Tag Archives: Colt Ford

Single Review: Laura Bell Bundy, “Two Step”

Laura-Bell-Bundy-Two-Step-2013-1200x1200Laura Bell Bundy made a distinctly memorable impression when she blew into Nashville fresh off Broadway four years ago.  Of all the major label country albums released in 2009, few were more polarizing than Bundy’s genre-bending Mercury Nashville release Achin’ and Shakin’.  Maybe you thought it was brilliant.  Maybe you thought it was atrocious.  But there was one thing that it definitely wasn’t – boring.

“Two Step” is boring.

It’s dull, repetitive, tasteless, and utterly forgettable.

The problem isn’t that it’s a pop song masquerading as a country song.  The problem is that nothing about the lyrics, construction, melody, or production feels clever or interesting in any way.  The song leans far too heavily on mundane repetitions of its unremarkable title, and with “Two Step” already floundering, a Colt Ford hick-rap bridge is not going to be the thing to save it.

I know she can do better than this because she has before.  Let’s just hope that Bundy’s future releases on her new Big Machine label home will focus a little less on choreography and a little more on content.

Written by Laura Bell Bundy, Andy Davis, Lance Kotara, Adam McInnis, and Bryan Ray

Grade:  D+

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Single Review: Jason Aldean, "1994"

jason_aldean_1994 Jason Aldean’s new single “1994” sounds like what you might get if you threw “Johnny Cash,” “She’s Country,” and “My Kinda Party”  into a blender with a dash of Colt Ford, and added fourteen Joe Diffie namedrops.  While the name of nineties country star Joe Diffie  is rarely cited as often as the usual Cash, Haggard, Nelson, Jennings, or Jones, Aldean ostensibly seeks to balance things out by chanting “Joe, Joe, Joe Diffie” at the end of each chorus, while throwing in references to assorted Diffie hits such as “Pickup Man” and “Third Rock from the Sun.”

But just as “Johnny Cash” had nothing to do with its namesake except for the statement that “the Man In Black is gonna rock your ass again,” the references to Joe Diffie and to the year 1994 serve as little more than window dressing,

and are essentially the song’s only characteristics that do not feel completely expected.  The lyrics comprise little more than a hodgepodge of radio-baiting backwoods clichés, with Aldean loudly declaring himself to be “just a country boy with a farmer’s tan” who’s “’bout to bust out my honky tonk attitude.”  The lyrics are so haphazardly thrown together that’s it’s hard to tell what the song is even meant to be about.  The aggressive rock overtones are nothing new for Aldean, while the cheesy “hick-hop”-style verses only affirm that Aldean’s rapping skills have not improved since “Dirt Road Anthem.”

It will be a huge hit because everything Aldean releases is a hit.  But “1994” doesn’t work as a tribute to Diffie, and doesn’t work as art appraised on its own merits, and ultimately takes up residence somewhere in the valley between “unlistenable” and “unintentionally hilarious.”  Either way I’d rather listen to Diffie.

Written by Barry Dean, Luke Laird, and Thomas Rhett

Grade:  F

Listen:  1994

48 Comments

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2011 CMA Awards: Staff Picks and Predictions

It’s that time of year again!  The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was.  I don’t know about the rest of you, but I can’t wait.

We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be.  This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff.  Agree?  Disagree?  Join in the discussion in the comment thread below, and let us know.

The CMA Awards telecast will air on Wednesday, November 9, 8pm Eastern on ABC-TV.  We will be live blogging the show here at Country Universe, so do be sure to drop by and join in the fun!

Entertainer of the Year

Should Win:

  • Jason Aldean – Kevin
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift - Dan, Ben, Leeann, Jonathan, Tara
  • Keith Urban

Will Win:

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton - Dan, Leeann, Jonathan
  • Taylor Swift – Ben, Kevin, Tara
  • Keith Urban

Dan: I can imagine anyone but Urban taking it, but I like Jonathan’s logic.

