Our Best Singles of 1993 list continues with a collection of #1 hits, breakthrough hits, and should’ve been hits. Kicking things off is the debut single from one of the decade’s most successful vocal groups. #30 “Goodbye Says it All” BlackHawk Written by Bobby Fischer, Charlie Black and Johnny MacRae Peak: #11 #9 – SG | #31 – BF BlackHawk enjoyed a nice run of hits from their debut album, including this kiss-off song. Lead singer Henry Paul was best known for his work in the Southern Rock band The Outlaws, but his distinctive voice adapted well to mainstream country, too. “Goodbye” showed off the great harmonies from the trio (Paul, Dave Robbins and the late Van Stephenson), and it also proved the adage that nothing good has ever written been down in lipstick (Patty Loveless’ “She Drew a Broken Heart” is Exhibit B). – Sam Gazdziak
How strong a year for country music was 1993? Well, if our Best Albums list revealed how many great artists were overlooked, our Best Singles list reveals why there is so little room at the inn. Out of the forty singles ranked among our best, all but five reached the top twenty of the Billboard country singles chart. Ten of them made it all the way to #1, and another nine of them stopped at #2. Country radio in 1993 was good. Our list kicks off today with the first ten entries of the top forty. We’ll reveal ten more every day until we get to the top of the list on Tuesday. Under each entry, you’ll see each single’s peak position on the Billboard chart and the individual ranking for each writer who included it on their own top forty list. #40 “On the Road” Lee Roy Parnell Written Read More
Drinking is among the biggest themes in country music. What are your five favorite drinking songs? Here’s my list: John Anderson, “Straight Tequila Night” Merle Haggard, “I Think I’ll Just Stay Here and Drink” Brad Paisley and Alison Krauss, “Whiskey Lullaby” Martina McBride, “Cheap Whiskey” Clint Black, “Killin’ Time”
As we’re prepping our 1993 lists, there have been many debut albums in consideration. That year brought the first studio sets from big stars like Tracy Byrd, Toby Keith, Tim McGraw, Shania Twain, and Clay Walker. Also, sentimental favorites of attentive listeners, like Brother Phelps. Shawn Camp, Bobbie Cryner, Lisa Stewart, and Lari White also released their first discs. Debut albums aren’t always great. Sometimes the artistic voice just isn’t there yet. But some new artists knock it out of the park the first time out. Today we ask: What are your Top Five Debut Albums? Here’s my list: Kim Richey, Kim Richey Clint Black, Killin’ Time Randy Travis, Storms of Life Bobbie Cryner, Bobbie Cryner Emmylou Harris, Pieces of the Sky
Aaron Watson The Underdog The narrative surrounding Aaron Watson’s The Underdog makes it an album that is easy to root for: Buoyed by more than a decade of goodwill and fan support and a deft pre-release promotional push, the album surprised many with its #1 bow atop Billboard’s Top Country Albums chart, surreptitiously around the same time that erstwhile Sony Nashville CEO Gary Overton made his controversial remark about how artists who don’t get played on country radio “don’t exist.” The Underdog, the twelfth album from a traditional-leaning Texas singer-songwriter known as much for his humility as for his music, provided a perfectly timed counterexample to Overton’s short-sighted arrogance.
Songs have such a big impact on our life experience that they sometimes inspire songs of their own. It’s a cool theme that I wish more singers and songwriters would explore. Here are some of my favorite examples of this theme: Trisha Yearwood, “The Song Remembers When” Far and away, the gold standard for songs about songs. I love the way the intro’s guitar hook is repeated immediately after Yearwood, sings, “When I heard that old familiar music start.” Producer Garth Fundis is the unsung hero of this classic recording, which has always seen heaps of deserved praise for Hugh Prestwood’s poetic songwriting and Yearwood’s skillful interpretation.
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
In a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page, and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.
There is something distinctly different about how I am processing the news about Randy Travis. The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago. Now, I remember Randy Travis from when I was a child. What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?
He’s widely hailed as the leader of the new traditionalist movement of the mid-eighties, but his impressive sales numbers made him something the genre had never seen before: a traditionalist superstar.