Tag Archives: Brooks & Dunn

CMA Awards: Predictions and Personal Picks

The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.

brad-paisleyEntertainer of the Year

Should Win:
  • Kenny Chesney
  • Brad Paisley – Leeann, Tara
  • George Strait
  • Taylor Swift – Kevin, Dan
  • Keith Urban
Will Win:
  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann, Tara
  • George Strait
  • Taylor Swift – Dan
  • Keith Urban

Kevin: Much like the field finally cleared for him in the Male Vocalist race two years ago, I expect that this is Paisley’s year to win with his sixth nomination. I think Taylor Swift deserves to win, though. There’s no getting around the fact that she’s the biggest thing out there right now.

Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.

Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.

Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.

brad-paisleyMale Vocalist of the Year

Should Win:
  • Kenny Chesney
  • Brad Paisley – Leeann, Tara
  • Darius Rucker
  • George Strait – Dan
  • Keith Urban – Kevin
Will Win:
  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann, Dan, Tara
  • Darius Rucker
  • George Strait
  • Keith Urban

Leeann: I have no doubt that Paisley will win again, as he  has had a strong year and the CMAs tend to prefer him for this award.  While I think Urban is technically a very worthy opponent, the combination of Paisley’s warm voice and stronger album makes me continue to root for him.  I’d also be just as happy if Strait won, however, and feel that his and Paisley’s albums were the strongest of the year.

Dan: Looks like an easy Paisley win, but I’ll give Strait the nod for all-around strength this past year.

Tara: I don’t anticipate that Paisley’s winning streak will be broken. I’m pulling for him on the strength of his material, but wouldn’t mind one bit if Urban took the award. Just please, CMAs, don’t give it to Rucker!

Kevin: Paisley’s poised to pick up his third trophy, with his only real competition being five-time winner George Strait. I’d give a fourth trophy to previous winner Keith Urban over the rest of the field. He really sang rings around the rest of ’em when comparing their latest albums.

Carrie Underwood 09Female Vocalist of the Year

Should Win:
  • Miranda Lambert – Leeann
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood – Kevin, Dan, Tara
Will Win:
  • Miranda Lambert
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood – Kevin, Leeann, Dan, Tara

Dan: I tend to find Underwood boring, but I do think she released some of her better singles this past year. Swift just isn’t a strong enough vocalist to merit this prize, and I’d rather see Lambert win in a year where she has more momentum going, which could well be next year.

Tara: It will no doubt spark controversy when Underwood takes her fourth trophy and joins the ranks of Reba McEntire and Martina McBride, and that’s another discussion all together – but looking at the nominees for this year, it’s clear she deserves to win. In terms of sheer vocal talent, few artists in the genre come close to her. I’d love to see Lambert take this award (and Underwood would too!), but like Dan, I don’t think it’s her time just yet.

Kevin: I won’t believe a different winner in this race until I see it. I was underwhelmed by the latest albums from Lambert, McBride, McEntire, and Swift, and quite frankly, Underwood is the only lady of the five to put out more than one single this year that I actually really liked (“Just a Dream”, “I Told You So.”) I remain in her corner.

Leeann: Carrie will deserve to win this award when she wins it this year.  I, however, still prefer Lambert’s voice and feel that her output (album) is the most interesting of the nominees.

Sugarland JoeyVocal Duo of the Year

Should Win:

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Tara
Will Win:
  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Tara

Tara: Sugarland continues to excite me, and I think they deserve this award again.

Kevin: I love Joey + Rory, but Sugarland have really been blowing me away lately.  I’d pick them for Entertainer if they’d been nominated.

Leeann: I’d technically love for Joey + Rory to win, but I know full well that Sugarland is the duo that truly deserves to win based upon their impact this year.

Dan: Sugarland. But I want to talk to whoever is picking their singles.

lady-antebellum-and-a-chairVocal Group of the Year

Should Win:

  • Eagles
  • Lady Antebellum – Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band – Kevin, Leeann, Dan

Will Win:

  • Eagles
  • Lady Antebellum – Kevin, Leeann, Dan, Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

Kevin: I find Zac Brown Band more interesting, and I think they have a real shot at winning this. I suspect Lady Antebellum has a bit more industry support, though, so I’ll give them the edge.

Leeann: Lady A will win because they’ve got more industry support and popularity with radio, but the Zac Brown Band has certainly put out more interesting music and have a refreshingly unique sound that deserves to be rewarded.

Dan: Pretty much what Kevin and Leeann said. “Chicken Fried” notwithstanding.

