Here’s hoping you haven’t gotten completely burned out on countdowns yet. 2009 was hardly a favorite musical year for many of us, but amid each year’s glut of throwaway items, there’s always a good’un or two (or forty). The following is the first installment of our Best Singles of 2009 list, which will conclude tomorrow morning. Best Albums will follow next week.
As with the Singles of the Decade feature, this countdown has been compiled through combination of four equally weighed Top 20 lists by Kevin, Leeann, Tara and myself. An inverted point system was applied to the individual rankings (#1 on a list meant 20 points, while #20 on the list meant 1 point). The songs were then ranked together by number of total points, greatest to least. The final result is another rather stylistically diverse set.
As always, we hope you enjoy the countdown, and welcome all the feedback you can muster. Happy New Year!
Lady Antebellum, “Need You Now”
The trio puts a country spin on an old school pop sound, but without forsaking raw emotion. The highlight of the song is Hillary Scott’s smoky performance, which draws out all the anguish and regret you’d expect from a desperate, 1 AM lover’s call. – Tara Seetharam
The 100 Greatest Albums of the Decade, Part 5
Bruce Robison, Country Sunshine
One of modern country’s little-known heroes, Robison has built a career on simple songs of unusually strong focus, voice and insight. His strongest collection of this decade mainly explores love at its point of disenchantment, with characters sitting at various fallouts pondering who’s to blame, who used who, or why the feelings aren’t requited. Not so much Sunshine, then, but quite a bit of Country. – Dan Milliken
Recommended Tracks: “Friendless Marriage”, “What Would Willie Do”, “Tonight”
Rascal Flatts, Feels Like Today
The group has yet to hit the nail on the “Rascal Flatts” head again like they did with this country-pop album – a collection of powerful, melody-driven songs on which Gary LeVox manages to tastefully reign in his tenor. When paired with the right material, the Flatts boys can emote like it’s nobody’s business, resulting in soaring, genuine performances. – Tara Seetharam
Rosanne Cash previews her collection of classic popular songs with a spin on the Don Gibson classic “Sea of Heartbreak.” The impact of Cash’s music usually depends on her incisive songwriting, but she’s had success in the past with well-chosen covers.
Her take on “Sea of Heartbreak” works because of her restrained delivery, with the light and floaty arrangement suggesting that these are calm waters. The undercurrent of grief reveals itself through the guest appearance of Bruce Springsteen. His ragged vocal provides a strong contrast to Cash’s sweet delivery.
The resulting record turns a song that all of us have heard countless times before into something new. That’s always the challenge that needs to be met when covering a standard, so this is a promising preview of Cash’s upcoming set.