Ben:  It’s hard to bet on the Entertainer award going to a female artist, but it seems Swift has undoubtedly had the biggest year of all the nominees.  Her album sold like hotcakes, and produced a trio of killer radio singles, while she topped that off with her Speak Now tour.  That combination should bag her this year’s top prize.

Leeann: Paisley could take it again, but my money’s on the CMA wanting to give it to fresh blood this year. Taylor Swift is who probably actually deserves it, however.

Jonathan:   Paisley is probably the most logical pick, but he didn’t figure as heavily into the nominations this year as he could have, so I’m wondering if the voters have cooled on him as much as the crew here at CU have of late. Swift’s live show should be a factor in this category, but she has a whole lot of gender bias to overcome, and there seems to be at least something of a backlash against her in the country community post-Fearless. Which leaves the ubiquitous Shelton, who has been something of a new “Everywhere Man” for the genre over the past year.

Kevin:  I think Swift will win because she had the highest profile year.  But I think Aldean defines the genre in 2011, for better or for worse.  Mostly worse.

Tara: As I’ve said before, this is the most appropriate way for the voters to reward Swift’s monster success, and for the first time at the CMAs, I truly feel she deserves this award. I’m particularly impressed with the way she continues to cultivate her relationship with her fans. I just hope the voters don’t pair this award with the FVOTY award.

Male Vocalist of the Year

Should Win:

  • Jason Aldean - Dan, Ben
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Keith Urban - Leeann, Jonathan, Kevin, Tara

Will Win:

  • Jason Aldean – Dan, Ben
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton - Leeann, Jonathan, Kevin, Tara
  • Keith Urban

Dan:  Aldean’s not my thing, but he’s the biggest guy in the field by an unignorable margin. More than anything, I think the indie Broken Bow Records deserves props for building their flagship artist so well.

Ben:  I’m largely indifferent to this particular field of nominees (save possibly Keith Urban), but Aldean’s massive success should most likely nab him his first Male Vocalist trophy.

Leeann: Again, I think it’s Shelton’s night to sweep in order to shake things up this year. He and Urban have the strongest voices in the category anyway.

Jonathan:  Urban’s the only one of the lot who has released even one single I’ve liked in the past year, so he’d get my vote. Aldean has the commercial clout, sure, but quality has to count for something, right? Voters have looked at the word “Vocalist” in the category name and have passed over Chesney for years, and I wonder if they’ll do the same to Aldean here. I’m thinking yes.

Kevin: Urban’s the one who I can stand to listen to. But if Shelton was able to win last year, I don’t see how he loses this year. Not post-Voice and “Honey Bee.”

Tara: It makes me sad that I can’t find a solid reason to support Urban or Paisley, both of whom I used to feel passionately about. And in all honesty, I can’t find a solid reason to support any of these guys, based on their output during the eligibility period. I’m going to blindly back Urban –who, despite being “Urban-lite” these days, is at least consistent– and predict that Shelton’s amped public profile will give him the edge with voters.

Female Vocalist of the Year

Should Win:

  • Sara Evans – Kevin
  • Miranda Lambert
  • Martina McBride
  • Taylor Swift – Dan, Ben, Leeann, Jonathan
  • Carrie Underwood – Tara

Will Win:

  • Sara Evans
  • Miranda Lambert – Dan, Leeann, Jonathan, Kevin, Tara
  • Martina McBride
  • Taylor Swift - Ben
  • Carrie Underwood

Dan:  Come ACM season, I’ll be all for Lambert; Pistol Annies and Four The Record prove she’s using her new commercial powers nobly. But I like Swift’s performances on Speak Now, and that album just applies more to this awards cycle.

Ben:  Swift is the overall strongest contender, but I could see voters seizing the opportunity to recognize Evans, who released a new album and had a number one single during the eligibility period.  I wouldn’t rule Lambert out either, though she didn’t have as strong a year as she did in 2010.  But I doubt this will be Underwood’s year, and McBride’s was essentially a filler nomination, so I’d say it’s down to Swift, Evans, and Lambert. (But, like Dan, I will totally be Team Miranda when the ACMs roll around)

Leeann: I reflexively say Lambert should win, but Swift has had the best year and will likely win as a result. I won’t be heart broken if Lambert takes it though.