Tara: It’s definitely a race between Zac Brown Band and Lady Antebellum, and I can understand why my co-bloggers are rooting for the former. But even if Lady Antebellum’s talent needs a little cultivating, their music strikes a very personal chord with me, and I’ll be thrilled when they take this award. Can you believe Rascal Flatts might actually walk away from an awards show empty-handed?

zac-bbNew Artist of the Year

Should Win:
  • Randy Houser
  • Jamey Johnson – Dan
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band – Kevin, Leeann, Tara

Will Win:

  • Randy Houser
  • Jamey Johnson – Kevin
  • Jake Owen
  • Darius Rucker – Dan, Leeann, Tara
  • Zac Brown Band

Kevin: A weak lineup that speaks volumes about why country music is where it is today. I think Zac Brown Band should win. They’ve really been the real breakthrough act of the five. But I suspect in this battle of “Honky Tonk Badonkadonk” co-writers, Jamey Johnson will emerge victorious.

Leeann: While I’m tempted to root for Jamey Johnson, I think Zac Brown Band has a chance of keeping me intrigued over the next few years (even if they fall out of the mainstream), though I don’t think they’ve reached their potential  just yet.  I predict that Darius Rucker will actually win, however, as he’s been the most successful in the last year.

Dan: Time will tell whether Johnson is able to remain a strong artistic force, but I’d say he has as good a chance as any of these five if he can keep from getting self-important. Rucker is the biggest star on the ballot, though, and I suspect he’ll squeak the win over Johnson and Zac Brown Band.

Tara: Johnson and Zac Brown Band are both deserving recipients of this award, but I personally prefer the band’s music. With the commercial success Rucker’s seen in the past year, though, I think it’s his award to lose. Not too sure how I feel about that.  

thatlonesomesongAlbum of the Year

Should Win:

  • Jamey Johnson, That Lonesome Song – Leeann, Dan
  • Brad Paisley, American Saturday NightTara
  • Sugarland, Love on the InsideKevin
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
Will Win:
  • Jamey Johnson, That Lonesome Song – Kevin, Dan, Tara
  • Brad Paisley, American Saturday Night
  • Sugarland, Love on the Inside
  • Taylor Swift, Fearless – Leeann
  • Keith Urban, Defying Gravity

Leeann: While Johnson’s album hasn’t really stuck with me over the past year or so, I still think it’s the best album out of the bunch.  I think Swift will win, however, due to the volume of sales and hit singles.

Dan: All of these albums have strengths, but That Lonesome Song is the only one that makes me optimistic about country music’s future. I expect it to triumph, though Swift’s has a great shot, too.

Tara: Paisley’s album, to me, strikes that sweet balance of traditional and contemporary. I think it’s a strong, interesting and relevant album that epitomizes why Paisley is so deservingly successful. But Johnson will deserve this award when he takes it, and I recognize and appreciate his positive influence on mainstream country music.

Kevin: I expected more nods overall for Jamey Johnson. I think that the eligibility period hurt him, with the project less fresh in voters’ minds. But the CMA values traditional country more than any other awards organization, so I expect him to win this. I enjoy the Sugarland album far more than any of the other four, so I’m rooting for that one.

Jamey smile 2Single of the Year

Should Win:

  • “Chicken Fried” – Zac Brown Band
  • “I Run to You” – Lady Antebellum
  • “In Color” – Jamey Johnson – Kevin, Leeann, Dan, Tara
  • “People Are Crazy” – Billy Currington
  • “Then” – Brad Paisley
Will Win:
  • “Chicken Fried” – Zac Brown Band
  • “I Run to You” – Lady Antebellum
  • “In Color” – Jamey Johnson – Kevin, Leeann, Tara
  • “People Are Crazy” – Billy Currington – Dan
  • “Then” – Brad Paisley

Dan: I’ve just got a bad feeling about that Currington single. “I Run To You” does have some smokin’ production, but “In Color” is the only one of the five I can still stand.

Tara: Ouch. I’m pleased that “I Run to You” is nominated as it’s a personal favorite, but I don’t think any song other than “In Color” is deserving of this award. Again…ouch.

Kevin: This is the weakest lineup in the history of this category.

Leeann: Johnson’s song feels old to me now, but it’s the best song in this underwhelming category, though I’m sure David Letterman disagrees.  While I like the production on “People Are Crazy” the best in this line-up, the hook (not to mention the frustratingly weak story development) is just lame.

randy-travisSong of the Year

Should Win:
  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis – Kevin, Leeann, Tara
  • “In Color” – Jamey Johnson – Dan
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Chris Dubois, Ashley Gorley & Brad Paisley
Will Win:
  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis – Leeann
  • “In Color” – Jamey Johnson – Kevin, Dan, Tara
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Chris Dubois, Ashley Gorley & Brad Paisley

Tara: I would absolutely love to see Travis take this award; Underwood’s success with the song proves that the best-written country songs are timeless. I think “In Color” has more pull, though.

