After languishing in the shadows for more than a decade, Charlie Rich suddenly rose to prominence when his soul-influenced country music achieved massive crossover success.
Even among the new traditionalists of the early nineties, Mark Chesnutt stood out as a traditionalist, bringing pure country to the radio dial for more than a decade.
That such inoffensive music could ever cause such controversy may seem silly today, but Denver’s crossover success in the country market reached its peak with a 1975 CMA win for Entertainer of the Year.
Coming one short year after the hotly contested Olivia Newton-John win for Female Vocalist, presenter Charlie Rich may not have been in the right frame of mind when he lit the envelope on fire before announcing Denver’s win, but he certainly spoke for the wide dissent felt among the industry’s rank for these genre carpetbaggers.
As we did last year, it’s time to share our preferences for this year’s CMA Awards. Last year, Taylor Swift was the belle of the ball, winning four awards. Some long winning streaks came to an end, as Swift replaced both Kenny Chesney as Entertainer of the Year and Carrie Underwood as Female Vocalist of the Year. Lady Antebellum ended Rascal Flatts’ long run as top Vocal Group, and were the surprise winners of Single of the Year as well.
Once again. I’ve selected the five artists that I believe are most deserving of an Entertainer of the Year nomination. But first, let’s take a look at last year’s race:
Entertainer of the Year (2009)
- Kenny Chesney
- Brad Paisley
- George Strait
- Taylor Swift
- Keith Urban
Swift was victorious in her first nomination in this category. She competed against three previous winners: Kenny Chesney, who has gone 4 for 8 in this category; Keith Urban, who is 1 for 5; and the incomparable George Strait, who is 2 for 17. Brad Paisley lost for the fifth year, tying Kenny Rogers for the most nominations without a win.
Producing primarily pop-flavored country music has rarely been a ticket to immortality for even the biggest artists, particularly the female ones. Imports like Shania Twain and Olivia Newton-John are labeled impostors. Faith Hill’s canny song sense is overlooked while hubby Tim McGraw’s is widely praised. Brilliant Dolly Parton records like “Here You Come Again” and “9 to 5” are cited as being beneath her greatness, rather than prime examples of it. Only Patsy Cline has been given a free pass, and who wouldn’t want to claim those pipes?
Back to the Nineties continues with a look at Mark Chesnutt, one of the strongest traditionalists to break through in 1990. He won the Horizon Award in 1993 while he was riding a streak of three consecutive #1 singles.
Chesnutt’s greatest commercial and radio successes came early on. His first three studio albums went platinum and his fourth went gold. He’d earn an additional platinum record with a hits collection assembled from those sets.
While he remained a consistent presence on radio for the entire decade, his sales tapered off. His last big hit was his 1999 cover of Aerosmith’s “I Don’t Want to Miss a Thing,” which went to #1. In more recent years, he’s limited his covers to The Marshall Tucker Band and Charlie Rich.
Ten Essential Tracks:
“Too Cold at Home”
from the 1990 album Too Cold at Home
Chesnutt’s first twelve singles reached the top ten, starting with this pure country hit that finds him hiding out in a bar on a sweltering summer day. “It’s too hot to fish, too hot for gold, and too cold at home.”
from the 1990 album Too Cold at Home
He’s still at the bar for this hit, his first to top the charts. This time, the woman has left him, and his only family left are the jukebox, wine, freedom, and time.