Chris Stapleton Fire Away

2016 Grammy Awards: Staff Picks & Predictions

February 14, 2016 Kevin John Coyne 19

The good folks at NARAS know how to keep things interesting, producing yet another diverse crop of nominees in the general, country, and country-adjacent fields.

Here are the personal picks from some of our contributing staff, along with who we predict will take home the gold tomorrow.

Allison Moorer Down to Believing

The Best Albums of 2015, Part Two: #10-#1

December 28, 2015 Jonathan Keefe 6

The upper half of our albums list reflects the revitalization of country music in 2015, courtesy of mostly younger artists with fresh perspectives in their lyrics and arrangements. There is still a legend or two in the mix, but if this year has proven anything, it’s that the genre’s future is in good hands.

2016 Grammy Nominees

2016 Grammy Nominations

December 8, 2015 Kevin John Coyne 3

Country music is well represented in the major categories – numerically, at least – and the overall nominee list proves once again that NARAS voters have the widest, most diverse, and yes, best taste of all industry award voters.

Here are this year’s nominees in the big four and all country and country-related categories. It’s worth noting that because Miranda Lambert won Best Country Album last year for Platinum, nothing from that set was eligible in any of the Country categories.

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The 30 Day Song Challenge: Day 26

June 4, 2011 Tara Seetharam 29

Today’s category is…

A Song About Time.

Here are the staff picks:

Tara Seetharam: “For the Good Times” – Jamey Johnson

About a man spending one last night with his lover, frozen in the “good times” instead of thinking about the pain that will inevitably ensue. There are plenty of versions of this song that I enjoy, but Johnson’s hits on the exact swirl of genres that just gets to me.

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Album Review: Dierks Bentley, Up on the Ridge

June 8, 2010 Leeann Ward 24

Dierks Bentley
Up on the Ridge

As Dan observed in his single review of “Up on the Ridge”, there was a noticeable decline in Dierks Bentley’s music after his well received Long Trip Alone album. It is purely speculative to suggest, but one can’t help but wonder if Bentley himself felt staleness creeping into his music as well. It’s not farfetched for the idea to be true, since Dierks has proven himself to be an astute artist in the past. So, why wouldn’t he notice if there was, indeed, a shift?

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