Kevin: I think Johnson will win, but kudos to Carrie Underwood for recognizing the value of the Randy Travis-penned gem and making it a hit all over again.

Leeann: This is not one of my favorite Randy Travis songs, but for nostalgia’s sake, I’m rooting for him to win this one. I even think it has a chance of winning, since it was a hit song for one of today’s country music’s most popular artists. I think the Paisley composition is, by far, the weakest though.

Dan: I like probable-winner “In Color” marginally more than “I Told You So.” Any of the other three winning would hurt me way down deep.

randy-travis-and-carrie-underwoodMusical Event of the Year

Should Win:

  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down the Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Tara
  • “Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe – Leeann, Dan
  • “Start a Band” – Brad Paisley and Keith Urban
Will Win:
  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down the Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis – Kevin, Dan, Tara
  • “Old Enough” – The Raconteurs with Ricky Skaggs and Ashley Monroe
  • “Start a Band” – Brad Paisley and Keith Urban – Leeann

Kevin: Will the CMA really pass up the chance to give a trophy to Randy Travis for the first time in 21 years? I hope not.

Leeann: Paisley’s and Urban’s collaboration was originally accidentally left off the ballot, but the superstar pairing is the most likely to win.  Conversely, I suspect that the inclusion of the collaboration with Ricky Skaggs and Ashley Monroe was likely an accident, but I’d still love to see this dark horse nomination win. It’s certainly the most interesting song of the category.  I might have gone for the Underwood/Travis pairing if Travis’ inclusion didn’t seem so random.  I liked Underwood’s original version better, as Vince Gill’s harmony seemed more natural.

Dan: It’s totally between “I Told You So” and “Start A Band”, but I’m pulling for the underdog Raconteurs record, too. I like my collaborations a little spontaneous like that, and it’s always great to see outsiders included in the CMA fold.

Tara: While I have a particular soft spot for “Down the Road,” which I thought was one of the best singles of 2008, it should come as no surprise that I’m pulling for the beautiful, rough-and-pure “I Told You So.” I think it will easily win.

george_straitMusic Video of the Year

Should Win:
  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift
  • “People Are Crazy” – Billy Currington
  • “Start a Band” – Brad Paisley and Keith Urban
  • “Troubadour” – George Strait – Kevin, Dan, Tara
Will Win:
  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift – Kevin, Dan, Tara
  • “People Are Crazy” – Billy Currington
  • “Start a Band” – Brad Paisley and Keith Urban
  • “Troubadour” – George Strait

Dan: I enjoy the Strait video most, but Swift’s is the flashiest, and that tends to win out.

Tara: Strait’s video is poignant and tastefully done. I never understood the appeal of Swift’s Shakespearean video, but apparently a whole generation of country music fans does. My money’s on Swift.

Kevin: I think the Swift fairytale will get the most votes, but the Strait clip hypnotizes me every time it’s on. Who knew a simple slide show could be so powerful and such a perfect fit for a song?

paul-franklinMusician of the Year
Should Win:
  • Eddie Bayers (drums)
  • Paul Franklin (steel guitar) – Kevin, Leeann, Dan, Tara
  • Dan Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar)

Will Win:

  • Eddie Bayers (drums)
  • Paul Franklin (steel guitar)
  • Dan Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar) – Kevin, Leeann, Dan, Tara

Dan: I should really start paying more attention to this kind of thing. But I know Paul Franklin’s been doing steel for everyone from Lyle Lovett to Rascal Flatts in the past year. Respek!

Tara:
Franklin’s the one I’m most familiar with, and I agree with Kevin and Dan that he deserves it. I’ll admit I’m not entirely sure how to gauge who’ll win this year, but I suppose I’d go with McAnally again.

Kevin: I guess that McAnally will repeat his victory from last year. The other previous winners won quite a bit of time ago – Dann Huff in 2001 and 2004, Brent Mason in 1997 and 1998.  My sympathy goes to Eddie Bayers, who is nominated for the tenth time and has yet to win. I have no choice but to pull for Paul Frankin, though, who has lost this award sixteen times.  Here’s hoping that seventeen’s a charm!