Jonathan:  There’s a part of me that would vote for Lambert on principle and out of loyalty, but I can’t argue with a simple mathematical inequality: “Back to December,” “Mean,” and “Sparks Fly” > “Only Prettier,” “Heart Like Mine” and “Baggage Claim.” Had her label been campaigning harder that she’s never won this award, Evans could’ve been a bigger threat here, but Lambert’s ongoing momentum should carry her to a repeat win.

Kevin: Can this power couple nonsense be derailed?  Probably not, so while I’d rather see Swift get it over Lambert, I’m doubtful it would happen. My real fantasy would be for the only non-winner, Sara Evans, to take it.  For prosperity’s sake, and for actually putting out a great single that I failed to realize was great until it was already a hit.

Tara: This is a tough one for me. Lambert’s worked the genre like no other female has this past year and a half, but the singles she’s released in the eligibility period have been so-so. Swift’s put out some solid material, but I’m not sure I’ll ever be able to support her winning a vocalist award. And then there’s Underwood, who’s been relatively quiet on the radio front, but whose stunning performance of “How Great Thou Art” back in April went viral and serves as a reminder of what I firmly believe is one of the finest voices in the genre. I’m going with my gut and backing Underwood, but I think the voters will reward Lambert again, which is fine with me.

Vocal Duo of the Year

Should Win:

  • The Civil Wars – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland
  • Thompson Square

Will Win:

  • The Civil Wars
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Thompson Square

Dan:  Seriously, why not the Civil Wars? They’ve sold about as many albums (200,000-ish) as everyone besides Sugarland without the support of a major label. Not to mention they just made the most interesting music.

Ben:  I’m supporting the Civil Wars on principle, but it’s a no-brainer that Sugarland’s hot streak is not over yet.

Leeann: I love The Civil Wars. The end.

Jonathan:  Yet more evidence that this category should be merged with Vocal Group of the Year to cut the deadweight. Though the Civil Wars getting in instead of the JaneDear Girls is a nice testament to the fact that the CMAs, every so often, can exercise good taste and discretion.

Kevin:  Sugarland’s album was atrocious.  The Civil Wars are in the running for my favorite set of the year.  Easy call for me.

Tara: Can Sugarland hurry up and release a new, redeeming album, please?

Vocal Group of the Year

Should Win:

  • The Band Perry
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band – Dan, Ben, Leeann, Jonathan, Kevin, Tara

Will Win:

  • The Band Perry
  • Lady Antebellum – Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band - Dan, Ben, Leeann, Jonathan, Kevin

Dan:  Lady A were between albums. Some variety this year, please.

Ben:  It’ hard to bet against Lady Antebellum, but the Zac Brown band gave us a strong album and two of the year’s most memorable hit singles (“As She’s Walking Away” and “Colder Weather”), and I predict that they will be rewarded justly.

Leeann: Zac Brown Band has a good chance with the best music in the category, but Lady A just might not be out yet.

Jonathan:  Little Big Town’s brilliant “Little White Church” should’ve put them back in the mix for good, but they really botched the single releases from their album and are right back to being also-rans. The Band Perry will settle for the “New Artist” award as a consolation prize this year, which leaves Lady A and Zac Brown Band to duke it out. In terms of the quality of their output, Zac Brown Band has Lady A dead to rights, but is that enough to stop the trio’s awards-show juggernaut? Let’s hope so.

Kevin:  Zac Brown Band is the only option both realistic and palatable.

Tara: This is the first of these categories that I feel strongly about this year. Based on the strength of You Get What You Give, Zac Brown Band deserves to nab this award, hands down. But I’ll go against my co-bloggers here and guess that Lady Antebellum still has the industry wrapped around its finger.

