We can thank the shortsighted radio consultant Keith Hill for one thing: drawing attention to the women of country music in a year where so many of them are making outstanding music. As their mainstream counterparts cycle through a series of one-note styles and themes, female country artists are putting out diverse and decidedly more progressive music, even as they draw influence from previous generations. That they do so while supporting each other makes it all the more impressive.
Back in the day, we used to do iPod checks. Seemed so current at the time! Now, we’re gonna ask you to go to Spotify or your phone or whatever, and just let us know what you’re listening to the most. Two Daily Top Fives Today: Your five most played songs from a 2015 album, and your most played country songs of all time. Here are my lists, sticking to one song per artist:
It’s gotten to the point that I can’t listen to more than two country singles in a row without wanting to hurt somebody. So here’s the daily top five. What are some songs that are your palate cleansers, that you can always go back to when you need to wipe out the aftertaste of some really bad music? Here’s my list: Alison Krauss & Union Station, “The Lucky One” Rosanne Cash with Johnny Cash, “September When it Comes” Kathy Mattea, “Where’ve You Been” Jason Isbell, “Elephant” Carrie Underwood with Vince Gill, “How Great Thou Art”
Following up on today’s Say What?, we’re going full Gill for today’s Daily Top Five. What are your favorite Vince Gill albums, songs, and harmony tracks? Here are my lists: Albums These Days High Lonesome Sound I Still Believe in You The Key Pocket Full of Gold Songs The Key to Life Worlds Apart Threaten Me with Heaven What You Give Away When I Call Your Name Harmony Tracks “I Don’t Paint Myself into Corners” – Trisha Yearwood “No Place That Far” – Sara Evans “I Don’t Know Why You Don’t Want Me” – Rosanne Cash “How Great Thou Art” – Carrie Underwood “Timber, I’m Falling in Love” – Patty Loveless
Every album tries to starts off strong, but it’s usually the second track that convinces you to keep listening to the rest. What do you think are the best second tracks on albums? Here’s my list: “Straight Tequila Night”, John Anderson (Seminole Wind) “Blown Away”, Carrie Underwood (Blown Away) “Dry Town”, Miranda Lambert (Crazy Ex-Girlfriend) “Guitars, Cadillacs”, Dwight Yoakam (Guitars, Cadillacs, Etc., Etc.) “Let Him Fly”, Patty Griffin (Living With Ghosts)
UPDATE: Check out the impeccably researched work of Deb B, also known as Windmills, over at MJ’s Big Blog: Country Radio & The Anti-Female Female Myth: A Data-Based Look ORIGINAL POST: Via Terri Clark’s Twitter, this gem from radio consultant Keith Hill: This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the Read More