Leeann: Please don’t let it be Dann Huff! That’s all I ask.  Of course, I’m partial to the steel guitar, not to mention that it’s a shame that a steel guitar player has to work so hard to win a country music award.

83 Comments

Filed under CMA Awards

The Worst Singles of the Decade, Part 3: #30-#21

It Stinks!After  and , we’re wading further into the sea of mediocrity.

The Worst Singles of the Decade, Part 3: #30-#21

#30
Terri Clark, “Dirty Girl”

Double entendres are a lot more enjoyable when the naughty meaning is the real one.

#29
Jamey Johnson, “The Dollar”

Real kids don’t talk like this.

#28
Garth Brooks & Trisha Yearwood, “Love Will Always Win”

This treacly ballad is the nadir of Trisha’s career and one “It’s Midnight Cinderella” away from being Garth’s as well.

#27
Darryl Worley, “Have You Forgotten?”

Featuring more straw men than a Wizard of Oz audition.

#26
Clint Black, “I Raq and Roll”

“Have You Forgotten?” without all the nuance and subtlety.

#25
Shania Twain and Billy Currington, “Party For Two”

Proof positive that spoken dialogue can ruin a song before it even begins.

#24
Martina McBride, “God’s Will”
He was dressed as a bag of leaves? That’s his costume? Hey, at least she didn’t kill him off in the last verse.

#23
Brooks & Dunn, “Play Something Country”

There are so many poorly written female characters in Brooks & Dunn songs, it’s hard to pick just one to represent them all. But I’ll give the nod to this one, simply because it has her howling the title to a melodic hook that’s a blatant rip-off of Mary Chapin Carpenter’s “Shut Up and Kiss Me.”

#22
Jason Aldean, “Johnny Cash”

The “country star as song name” trend hasn’t yielded anything worthwhile, but at least “Tim McGraw” and “Kristofferson” have some tenuous connection to their titular song. “Johnny Cash” is just shameless name-dropping.

#21
Gretchen Wilson, “Red Bird Fever”

httpv://www.youtube.com/watch?v=Haxd6g2Mux8

In retrospect, this should’ve been a huge red flag that Wilson wasn’t built to last.  My personal favorite moment of this St. Louis Cardinals shout-out comes in the chorus, when she sings “Let me get a big ‘Go Cards!’ from the Red Bird fans like me. Go Cards!” and the backup singers answer back, “Hell yeah!”  because they couldn’t be bothered to change the “Redneck Woman” backing track.

30 Comments

Filed under Decade in Review

CMA Noms ’09

cma_awardIt’s that time of year again! For each major category, we’ll look at who’s broken in since last year, who’s been booted out, plus some initial thoughts. As always, we invite you to share your own opinions in the comments. Without further ado:

Entertainer

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Who’s In: Taylor Swift

Who’s Out: Sugarland

Snap Judgment: With Carrie Underwood and Sugarland a little out of the spotlight recently, it’s no shock to see the regular foursome of Chesney, Paisley, Strait and Urban prevail. Swift was a logical inclusion given her across-the-board dominance, but I gotta say that I’m surprised to see her acknowledged for it by the historically traditional-leaning CMA.

Male Vocalist

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Alan Jackson

Snap Judgment: Pretty predicable. Rucker has shown he can get serious spins at radio, which is probably what won him this slot over Jamey Johnson.

Female Vocalist

  • Miranda Lambert
  • Martina McBride
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood

Who’s In: Reba McEntire

Who’s Out: Alison Krauss

Snap Judgment: Again, no big surprises. Martina always hangs in there somehow, doesn’t she?

Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland

Who’s In: Joey + Rory

Who’s Out: The Wreckers (finally!), oddly not Big & Rich

Snap Judgment: I guess there has to be at least one defunct act in this category every year, huh?

Vocal Group

  • Eagles
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: Emerson Drive

Snap Judgment: I’m baffled to see the Eagles still here. I expect there will be a lot more shake-up in this category next year, with Love and Theft, Eli Young Band and The Lost Trailers all experiencing a rise in profile recently.

New Artist

  • Randy Houser
  • Jamey Johnson
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band

Who’s In: Completely new line-up!

Snap Judgment: A strong group. Johnson, Rucker and Zac Brown Band are selling better than many of the veteran acts, so they’re the serious contenders this year, but all five nominees show great artistic potential.

Album

  • Brad Paisley, American Saturday Night
  • Jamey Johnson, That Lonesome Song
  • Sugarland, Love On The Inside
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity

Snap Judgment: Probably as good a line-up as you could’ve hoped for. Never thought I’d live to see a CMA category where I thought Keith Urban had the weakest offering!