New Artist of the Year

Should Win:

  • The Band Perry - Ben
  • Luke Bryan
  • Eric Church - Leeann, Jonathan
  • Thompson Square
  • Chris Young – Dan, Kevin, Tara

Will Win:

  • The Band Perry – Ben, Jonathan, Tara
  • Luke Bryan
  • Eric Church – Dan, Leeann, Kevin
  • Thompson Square
  • Chris Young

Dan: Church seems the most likely to have a long, interesting career and probably deserves the win. I just don’t want to encourage “Homeboy,” I guess.

Ben:  Thompson Square and The Band Perry are the only two nominees whom I would still consider “new” artists, and I think The Band Perry beats Thompson Square any day.  Bryan, however, did reach a new level of stardom over the past year, so he stands a good chance at wining nonetheless.

Leeann: While it’s strange that with three albums Church is still in the New Artist category, it’s probably that same reason that he should win the award, not to mention that he had the strongest album of the nominees in the past year.

Jonathan:  Young’s the best singer in the field, but his material is still too inconsistent in quality for me to get on board with him. Church, on the other hand, finally made good on his early promise and his considerable hype with Chief and would be a deserving winner, as would the uneven but still pretty good The Band Perry. As the only nominee with any other nominations, they have to be considered the slight favorites over Crest WhiteStrips.

Kevin:  I think Church’s big breakthrough happened close enough to the voting window to give him a slight edge.  I’d like to see Chris Young get the boost from a win.

Tara: Of all the nominees, I’m the most excited for Chris Young’s future in country music – his vocal talent is tremendous, and even though it falls right outside of the eligibility period, Neon is one of my favorite releases of this year. Based on their other major nominations, though, I think The Band Perry will take this.

Album of the Year

Should Win:

  • Blake Shelton, All About Tonight
  • Jason Aldean, My Kinda Party
  • Taylor Swift, Speak Now - Ben, Kevin
  • Brad Paisley, This Is Country Music
  • Zac Brown Band, You Get What You Give - Dan, Leeann, Jonathan, Tara

Will Win:

  • Blake Shelton, All About Tonight
  • Jason Aldean, My Kinda Party – Dan, Leeann, Jonathan, Tara
  • Taylor Swift, Speak Now – Ben, Kevin
  • Brad Paisley, This Is Country Music
  • Zac Brown Band, You Get What You Give

Dan: Here’s a logical place to acknowledge Aldean, though I hope voters think twice about it.

Ben:  In my book, Swift and the Zac Brown Band are the only truly worthy winners (and I’m still scratching my head over why a Blake Shelton “Six Pak” was even nominated in the first place).  To me, the most intriguing thing about Swift is that she really does seem to get a little better and a little deeper with each album.  Speak Now is her crowning achievement to date, and in my opinion, the best album on this ballot.

Leeann: It hurts my heart to think it, but Jason Aldean’s big year will likely earn him the award for best album, even though numbers isn’t how such an award should be selected.

Jonathan:  Speak Now is Swift’s strongest album, but, “Mean” notwithstanding, it’s also her most unabashedly pop album. And song-for-song, I still think You Get What You Give is slightly better. But Aldean has been a steady seller, and he’s big enough that he has to win one of the major awards, and this one’s his best bet.

Kevin:  “All songs composed by Taylor Swift” impressed the heck out of me, not the least of which because the songs were far better than her earlier work.  Zac Brown Band’s a close second for me.

Tara: Speak Now is solid, but You Get What You Give is the better example of how to move this genre forward, with its delicious yet reverent mishmash of influences. But I think this is where the voters will recognize the often overlooked commercial success of Jason Aldean.

Single of the Year

Should Win:

  • Sara Evans, “A Little Bit Stronger”
  • Zac Brown Band, “Colder Weather”- Leeann, Tara
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
  • Blake Shelton, “Honey Bee”
  • The Band Perry, “If I Die Young” – Dan, Ben, Jonathan, Kevin

Will Win:

  • Sara Evans, “A Little Bit Stronger”
  • Zac Brown Band, “Colder Weather”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay” - Jonathan, Tara
  • Blake Shelton, “Honey Bee” – Kevin
  • The Band Perry, “If I Die Young” - Dan, Ben, Leeann

Dan: It’d be heartening to see The Band Perry’s risky, rootsy release get its due. Plus: the single alone is 3x Platinum, better than any of its competitors can claim.

