This was the decade that brought back the single. Not that it ever fully went away, as radio still played the promotional ones and video outlets the filmed ones. But actual commercial singles had gone the way of the dodo, until the digital revolution suddenly made them practical again. Why buy the whole album when you can just get the song that you want?
The devastation this has brought to record company bottom lines was probably unavoidable anyway, given the realities of post-Napster society. But technology has its perks. Now you can buy the songs on this list with a click of the mouse!
And what a list it is: 201 singles that run the gamut, from genuine hits that topped the charts to songs spun only by renegade DJs working the night shift. Here’s how we compiled it: four Country Universe writers ranked their personal favorite 100 singles, with an inverted point system applied (#1 on a list meant 100 points, while #100 on the list meant 1 point.) The songs were then ranked by number of total points, greatest to least. Ties were broken by the number of lists the song appeared on, then by highest individual ranking.
There was more consensus than usual for CU, and we all agreed on one thing: this list was a heck of a lot of fun to compile. We hope you enjoy it, too!
The 201 Greatest Singles of the Decade, Part 1: #201-#181
#201 “I Run To You”
There’s a palpable intensity to this song that grips me every time I listen to it. Love isn’t always characterized by peacefulness, and the song’s pulsing production perfectly conveys the urgency, desperation and passion that often accompanies it. – Tara Seetharam Continue reading →
One thing that mainstream country music still has in abundance is artists with great voices. Chris Young can easily be counted among such talent, but he is also firmly in the category of artists with quality voices saddled with inferior material.
Supported by a simple melody with a chorus that overreaches for memorability, “The Man I Want to Be” also stretches to work within the confines of a lyrical hook: “I want to be a (insert adjective or verb here) man” pervades the song and turns out to be more of a distraction than a clever turn of phrase.
As has been the case with most of Young’s previous singles, “The Man I Want to Be” deserves lots of credit for a stellar vocal performance, solid contemporary country production and for being a generally inoffensive composition. Likewise, much like his previous singles, Young’s newest single is all of those things to its detriment. Young’s powerful baritone is the type of voice that calls for strong material in order for the song to sound worthy of the singer. While “The Man I Want to Be” is passable as a song in general, the lyrical and melodic weaknesses are still impossible to overlook.
Thus far, 2009’s releases have done little to fire up the charts,
with most of this year’s strongest-selling albums being holdovers from 2008. While Rascal Flatts, Jason Aldean, and Keith Urban have sold strongly, the chart remains dominated by last year’s releases from Taylor Swift, Sugarland, Zac Brown Band, Lady Antebellum, Darius Rucker, and Jamey Johnson.
So what’s left for 2009? Here’s what we know so far:
Carrie Underwood will release her third studio album on November 3, with a lead single going to radio this fall. Her previous set, Carnival Ride, is nearing sales of 3 million, and produced four #1 singles and a #2 single, all five of which were certified gold in their own right.
George Strait will release Twang on August 11. It’s the follow-up to his 33rd platinum album Troubadour, a set which produced his 43rd #1 single and earned him the first Grammy of his career, along with a pair of CMA trophies (Single and Album)
Miranda Lambert is readying Revolution for September 29. Lead single “Dead Flowers” is struggling at radio, but that’s never slowed her down at retail anyway.
Reba McEntire’s Valory debut Keep on Lovin’ You arrives August 18. Lead single “Strange” is approaching the top ten.
Willie Nelson releases another standards collection called American Classic on August 25.
Rosanne Cash will release The List, a covers album, on October 6.
Sarah Darling releases Every Monday Morning on July 28.
Mac McAnally’s Show Dog debut – Down By the River – comes out on August 4. McAnally recently scored a big hit teaming up with Kenny Chesney on “Down the Road”, and was the co-writer on several classic Sawyer Brown singles like “All These Years” and “Thank God For You.”
Mindy Smith releases Stupid Love on August 11.
Radney Foster and The Confessions release Revival on September 1, with guest appearances by Dierks Bentley and Darius Rucker.
Chris Young releases The Man I Want to Be on September 1.
Reissues and Compilations
Brooks & Dunn release the 30-track #1 Hits…and Then Some on September 8. Track listing here. The set is preceded by lead single “Indian Summer.” The duo’s previous set, Cowboy Town, was their first to fall short of gold certification. The new hits compilation is similar in set up to top-selling collections by George Strait, Toby Keith and Reba McEntire in recent years.
Wounded Bird just released 2-albums-on-1-CD collections for Kris Kristofferson on July 7. Eight albums are included from his 1972-1981 output
A pair of Tommy Cash’s albums from 1970 will combine on one CD on July 21; Tommy is the younger brother of Johnny Cash
Hank Snow’s 1958 album When Tragedy Struck is being remastered and reissued on August 11.
I’ll be picking up many of the above releases, but I have to say that I’m most looking forward to picking up all of the remastered Beatles albums and the Madonna anthology this fall.
What releases are you most looking forward to in the second half of 2009?
I remain a fan. Chris Young has one of the finest traditional country voices to come along this decade, easily on par with Josh Turner’s. He’s able to turn in performances that sound steeped in tradition without sounding dated.
“Gettin’ You Home (The Black Dress Song)” would have been a smash for Conway Twitty back in the day. Like the Twitty hits of yore, “Gettin’ You Home” is suggestive without being sleazy, and the second verse reveals that the young lady is just as eager to get back home as the gentleman who is serenading her.
These days, it seems that Turner and Blake Shelton are rivaling for the title of Country Romeo, but if radio gives this single some real estate, Young could give them a good run for their money.
Written by Cory Batten, Kent Blazy and Chris Young