Single

  • “Chicken Fried” – Zac Brown Band
  • “I Run To You” – Lady Antebellum
  • “In Color” – Jamey Johnson
  • “People Are Crazy” – Billy Currington
  • “Then” – Brad Paisley

Snap Judgment: Sigh.

Song

  • “Chicken Fried” – Zac Brown & Wyatt Durette
  • “I Told You So” – Randy Travis
  • “In Color” – Jamey Johnson, Lee Thomas Miller & James Otto
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “Then” – Brad Paisley, Chris DuBois and Ashley Gorley

Snap Judgment: I mean, it’s not like Randy Travis ever had his own hit with “I Told You So” or anything.

Musical Event

  • “Cowgirls Don’t Cry” – Brooks & Dunn featuring Reba McEntire
  • “Down The Road” – Kenny Chesney with Mac McAnally
  • “Everything But Quits” – Lee Ann Womack with George Strait
  • “I Told You So” – Carrie Underwood featuring Randy Travis
  • “Old Enough” – The Raconteurs featuring Ricky Skaggs and Ashley Monroe
  • “Start A Band” – Brad Paisley with Keith Urban

Snap Judgment: How in the world did that Raconteurs record sneak in there? Props, CMA!

Music Video

  • “Boots On” – Randy Houser
  • “Love Story” – Taylor Swift
  • “People Are Crazy” – Billy Currington
  • “Start A Band” – Brad Paisley with Keith Urban
  • “Troubadour” – George Strait

Snap Judgment: Not bad. Houser’s doesn’t have much, but the only one I outright dislike is Currington’s. It’s just another excuse for him to sit around looking scruffy on a beach.

Musician

  • Eddie Bayers
  • Paul Franklin
  • Dann Huff
  • Brent Mason
  • Mac McAnally

78 Comments

Filed under CMA Awards

Producing the CMAs

This is a guest contribution by regular commenter, Michael Hawkins, who posts as Highwayman3.

CMAThe movies have the Oscars, the world of music has the Grammys, and that world subdivided into the country genre has the CM’s—the annual extravaganza that we fans look forward to every year. We see our favorites perform, win awards and lose with smiling gracious faces, or not [insert the inevitable Faith Hill reference here]. Everyone picks their favorites in each category as to who they’d like to win. But what about the show itself, the backdrop for which these prestigious awards are presented?

Recently, there have been posts at both The 9513 and on this site where people have been weighing in on their favorite moments from these awards. It occurred to me that none of those moments have happened in the last few years. The awards have slid into mediocrity, which is a fitting representation of the current state of country music. I understand producing these awards must be tough because you have to be everything to everyone, and acknowledge the traditional country, the Disney country, the old and new alike, and bring in people who don’t belong for the sake of ratings.

What’s wrong with the show?

The awards themselves seem like an after thought, filler in between all the endless performances. The main suspense isn’t who wins, but rather, how many performances the producers can fit in 3 hours. Also, it’s become an award show that is ashamed of its roots, barely mentioning who is inducted into the Hall of Fame. Any artist with the slightest sign of a wrinkle, regardless of their legend status is shunned and hidden in the audience next to seat fillers and radio contest winners. It’s an award show with self esteem issues, not cool enough to stand on its own. You can bet the main attraction used to promote this year’s show will be a non-country performer like Kid Rock, The Eagles of last year, and Jamie Foxx of two years ago.

What can be done?

Well, the first order of business would be for the Sommet Center to take out a one day restraining order from Miley Cyrus on November 11, 2009, or better yet, the whole Cyrus family, Billy Ray, Noah, aunts, uncles, cousins, etc. Yes, she’ll bring in ratings, but we’ve gotten along fine without her for 40 plus years.

The CMA’s need to take a cue from  the Grammy awards, or even the American Idol finale. There are so many surprises, legends, moving moments, coming at you, left right and center, you don’t know what’s coming next, all you know is you’re in for the ride, you’re loving every second and you’re talking about it the next day. Last year, the biggest surprise was Shania Twain presenting Entertainer of the Year, which she has done at least 3 times before, and to those who keep up on country news, it was hardly a surprise at all.

What can possibly be done to make the night more entertaining?