Ben:  “Colder Weather” and “If I Die Young” are the two strongest competitors, but for me, a cool folksy arrangement puts the latter over the edge.

Leeann: This is tough. I can actually see any of these singles winning, but I have a good feeling about “If I Die Young”, though I’d love to see “Colder Weather” prove me wrong.

Jonathan:  This one’s actually a tough call, since all five of the singles are big radio hits and everyone here has multiple nominations. “If I Die Young” is the best-produced single of the lot, but I’m predicting that Kelly Clarkson’s endless likability gives the edge to her duet with Aldean.

Kevin:  Love the Band Perry record most, followed by Sara Evans.  But this is the CMA awards, and Shelton managed to be both completely vanilla and namedrop Conway Twitty and Loretta Lynn.

Tara: If I better understood the story in “If I Die Young,” I might be able to get behind it, but I think “Colder Weather” is the more memorable single. It’s my favorite kind of country ballad – killer vocals, gripping melody and palpable emotion. I see the fiery Aldean / Clarkson collaboration taking this one, though. (By the way, dude, “Honey Bee” – really CMA?)

Song of the Year

Should Win:

  • “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
  • “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
  • “If I Die Young” – Kimberly Perry – Dan, Tara
  • “Mean” – Taylor Swift - Jonathan, Kevin
  • “You and Tequila” – Matraca Berg & Deana Carter - Ben, Leeann

Will Win:

  • “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
  • “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
  • “If I Die Young” – Kimberly Perry – Dan, Ben, Jonathan, Tara
  • “Mean” – Taylor Swift - Kevin
  • “You and Tequila” – Matraca Berg & Deana Carter – Leann

Dan:  “If I Die Young” is a flawed composition, but it’s still the most striking and strange one here, and that’s worth something.

Ben:  I never though I’d see a CMA Song of the Year field in which Matraca Berg and Deana Carter would compete against Colt Ford and Brantley Gilbert.  I would so love to see Berg and Carter win the award.  I might tend to be slightly biased when it comes to Matraca Berg, but I think “Tequila” is a fine composition on its own merits, and a worthy winner indeed.  Still, my gut predicion is that Perry will grab the trophy instead.

Leeann: “Mean” is probably my favorite song in terms of production and melody, but “You and Tequila” is the best song of the nominees.

Jonathan:  Berg is a treasure and I like Carter well enough, so it’s nice to see their names on the ballot again, but “You and Tequila” isn’t either of their best compositions. Here’s the thing about “Mean”: What doesn’t work about the song has everything to do with the fact that it shows the extent to which Swift still hasn’t fully figured out her artistic persona. But in terms of melody and overall construction as a stand-alone song? It’s the class of the field. As Dan said, “If I Die Young” is flawed, but it also has a lot going for it and will be a fine, worthy winner when it inevitably takes this.

Kevin: I love “You and Tequila”, but it’s an old song.  I’m glad Chesney rediscovered it, but I can’t see it as this year’s Song of the Year.  I think “Mean” is the best of the bunch, with the music as clever as the lyrics.

Tara: I’m with Jonathan and Leann re: “Mean” in that I agree its melody and overall construction are terrific; unfortunately its flaw –the bridge, which undermines the premise of the song– is too big for me to overlook. And as much as I love it, I don’t feel right backing “Colder Weather,” either, as it’s really Brown’s vocal performance that elevates the composition to a memorable song. So I’ll go with the quirky and unique “If I Die Young” and guess the voters will, too.

