on country radio, but I can venture a guess that it will be a serious contender for 2011 end-of-the year lists.

Written by Randy Houser, David Lee Murphy & Shane Minor

Grade: A

Listen: In God’s Time

 

More: Self-sufficient-life.com

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Single Review: Ronnie Dunn, “Bleed Red”

I’m in.

Ronnie Dunn’s first post-B&D single might be a kiss-and-make up song.  Or it could be a call for world peace and greater humanity.  Maybe it’s the turmoil in Egypt that has me leaning toward the latter interpretation.

The production is surprisingly pop-flavored, and it starts to go in the big arena direction but never quite makes it there. It’s as if the raw power of Dunn’s voice keeps the musicians in check.

We’ve always known Dunn is a great singer, one of the finest country vocalists of the last quarter century. Since he was almost always the lead singer of Brooks & Dunn, I’d assumed that his solo career would just be a bunch more Brooks & Dunn records without Kix’s token vocals.

My assumption was wrong. If “Bleed Red” is any indication, Dunn has a whole new level of music inside of him.  I can’t wait to hear more.

Grade: A

Listen: Bleed Red

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Crunching the Numbers: January 2011

Feel that chill in the air?  It’s not just climate change, friends.  The music industry is suffering through historic lows in record sales, the worst since SoundScan started tallying them in 1991.

How are country artists faring?  Let’s take a look at cumulative sales for current albums. Sales are rounded to the nearest hundred.

Top Selling Current Country Albums

  1. Taylor Swift, Fearless: 6,233,900
  2. Taylor Swift, Taylor Swift: 4,955,000
  3. Lady Antebellum, Need You Now: 3,138,700
  4. Taylor Swift, Speak Now: 3,078,600
  5. Zac Brown Band, The Foundation: 2,489,200
  6. Carrie Underwood, Play On: 1,937,041
  7. Lady Antebellum, Lady Antebellum: 1,835,800
  8. Jason Aldean, Wide Open: 1,364,700
  9. Miranda Lambert, Revolution: 1,149,000
  10. Rascal Flatts, Greatest Hits Volume 1: 994,600
  11. Sugarland, The Incredible Machine: 815,200
  12. Jason Aldean, My Kinda Party:  766,300
  13. Tim McGraw, Southern Voice: 749,200
  14. George Strait, Twang: 670,200
  15. Kenny Chesney, Hemingway’s Whiskey: 655,200
  16. Zac Brown Band, You Get What You Give: 636,000
  17. Rascal Flatts, Nothing Like This: 585,800
  18. Luke Bryan, Doin’ My Thing: 509,200
  19. Keith Urban, Get Closer: 508,200
  20. Brooks & Dunn, #1’s…and Then Some: 479,700
  21. Toby Keith, American Ride: 432,100
  22. Chris Young, The Man I Want to Be: 408,000
  23. Eric Church, Carolina: 380,600
  24. Darius Rucker, Charleston, SC 1966: 376,700
  25. The Band Perry, The Band Perry: 364,000
  26. Josh Turner, Haywire: 361,800
  27. Justin Moore, Justin Moore: 325,600
  28. Easton Corbin, Easton Corbin: 314,000
  29. Toby Keith, Bullets in the Gun: 279,400
  30. Jamey Johnson, The Guitar Song: 256,300
  31. Gary Allan, Get Off on the Pain: 238,000
  32. Reba McEntire, All the Women I Am: 224,800
  33. Jerron Niemann, Judge Jerron & The Hung Jury: 222,700
  34. Billy Currington, Enjoy Yourself: 222,000
  35. Tim McGraw, Number One Hits: 220,500
  36. Dierks Bentley, Up on the Ridge: 204,900
  37. Zac Brown Band, Pass the Jar: 202,100
  38. Trace Adkins, Cowboy’s Back in Town: 194,200
  39. Johnny Cash, American VI: Ain’t No Grave: 190,100
  40. Brad Paisley, Hits Alive: 189,200
  41. Alan Jackson, 34 Number Ones: 181,000
  42. Blake Shelton, All About Tonight: 160,700
  43. Little Big Town, The Reason Why: 158,300
  44. Blake Shelton, Loaded: The Best of Blake Shelton : 142,300
  45. Jaron and the Long Road to Love, Getting Dressed in the Dark: 119,700
  46. Josh Thompson, Way Out Here: 107,000
  47. Joe Nichols, Old Things New: 100,700
  48. Brantley Gilbert, Halfway to Heaven: 81,400
  49. Lee Brice, Love Like Crazy: 81,200
  50. Steel Magnolia, Steel Magnolia: 41,000
  51. Joey + Rory, Album Number Two: 34,100
  52. Randy Houser, They Call Me Cadillac: 30,900

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