How about taking a cue from this yearis Academy Awards and only announce a handful of performers, leaving the rest a mystery? Don’t tell us who and what everyone’s performing, which leaves more room for surprises. Also, like the Oscars, don’t announce who is presenting, and before each award have a mini-montage of past winners. Then at the end, the curtain opens and a surprise past winner comes out and shares insights on their winning experience. Instead of the otherwise cheesy dialogue or weird presenter pairings, it would make more sense if they just brought out Trisha Yearwood for Female Vocalist, Vince for Male, The Judds for Duo, Alabama forGroup, and hand it off to the winner like an Olympic torch or rite of passage. This way of thinking would work out great for the Entertainer of the Year category, in bringing out past winners, Roy Clark, and Barbara Mandrell, who also happen to be this year’s Hall of Fame inductees.

Speaking of the Hall of Fame, I would prefer it if it went back to how it used to be with a taped bio and artists performing a medley of hits. But even that is too much to ask. If they are going to cut it out entirely, the least they could do is show 3 separate 30-60 second bios of each of the inductees at different times as they are going to commercial and have them wave from the audience. Or, from the paragraph above, show a taped piece just before Barbara and Roy present Entertainer.

The most boring parts of the show are seeing full performances from all the mundane hits of the past year. Was it necessary for Darius Rucker to perform “Don’t Think I Don’t Think About It” last year when he wasn’t nominated? Yes, it’s necessary for the biggest hits to be performed, but does every top 5 hit of the past year have to be sung? Instead, encourage them to sing unique songs, like Alan Jackson in 2005 performing, “Wonderful Tonight”, songs you’ll actually remember more than 5 minutes after they are performed. Another idea, which the Grammys have down pat, is pairing people up. Think of the Al Green, Keith Urban, Justin Timberlake and Boys 2 Men grouping of earlier this year. For the CMA’s, this would be a perfect year to acknowledge the 20th anniversary of the hat act boom of 89. Why not bring out Alan Jackson, Clint Black, Garth Brooks, and Travis Tritt for a small medley?

Instead of each of the new artist nominees performing their full songs – do we really want to see Julianne Hough performing a full version of her song this year? –  it would be great if they stole from the ACM’s all-star opener this year, and did the same thing with the 5 nominees. Lady Antebellum can be the ring leader like Brooks & Dunn were at the ACMs, and they all can perform a small portion of their hits. To wrap it up, Lady Antebellum can present the award. This will allow more time for the Collaboration and Video of the year awards to be back on the telecast.

If you ran the CMAs, thinking creatively but realistically, which special moments would you create that could go down in history and make country’s biggest night more fun to watch? How would you make George Strait’s performance less predictable? And how would you measure that Miley restraining order? In inches, feet, yards, or miles?

12 Comments

Filed under CMA Awards, Guest Commentary

Brooks & Dunn Starter Kit

Brooks & DunnWhen news broke of Brooks & Dunn’s impending breakup, we decided to move up our planned Starter Kit feature on this quintessential nineties act.

It’s hard to imagine a time when Brooks & Dunn winning an industry award was a breath of fresh air, but when they surfaced in 1991, they quickly ended the long reign of The Judds at the industry award shows.  Brooks & Dunn would then make The Judds dominance seem like child’s play. They’d go on to win 19 CMA awards, including 14 in the Vocal Duo category. This shattered the category dominance record held by The Statler Brothers, who won Vocal Group nine times.

They’ve been a core act at radio for eighteen years, and were the first duo or group in the history of country music to sell six million copies of a studio album, a feat they achieved with their debut album Brand New Man. Their cumulative sales are approaching 25 million.

Ten Essential Tracks:

“Brand New Man”
from the 1991 album Brand New Man

The sheer energy of their debut single made them an instant hit at radio. Truth is, this song could come out today and still sound fresh.

“Neon Moon”
from the 1991 album Brand New Man

Ronnie Dunn is one of the genre’s finest male vocalists, especially when he tears into a beer-sipping ballad.

“Boot Scootin’ Boogie”
from the 1991 album Brand New Man

They’d make many songs that honky-tonked more, but never one that did so in such an effortlessly charming way.

“She Used To Be Mine”
from the 1993 album Hard Workin’ Man

The title track of their second album earned them a Grammy, but the album’s real treasure was this killer ballad that showcased Dunn’s aching vocal.

“You’re Gonna Miss Me When I’m Gone”
from the 1994 album Waitin’ On Sundown

One of their best singles ever features Kix Brooks on lead, an unfortunate rarity among their radio hits.

“My Maria”
from the 1996 album Borderline

Leave it to Ronnie Dunn to make a seventies AM radio classic sound like little more than a demo for his definitive recording.

“How Long Gone”
from the 1998 album If You See Her

A simple, pleasing radio hit that’s heavy on hook and melody.

“The Long Goodbye”
from the 2001 album Steers & Stripes

A fully believable break-up song that’s all about drifting apart.