Musical Event of the Year

Should Win:

  • “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
  • “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson
  • “Old Alabama” – Brad Paisley with Alabama
  • “You and Tequila” – Kenny Chesney featuring Grace Potter

Will Win:

  • “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Kevin, Tara
  • “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
  • “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson – Dan, Ben, Leeann, Jonathan
  • “Old Alabama” – Brad Paisley with Alabama
  • “You and Tequila” – Kenny Chesney featuring Grace Potter

Dan:  The Single nod for Jason and Kelly suggests they have the edge here. But my heart echoes a resounding “Go on, son.”

Ben:  “As She’s Walking Away” is just so effortlessly charming that it would easily be my first pick, but the cross-genre appeal – and bonus Clarkson star power – of “Don’t You Wanna Stay” make it the most likely winner.  The fact that “Don’t You Wanna Stay” is also nominated for Single (which “As She’s Walking Away” sadly isn’t) suggests a likely victory in this category.

Leeann: How can I not pull for the Zac Brown Band and Alan Jackson when I have a chance? I’m pretty confident that the drama, cross genre appeal, and, yup, the drama again, make “Don’t You Want to Stay” the sure bet though.

Jonathan:  “As She’s Walking Away” is one of the purest and truest duets in years, and it could pull some votes from the more traditionalist voters, but the Aldean and Clarkson single just has too much firepower to lose here.

Kevin:  If this doesn’t go to Zac Brown Band and Alan Jackson, then I no longer understand how CMA voters think.

Tara: No question here, “As She’s Walking Away” is head and shoulders above the rest of the collaborations in this category, one of the most quietly charming singles we’ve heard on country radio in quite some time. I’ll go out on a limb and predict that voters will have trouble ignoring the warm fuzzies they get when Jackson starts singing.

Music Video of the Year

Should Win:

  • Blake Shelton, “Honey Bee”
  • The Band Perry, “If I Die Young” – Dan
  • Taylor Swift, “Mean” – Ben, Kevin, Tara
  • Brad Paisley featuring Alabama, “Old Alabama”
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Will Win:

  • Blake Shelton, “Honey Bee” - Ben
  • The Band Perry, “If I Die Young”
  • Taylor Swift, “Mean”
  • Brad Paisley featuring Alabama, “Old Alabama” - Dan, Jonathan, Kevin, Tara
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Dan: It’s my least favorite Paisley video ever, though.

Ben:  Swift’s “Mean” is my personal favorite among these nominees, but I’m expecting that voters will show some Shelton love instead.

Jonathan:  Paisley has to win something, right? And this also gives the voters a chance to honor some beloved genre vets.

Kevin: I think the video splicing tricks will give Paisley and Alabama an additional edge.  Of the five clips, “Mean” is the one I like the most.

Tara: I love the whimsical video for “Mean” but think (and actually kind of hope) the voters will use this category to award the show co-host and his buddies.

Musician of the Year

Should Win:

  • Paul Franklin (steel guitar) - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar)
  • Randy Scruggs (guitar)

Will Win:

  • Paul Franklin (steel guitar) - Leeann, Jonathan
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar) – Dan, Ben, Kevin, Tara
  • Randy Scruggs (guitar)

Dan: Default underdog support.

Ben:  I would love to see this go to the steel guitar man (and preferably not to Dann Huff), but Mac McAnally tends to be the favorite here.

Leeann: I want the steel guitar to represent this year. So, I’ll will it to happen.

Jonathan:  Franklin’s the only nominee who hasn’t won previously, and being regarded as long overdue eventually helped McAnally score his first win, leading to his current three-year hot streak.

Kevin:  I’ll be rooting for Paul Franklin until he finally wins, but I won’t believe that he’ll win until he finally does.

Tara: What Ben and Kevin said.


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Album Sales Update: July 2009

It’s time for an album sales update, our first since May 23.   Brad Paisley is off to a strong start with American Saturday Night, selling 130k in its first week. That’s about 70k less than his previous two studio albums – Time Well Wasted and 5th Gear – opened with, but not a terrible drop-off, considering the state of the music market.

Meanwhile, the new studio albums by Rascal Flatts and Keith Urban are slowing down considerably, now being outpaced on a weekly basis by 2008 releases by Taylor Swift, Zac Brown Band, Darius Rucker and Lady Antebellum.

