First as a songwriter, then as a new country superstar, and currently as an alternative country icon, Rodney Crowell has made an indelible mark on country music for nearly four decades.
As most of my favorite artists tend to be, Rodney is talented in multiple ways. Not only does he have a charismatic voice, he’s an accomplished musician, songwriter and producer. He has used these talents for himself, but has also shared them with many other artists. In fact, high-profile artists like Rosanne Cash, Emmylou Harris, Vince Gill, Johnny Cash, Chely Wright, among many others, have benefited from his musicianship, compositions and producing abilities.
In this feature, we will focus on some of the best Rodney Crowell songs–whether they were big hits, minor hits or unreleased album tracks—but these twenty-five songs certainly do not do enough justice to this man’s contribution to country music. As a result, look for an accompanying Favorite Songs by Favorite Songwriters feature on Rodney Crowell to come soon.
The 11th Annual Country Music Critics’ Poll has just been published by Nashville Scene. It covers the 2010 year of country music. The participants of the poll consists of country music critics who spend their time listening to and analyzing stacks of music throughout the year in order to knowledgeably write about it for the purpose of either promoting excellent music or warning against the not so good stuff. Kevin, Dan and Tara are among these prestigious critics.
Each year, invited critics submit their ballots with their favorite music and artists in the appropriate categories. The poll includes the best albums, singles, male and female artists, reissues, live acts, duos and groups, songwriters, new acts, and the over all artists of the year. While the results include the usual suspects, they are mixed with some surprises or names that aren’t commonly associated with mainstream country.
Some of my favorite results include Raul Malo tied at #8 with Gary Allan for top males and Elizabeth Cook at #2 for top females, not to mention Sunny Sweeney’s “From A Table Away” landing at the #3 spot for singles. The most amusing result, however, is Jamey Johnson and Taylor Swift in the top two spots for songwriters.
There was a lot of good music out there in 2010, provided you knew where to look. Sometimes, you could even find it on the radio. Here are the top ten albums of 2010, according to our staff:
With the charisma of Clay Walker and the chops of George Strait, Easton Corbin sauntered onto the mainstream country music scene with a hit song that –refreshingly– name-checked “country” in all the right ways. He needs no such affirmation, though, as his debut album is a collection of effortlessly neo-traditionalist songs, ripe with sincerity. It’s fair to compare Corbin to his obvious influences, but there’s something about the natural, youthful effervescence he brings to his music that makes it sparkle all on its own. – Tara Seetharam
In the modern era of country music, you have to move a lot of units to be considered a legitimate superstar. The first act to do so on a regular basis was Alabama, who had eight consecutive multi-platinum albums in a row in the first half of the eighties.
Since then, there have been a multitude of country artists who’ve accomplished the same feat, but despite the fact that it was a band that broke down the barrier, only one male band since Alabama has achieved similar success: Rascal Flatts.
Family connections helped this power trio get their start. Lead singer Gary LeVox and his cousin, Jay DeMarcus, each had a desire to be country musicians, but it was DeMarcus who went to Nashville first. After a stint in Christian band East Meets West, DeMarcus convinced LeVox to join him in Nashville.
Our look back at the year’s best singles comes to a close, with unprecedented CU consensus at the top of the list. The top two singles of the year were ranked in that order by three of our four writers, and both appeared in the top ten of the fourth writer.
Here’s our ten best of 2010:
The Best Singles of 2010, Part 4: #10-#1
Draw Me a Map
Bentley is getting a lot of deserved attention for sonically diverging from the mainstream to create a bluegrass inspired album. It’s an excellent album, but to his credit “Draw Me A Map” isn’t so far removed from some of the unreleased songs on his first two mainstream projects; It’s just that he gets to shine a finer focus on it for this album, therefore, this seemingly subversive song for radio gets to be released. The inspired blend of Bentley’s ragged voice with Alison Krauss’ angelic voice takes the song to an even sweeter level. – Leeann Ward
Robert Louis Stevenson once remarked that “Hope lives on ignorance; open-eyed Faith is built upon a knowledge of our life, of the tyranny of circumstance and the frailty of human resolution.” He was talking, in context, about marriage. The truth is that no one enters a relationship completely free of burden, and only by submitting to the complications of that truth can we avoid being ruled by them. Wright, for her part, manages the task with simple, earnest grace, probably strengthening her relationship through mere acknowledgment of its inherent weakness. – Dan Milliken
So yes, “Who Are You When I’m Not Looking” is laid back, almost too laid back. It certainly would be a snoozer with a lesser vocalist. But Blake Shelton demonstrates why he’s finally in the Male Vocalist race with the nuances that he brings to a song that could’ve been too dull or too leery in the wrong hands.
I like the creativity of some of the questions here, most especially when he wonders if she paints her toes because she bites her nails. I had to think about that one for a few seconds, but it made me crack a smile.
Written by Bob Losche (Music & More)
Google “Gary Harrison songwriter” and you won’t find a website or MySpace. There’s not even a Wikipedia article. Don’t know where he’s from, how he got into songwriting or what he likes to eat for dinner.
As far as I know, he has never made an album. When he co-writes a song, does he write the music or the lyrics or a little of both? Don’t know. He’s a Grammy nominated songwriter as co-writer of “Strawberry Wine”, the 1997 CMA Song of the Year, and has penned many BMI Award-Winning Songs. It appears that his first big hit was “Lying in Love with You”, written with Dean Dillon for Jim Ed Brown and Helen Cornelius. The duet went to #2 in 1979.
As might be expected, the subject matters are getting more intense as we edge closer to the top. But there’s still room for some carefree moments here, thanks to the Dixie Chicks and Jo Dee Messina.
400 Greatest Singles of the Nineties: #75-#51
When You Say Nothing at All
Alison Krauss & Union Station
1995 | Peak: #3
This Keith Whitley classic was recorded as part of a tribute album to the late country star. It became a hit all over again, perhaps because Krauss performed it in a near-whisper. The quiet arrangement matches the sentiment beautifully. – Kevin Coyne
1993 | Peak: #1
Lawrence dishes on his ex’s cheating ways to her new potential lover. How did she get that way? He reveals that he’s the one who taught her everything she knows from the cheater’s playbook. Moreover, he seems regretful of her corruption. – Leeann Ward
The first quarter of the countdown comes to a close, highlighted by excellent comeback attempts by T. Graham Brown, Emmylou Harris, and Willie Nelson.
400 Greatest Singles of the Nineties: #325-#301
He Would Be Sixteen
1992 | Peak: #31
Sometimes the choices that you make linger forever. Here, a woman in her thirties drives past a high school football game, and her mind wanders to the painful void left in her heart from the son she gave up for adoption. – Kevin Coyne
It Matters to Me
1995 | Peak: #1
Faith Hill’s sophomore album is a surprisingly deep set, filled with candid insights into different womens’ lives. The title track represents that spirit well, as a woman articulates the differences in her and her man’s relationship approaches with impressive precision. – Dan Milliken