“Red Dirt Road”
from the 2003 album Red Dirt Road

A nostalgic trip down a very memorable lane.

“It’s Getting Better All the Time”
from the 2004 album The Greatest Hits Collection II

A “Backside of Thirty”-league portrait of a broken man.

Two Hidden Treasures:

“My Heart is Lost To You”
from the 2001 album Steers & Stripes

Despite riding a major comeback, this bilingual track got lost in the shuffle. It went top five but not recurrent, which is a shame, since it’s one of their most enchanting tracks.

“God Must Be Busy”
from the 2007 album Cowboy Town

“Believe” got all the love, but if you’re looking for a deeper exploration of faith and doubt, this is the way to go.

20 Comments

Filed under Back to the Nineties, Starter Kits

Brooks & Dunn are Breaking Up

brooks-dunnCountry superstars Brooks & Dunn are breaking up.  They will release a hits collection this fall, followed by a tour next year. It seems that last year’s Cowboy Town will be their final studio album.

From their official website:

To Our Fans:

After 20 years of making music and riding this trail together, we have agreed as a duo that it’s time call it a day. This ride has been everything and more than we could ever have dreamed …. We owe it all to you, the fans. If you hear rumors, don’t believe them, it’s just time.

We will release our #1s … and Then Some on September 8th and come see you all one more time in 2010, with The Last Rodeo Tour (dates to be announced).

In honor of this classic nineties act, a Starter Kit will follow later tonight. In the meantime, here’s a video clip to help you get ready for “The Long Goodbye”:

httpv://www.youtube.com/watch?v=TCXRdHU19-o

H/T: Whitney Pastorek at EW

16 Comments

Filed under News

Picking the CMA Nominees: Album of the Year

This year’s eligibility period runs from July 1, 2008 to June 30, 2009. In those twelve months, there have been some solid albums released, and while there isn’t a wealth of treasures to choose from, there are enough good albums to round out this category.

Here are the five albums that I would nominate for Album of the Year:

Joey + Rory, The Life of a Song

The past twenty years have brought several excellent breakthrough albums by groups, especially those by Sugarland, Little Big Town, Brooks & Dunn, Diamond Rio, and Big & Rich. This set by Joey + Rory is better than all of them, and is selling quite well despite limited airplay.

Jamey Johnson, That Lonesome Song

It’s been nominated for ACM’s trophy and for the Best Country Album Grammy, but Johnson’s best shot at winning has always been with the traditional-leaning CMA voter membership. If both Sugarland and Taylor Swift secure a nod, he’s a shoo-in.

Patty Loveless, Sleepless Nights

We’re knee-deep in cover albums by veteran artists, but this is one of the best. Voters may be more likely to cite Lee Ann Womack’s latest, if they’re planning on nominating a traditional female at all, but this is the better album.

Brad Paisley, American Saturday Night

If Paisley were to win this, it would be deserved, as it’s possibly the best album of his career. His penchant for releasing albums in June might work against him, but hopefully voters will have a chance to live with this album before they fill out their ballots.

Sugarland, Love on the Inside

One of the best mainstream country albums of the decade, in my humble opinion.  It’s certainly the first album since Home that I can listen to from start to finish and is wholeheartedly embraced by country radio. Okay, maybe since Live Like You Were Dying or Fireflies.  But gosh, have there been few albums this decade that fit both descriptions.

What five albums do you think should be nominated this year?

31 Comments

Filed under CMA Awards

Picking the CMA Nominees: Vocal Duo and Vocal Group

It’s often argued that Vocal Duo and Vocal Group should be combined into one category, but this is one of those rare years where the two categories have more than five worthy nominees between them.

My picks for Vocal Duo:

  • Big & Ri

    ch

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland

The only real filler in this category is Big & Rich, who have been largely dormant this past year.

As for Vocal Group, all five of my picks have been very active these past twelve months:

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band

What are your picks for Vocal Duo and Vocal Group?Rich Text AreaToolbarBold (Ctrl + B)Italic (Ctrl + I)Strikethrough (Alt + Shift + D)Unordered list (Alt + Shift + U)Ordered list (Alt + Shift + O)Blockquote (Alt + Shift + Q)Align Left (Alt + Shift + L)Align Center (Alt + Shift + C)Align Right (Alt + Shift + R)Insert/edit link (Alt + Shift + A)Unlink (Alt + Shift + S)Insert More Tag (Alt + Shift + T)Proofread WritingToggle fullscreen mode (Alt + Shift + G)Show/Hide Kitchen Sink (Alt + Shift + Z)
FormatFormat▼
UnderlineAlign Full (Alt + Shift + J)Select text color▼
Paste as Plain TextPaste from WordRemove formattingInsert custom characterOutdentIndentUndo (Ctrl + Z)Redo (Ctrl + Y)Help (Alt + Shift + H)

