How could you ever tell them apart? Thank goodness we have the diversity and variety of male voices in country music to keep things fresh. With deep gratitude to country music programmers for knowing what we really want. Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.
Here are the winners of the 2015 ACM Awards: Entertainer Luke Bryan Male Vocalist Jason Aldean Female Vocalist Miranda Lambert Vocal Duo Florida Georgia Line Vocal Group Little Big Town New Artist Cole Swindell Album Miranda Lambert Platinum Single “I Don’t Dance” Lee Brice Song “Automatic” written by Nicole Gallyon, Natalie Hemby, and Miranda Lambert performed by Miranda Lambert Music Video: “Drunk on a Plane” Dierks Bentley Vocal Event “This is How We Roll” Florida Georgia Line with Luke Bryan Multiple Wins: 3 – Miranda Lambert 2 – Luke Bryan, Florida Georgia Line Multiple Losses: 4,332 – Country Music’s Dignity and Sense of Self-Worth
The fiftieth annual Academy of Country Music Awards air tonight, and Country Universe has you covered! Here’s a rundown of all of the major categories, along with some commentary from our writers about who should win, who will, and what the nominations as a whole say about the current state of country music. Share your thoughts about this year’s show in the comments, and check back for a list of winners when it’s all said and done. Update: Join the CU crew on Twitter (@CountryUniverse) during the show to share your thoughts as things unfold! Entertainer of the Year Should Win: Jason Aldean Garth Brooks – Jonathan Luke Bryan – Sam Florida-Georgia Line Miranda Lambert – Ben, Kevin Will Win: Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert – Jonathan, Ben, Sam, Kevin BF: I think Lambert is due, but I could get on board with a Read More
Aaron Watson The Underdog The narrative surrounding Aaron Watson’s The Underdog makes it an album that is easy to root for: Buoyed by more than a decade of goodwill and fan support and a deft pre-release promotional push, the album surprised many with its #1 bow atop Billboard’s Top Country Albums chart, surreptitiously around the same time that erstwhile Sony Nashville CEO Gary Overton made his controversial remark about how artists who don’t get played on country radio “don’t exist.” The Underdog, the twelfth album from a traditional-leaning Texas singer-songwriter known as much for his humility as for his music, provided a perfectly timed counterexample to Overton’s short-sighted arrogance.
Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music. This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory. His win for Entertainer saved a dismal show in its closing minutes. Here’s our take on this year’s contenders: Entertainer of the Year Should Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Kevin, Jonathan, Tara, Ben Keith Urban Will Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Jonathan, Kevin, Tara, Ben Keith Urban Kevin: I’d settle for a Miranda Lambert victory, as she had an amazing year. But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert. The rest of these nominees have either won before or still seem to Read More
This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark. Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In: Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert. Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.
The mind-numbingly dull lyric has nothing new to offer, with details that sound more like a pitch for an Axe commercial than an actual documentation of a realistic human experience. The band also phones it in, with nothing more distinctive than a Karaoke backing track.
Cole Swindell has turned in an excellent record by many measurable standards. It’s well-paced, he’s got some charisma behind the mic, it’s identifiably country, and intelligently structured. Any song these days that has a clear beginning, middle, and end, and also manages to get it all done in under four minutes, feels like manna from heaven.