Charlie Worsham

Album Review: Aaron Watson, The Underdog

March 24, 2015 // 11 Comments

Aaron Watson The Underdog The narrative surrounding Aaron Watson’s The Underdog makes it an album that is easy to root for: Buoyed by more than a decade of goodwill and fan support and a deft pre-release promotional push, the album surprised many with its #1 bow atop Billboard’s Top Country Albums chart, surreptitiously around the same time that erstwhile Sony Nashville CEO Gary Overton made his controversial remark about how artists who don’t get played on country radio “don’t exist.” The Underdog, the twelfth album from a traditional-leaning Texas singer-songwriter known as much for his humility as for his music, provided a perfectly timed counterexample to Overton’s short-sighted arrogance.

Country Universe’s Best Albums of 2013, Part Two: #20-#1

December 31, 2013 // 9 Comments

2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year. Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.

Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.

Charlie Worsham Rubberband

Charlie Worsham

Individual rankings: #7 – Tara; #12 – Leeann

Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. – Tara Seetharam

Recommended Tracks: “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”

Country Universe’s Best Singles of 2013, Part Two: #20-#1

December 31, 2013 // 14 Comments

If this year’s singles list leaves you with a familiar feeling, it’s not your imagination. For the first time in Country Universe history, an artist has topped the year end list for two years in a row, and there are plenty of repeat appearances from CU favorites. But there are some fresh faces too, including some promising new singer-songwriters and inspired collaborations from artists we already liked an awful lot by themselves.

As always, share your thoughts and personal favorites in the comments!

Emmylou Harris and Rodney Crowell's "Hanging Up My Heart" is popular on XPN2: Singer-Songwriter Radio.

“Hangin’ Up My Heart”
Emmylou Harris & Rodney Crowell

Individual rankings: #3 – Leeann; #20 – Kevin

What a way for Emmylou and Rodney to kick off their much anticipated duet project! The bouncy tune shows the power duo in fine form both in voice and spunk and signals what will turn out to be one of the finest albums of the year. – Leeann Ward

Country Universe’s Best Singles of 2013, Part One: #40-#21

December 30, 2013 // 13 Comments

For the second year in a row, our seven writers – Kevin Coyne, Leeann Ward, Dan Milliken, Tara Seetharam, Ben Foster, Jonathan Keefe, and Sam Gazdziak – individually listed our twenty favorite albums and singles of the year. It’s a diverse crop of singles, some of which dominated country radio, while others were primarily heard in the Americana, bluegrass, and alternative country worlds. Today, we present the first half of our singles list, with the conclusion to follow tomorrow. Share your favorites in the comments!

untitled (63)

“Someone Somewhere Tonight”
Kellie Pickler

Individual rankings: #16 – Ben; #19 – Tara

A sweeping power ballad anchored by an intimate chorus and Pickler’s pleading sincerity. – Tara Seetharam