It’s often argued that Vocal Duo and Vocal Group should be combined into one category, but this is one of those rare years where the two categories have more than five worthy nominees between them.
My picks for Vocal Duo:
Big & Rich
Brooks & Dunn
Joey + Rory
Montgomery Gentry
Sugarland
The only real filler in this category is Big & Rich, who have been largely dormant this past year.
As for Vocal Group, all five of my picks have been very active these past twelve months:
Eli Young Band
Lady Antebellum
Little Big Town
Rascal Flatts
Zac Brown Band
What are your picks for Vocal Duo and Vocal Group?
Path:

34 Comments

Filed under CMA Awards

2009's Remaining Release Schedule Comes into Focus

2009Thus far, 2009’s releases have done little to fire up the charts,

with most of this year’s strongest-selling albums being holdovers from 2008. While Rascal Flatts, Jason Aldean, and Keith Urban have sold strongly, the chart remains dominated by last year’s releases from Taylor Swift, Sugarland, Zac Brown Band, Lady Antebellum, Darius Rucker, and Jamey Johnson.

So what’s left for 2009? Here’s what we know so far:

New Releases

  • Carrie Underwood will release her third studio album on November 3, with a lead single going to radio this fall. Her previous set, Carnival Ride, is nearing sales of 3 million, and produced four #1 singles and a #2 single, all five of which were certified gold in their own right.
  • George Strait will release Twang on August 11. It’s the follow-up to his 33rd platinum album Troubadour, a set which produced his 43rd #1 single and earned him the first Grammy of his career, along with a pair of CMA trophies (Single and Album)
  • Miranda Lambert is readying Revolution for September 29. Lead single “Dead Flowers” is struggling at radio, but that’s never slowed her down at retail anyway.
  • Reba McEntire’s Valory debut Keep on Lovin’ You arrives August 18. Lead single “Strange” is approaching the top ten.
  • Willie Nelson releases another standards collection called American Classic on August 25.
  • Rosanne Cash will release The List, a covers album, on October 6.
  • Sarah Darling releases Every Monday Morning on July 28.
  • Mac McAnally’s Show Dog debut – Down By the River – comes out on August 4. McAnally recently scored a big hit teaming up with Kenny Chesney on “Down the Road”, and was the co-writer on several classic Sawyer Brown singles like “All These Years” and “Thank God For You.”
  • Mindy Smith releases Stupid Love on August 11.
  • Radney Foster and The Confessions release Revival on September 1, with guest appearances by Dierks Bentley and Darius Rucker.
  • Chris Young releases The Man I Want to Be on September 1.

Reissues and Compilations

  • Brooks & Dunn release the 30-track #1 Hits…and Then Some on September 8. Track listing here. The set is preceded by lead single “Indian Summer.” The duo’s previous set, Cowboy Town, was their first to fall short of gold certification. The new hits compilation is similar in set up to top-selling collections by George Strait, Toby Keith and Reba McEntire in recent years.
  • Wounded Bird just released 2-albums-on-1-CD collections for Kris Kristofferson on July 7. Eight albums are included from his 1972-1981 output
  • A pair of Tommy Cash’s albums from 1970 will combine on one CD on July 21; Tommy is the younger brother of Johnny Cash
  • Hank Snow’s 1958 album When Tragedy Struck is being remastered and reissued on August 11.

I’ll be picking up many of the above releases, but I have to say that I’m most looking forward to picking up all of the remastered Beatles albums and the Madonna anthology this fall.

What releases are you most looking forward to in the second half of 2009?

41 Comments

Filed under Conversations, News

Brooks & Dunn, “Indian Summer”

Brooks & DunnThe unintended consequences of requited love. Such is the story told by a sympathetic narrator about a young woman who has to leave town after the consummation of her love for the high school football hero.  Ronnie Dunn gives a nuanced performance of an interesting story song, revealing toward the end that he isn’t quite the impartial narrator that he appeared.

The arrangement is reminiscent of the Eagles at their Henley-best, with the only thing holding back the track being that Dunn’s sincerity isn’t matched by his enunciation. It’s often difficult to make out the details of the verses, which makes following the storyline more of a task than it should be.

Grade: B+

Listen: Indian Summer

3 Comments

Filed under Single Reviews