This week, we had to type the word, “songwriterly,” because some country stars are bad at talking and having opinions.
2016 has claimed yet another icon in “Doctor” Ralph Stanley.
Tonight’s ACM Awards will be hosted by Dierks Bentley and Luke Bryan. Slated performances include a collaboration between Dolly Parton and Katy Perry, and Miranda Lambert joining up with Billy Gibbons and Keith Urban to cover the ZZ Top song, “Tush.”
Country music in 2016, y’all.
The biggest story of the past week is the death of Glenn Frey, whose work with the Eagles has, for better or worse, influenced multiple generations of country artists.
Chris Young’s new duet single portrays a recently broken up man and woman revisiting the stomping grounds they once shared as a couple. The verses are laced with small details that make it easy for the listener to picture the scene. Young notes the “same old bar, same burned out lights,” while asking “Why in the hell does it feel like a different place?”
“Lonely Eyes” Chris Young The thing about Chris Young is that he’s a great traditional country singer. I think that’s his preference, too.
2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year. Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.
Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.
Individual rankings: #7 – Tara; #12 – Leeann
Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. – Tara Seetharam
Recommended Tracks: “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”