Among younger acts with a new album in 2009, the most impressive sales are coming from Jason Aldean, while 2008 releases from Kellie Pickler, Billy Currington, and Randy Houser are showing new signs of life.

Biggest disappointments? It’s hard not to look in the direction of Martina McBride, who has barely cleared the 100k mark on her new studio set.  Lee Ann Womack’s 2008 set just made it over that mark, too.  Then again, one only needs to have sold 455 copies to make the chart this week, with the anchor position going to Wynonna with that total. Her covers album Sing – Chapter 1 has sold 41k to date.

Here are the latest totals for albums released over the past three years that are still charting:

2009

  • Rascal Flatts, Unstoppable – 842,000
  • Keith Urban, Defying Gravity – 452,000
  • Jason Aldean, Wide Open – 384,000
  • Kenny Chesney, Greatest Hits II – 281,000
  • Dierks Bentley, Feel That Fire – 219,000
  • Martina McBride, Shine – 104,000
  • John Rich, Son of a Preacher Man – 103,000
  • Eric Church, Carolina – 94,000
  • Rodney Atkins, It’s America – 88,000
  • Jake Owen, Easy Does It – 81,000
  • Randy Travis, I Told You So: Ultimate Hits – 78,000
  • Montgomery Gentry, For Our Heroes – 64,000
  • Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 56,000
  • Steve Earle, Townes – 47,000
  • Colt Ford, Ride Through the Country – 45,000
  • Jason Michael Carroll, Growing Up is Getting Old – 45,000
  • Wynonna, Sing – Chapter 1 – 41,000
  • Hank Williams Jr. – 127 Rose Avenue – 34,000
  • Ryan Bingham, Roadhouse Sun – 15,000
  • Tracy Lawrence, Rock – 11,000
  • Darryl Worley, Sounds Like Life – 8,000
  • Holly Williams, Here With Me – 5,000
  • Charlie Robison, Beautiful Day – 3,000
  • Tanya Tucker, My Turn – 3,000

2008

  • Taylor Swift, Fearless – 3,464,000
  • Sugarland, Love on the Inside – 1,683,000
  • George Strait, Troubadour – 914,000
  • Alan Jackson, Good Time – 869,000
  • Darius Rucker, Learn to Live – 754,000
  • Kenny Chesney, Lucky Old Sun – 721,000
  • Zac Brown Band, Foundation – 681,000
  • Rascal Flatts, Greatest Hits Vol. 1 – 680,000
  • Lady Antebellum, Lady Antebellum – 674,000
  • Toby Keith, 35 Biggest Hits – 652,000
  • Jamey Johnson, That Lonesome Song – 509,000
  • Toby Keith, That Don’t Make Me a Bad Guy – 403,000
  • James Otto, Sunset Man – 374,000
  • Julianne Hough, Julianne Hough – 314,000
  • Kellie Pickler, Kellie Pickler – 261,000
  • Dierks Bentley, Greatest Hits – 255,000
  • Brad Paisley, Play – 247,000
  • Dolly Parton, Backwoods Barbie – 208,000
  • Tim McGraw, Greatest Hits Vol. 3 – 206,000
  • Billy Currington, Little Bit of Everything – 191,000
  • Trace Adkins, X – 185,000
  • Montgomery Gentry, Back When I Knew it All – 184,000
  • Joey + Rory, Life of a Song – 167,000
  • Blake Shelton, Startin’ Fires – 165,000
  • Eli Young Band, Jet Black and Jealous – 108,000
  • Lee Ann Womack, Call Me Crazy – 102,000
  • Craig Morgan, Greatest Hits – 81,000
  • Hank Williams III, Damn Right Rebel Proud – 80,000
  • Randy Houser, Anything Goes – 79,000
  • Lost Trailers, Holler Back – 69,000

2006-2007

  • Taylor Swift, Taylor Swift – 4,129,000
  • Carrie Underwood, Carnival Ride – 2,918,000

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