Tag Archives: Carrie Underwood

Recommend a Track: Pick the Next Single

Today, I’m bringing back an old Country Universe favorite: Recommend a Track.

We all like to play armchair record executive.  So I’m asking readers to share what they think should be the

next single from a current country album.

My Pick: Carrie Underwood, “Do You Think About Me”

The first two singles from Blown Away have been dramatic affairs, where the production is as much the star as the vocalist.   I’ve found both “Good Girl” and “Blown Away” to be very compelling singles, but I’m jonesing for a simpler showcase of Underwood’s incomparable vocals.

“Do You Think About Me” is thematically similar to “Strawberry Wine”, but it’s heavier on nostalgia for the actual relationship and is refreshingly indifferent to any innocence lost.  It’s a crisply produced record that allows the melody to remain front and center.  It’s one of those records that makes me smile every time I hear it.

What do you think should be the next single sent to radio from a current country album?

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Single Review: Carrie Underwood, “Blown Away”

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t/uploads/2012/07/Carrie-Underwood-Blown-Away-Single-150×150.png” alt=”” width=”150″ height=”150″ />Four albums into her career, Carrie Underwood’s career growth has been fairly stunning.

It’s hard to imagine that the talent-show winner who sang “Jesus Take the Wheel” would morph into a fully fledged pop superstar with speaker-rattling pop-rock songs like “Good Girl” and “Blown Away.”

While the evolution has been fascinating to watch, the problem is that someone who was thought of as the next female country superstar has effectively left country music behind and moved on to bigger things, and it’s a loss for the genre.

“Blown Away,” Underwood’s new single, has some of the most interesting lyrics she’s had to work with in some time, courtesy of writers Josh Kear and Chris Tompkins. It borrows a little from the Miranda Lambert songbook, where an abusive father is made to account for his sins with death by tornado. While it’s a bit more passive than a Lambert song (she would have shot the SOB a few times before letting the twister carry him away), there is a satisfying sense of Old Testament-style vengeance to it.

Many of the main story elements are absent – the age of the narrator, exactly what the father did that was so awful – but there’s still plenty create some vivid imagery. Much like Martina McBride’s “Independence Day” never reveals the actual fate of the mother, “Blown Away” lets listeners fill in their own details.

As noted though, this is not being sung by Carrie Underwood, Country Singer. Instead, this is Carrie Underwood, International Pop Diva, and the song is glitzed up and glossed over to make it pop radio-ready. It’s been so thoroughly produced and sanitized that there isn’t a trace of a country song left in “Blown Away.” There have been “country” remixes of Kelly Clarkson singles that sound more traditional than this one.

The frustrating thing is that the gloss is so uncalled for. The altered vocals, the bombastic instrumentation, those things just take away from the vocals. It’s all well and good if the singer is Katy Perry or Ke$ha, as they need all the help they can get. But Carrie Underwood? Aside from a few impressive and effortless high notes that serve as a reminder of her capabilities, her vocal abilities are effectively buried.

Pop music today is very restrictive – possibly more so than country music – and a certain type of sound is needed to get significant airplay. So if the idea behind the song was to make Underwood sound like every other pop singer out there, then it’s a success. The downside, though, is that everything that made her special in the first place is getting lost in the process.

Written by Josh Kear and Chris Tompkins

Grade: B-

Listen: Blown Away

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