This week in 1792, Kentucky became the fifteenth state to join the union. It’s also the state that two Country Universe writers – Jonathan Keefe and myself – call home. Kentucky is well known as the home of bluegrass music, but our state’s rich musical heritage spans multiple genres. A wide variety of music legends hail from the bluegrass state, while its unique natural beauty and varied culture has served as inspiration for many a songwriter. Jonathan and I have put our heads together for a Country Universe Top Five that covers two topics in one. I’ve chosen my top five favorite artists from Kentucky, while he has chosen his top five favorite songs about Kentucky. Since there are plenty of eligible inclusions for both topics, this leaves plenty of room for reader discussion, so be sure to share your own choices in the comments. Ben’s Top Five Artists from Kentucky: 1. Read More
Today’s Daily Top Five is the promised Rodney Crowell edition. He’s such a legendary songwriter that I’m putting up three Top Fives – albums, singles, and songs written by him that were recorded by others! Share yours in the comments. Here are my lists: Albums The Outsider Fate’s Right Hand The Houston Kid Tarpaper Sky Ain’t Living Long Like This
Once again, technical difficulties derailed yesterday’s Daily Top Five. So we’re doubling down today. Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets? The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.” But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill. So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t. What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals? Here are mine: Top Five Duets Porter Wagoner & Dolly Parton, “The Last Thing on My Mind” Loretta Lynn & Conway Twitty, “After the Fire is Read More
“Lonely Tonight” Blake Shelton & Ashley Monroe Written by Brent Anderson and Ryan Hurd It’s billed as a duet, but it’s about as much as an equal pairing as Eddie Rabbitt and Crystal Gayle back in the day. Monroe essentially plays a harmony role, singing an answer line from time to time. Not the best use of her talent, though it seems the only way to get her on the radio is in a feature spot, which is better than nothing. “Lonely Tonight” is a decent spin on the classic “just one more night” theme.
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
I’ve only recently discovered the Most Played feature on iTunes, since it never had any relevance until iPods were large enough in memory to sync all of my music. So going back to early 2011, I have a lengthy list of the songs I’ve played the most.
First as a songwriter, then as a new country superstar, and currently as an alternative country icon, Rodney Crowell has made an indelible mark on country music for nearly four decades.
As most of my favorite artists tend to be, Rodney is talented in multiple ways. Not only does he have a charismatic voice, he’s an accomplished musician, songwriter and producer. He has used these talents for himself, but has also shared them with many other artists. In fact, high-profile artists like Rosanne Cash, Emmylou Harris, Vince Gill, Johnny Cash, Chely Wright, among many others, have benefited from his musicianship, compositions and producing abilities.
In this feature, we will focus on some of the best Rodney Crowell songs–whether they were big hits, minor hits or unreleased album tracks—but these twenty-five songs certainly do not do enough justice to this man’s contribution to country music. As a result, look for an accompanying Favorite Songs by Favorite Songwriters feature on Rodney Crowell to come soon.
I’ve always been something of a chart junkie. While I don’t pay as close attention as I used to, I still have a pretty good handle on historical trends. One artist I’ve been keeping an eye on is Carrie Underwood. When each official country single from her first two albums peaked at #1 or #2, it caught my attention.
But I never expected the trend to continue, with three more #1 hits from the new album. The source of that belief was the history of women on country radio, especially in the twenty most recent years that were based on actual monitored airplay instead of radio playlists. Since that change, far less records have gone #1 or #2.
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.