Country Universe – A Country Music Blog

100 Greatest Men: #66. David Houston

Wednesday, February 29th, 2012

100 Greatest Men: The Complete List

Not many teenage stars get a second shot at stardom, but David Houston was a remarkable exception.

Born and raised in Louisiana, his high tenor voice put him on the map in the fifties, when he was just a teenager.  He appeared regularly on Louisiana Hayride, but as he grew older, he had trouble finding opportunities in the music industry.

Houston left the business for a time, but was coaxed back into it by producer Billy Sherrill, who signed him to Epic Records in 1963.  He helped put the upstart label on the map with his debut hit, “Mountain of Love”, which reached #2 in 1963.

A few more hits followed, leading up to Houston’s major breakthrough: “Almost Persuaded.”  The classic almost cheated anthem spent nine weeks at #1, and pushed Houston to the front of the pack, earning him two Grammys in 1967.

Over the next few years, Houston dominated radio, scoring twenty-four top ten hits through 1974.  He recorded a few duet albums with Barbara Mandrell, and his chart-topping “My Elusive Dreams”  paired him with a young Tammy Wynette.

In 1972, he joined the Grand Ole Opry, and he continued to record for Epic until 1977.   Stints with Gusto and Elektra records followed, the latter label association ending when new label president Jimmy Bowen purged the roster.

Houston played the Opry and toured while recording for independent labels in the eighties.  Weeks shy of his 58th birthday, Houston suffered a brain aneurysm, and he passed away in 1993.

Essential Singles:

• Mountain of Love, 1963
• Almost Persuaded, 1966
• My Elusive Dreams (with Tammy Wynette), 1967
• You Mean the World to Me, 1967
• Baby, Baby (I Know You’re a Lady), 1969

Essential Albums:

• Almost Persuaded, 1966
  
• A Loser’s Cathedral, 1967
• You Mean the World to Me, 1967
• Already It’s Heaven, 1968
• Baby, Baby, 1970

Next: #65. Asleep at the Wheel

Previous: #67. Steve Wariner

100 Greatest Men: The Complete List

Grammy Flashback: Best Male Country Vocal Performance

Monday, January 19th, 2009

Updated for 2009

While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded.

In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks.

As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known!

2009

• Trace Adkins, “You’re Gonna Miss This”
• Jamey Johnson, “In Color”
• James Otto, “Just Got Started Lovin’ You”
• Brad Paisley, “Letter to Me”
• George Strait, “Troubadour”

As with the album race, this year’s contenders for Best Male Country Vocal Performance are a combination of unrecognized veterans and promising newcomers. In fact, none of this year’s nominees have won in this category, and only one of them – Brad Paisley – has a Grammy at all.

First, the veterans. Paisley has numerous ACM and CMA victories to his credit, including two each for Male Vocalist.  Although he’s been nominated for this award twice before, this is the first time he’s contended with a cut that can’t be dismissed as a novelty number. The touching self-penned “Letter to Me” is his best shot yet at taking this home.

Trace Adkins has been at this a bit longer than Paisley, but this is his first Grammy nomination. His crossover exposure from Celebrity Apprentice might help him out here, along with the fact that the song was considered strong enough by voters to earn a nomination of its own.

But the real veteran to watch out for is George Strait. After being nominated only twice for this category in the first 25 years of his career, voters have now given him three consecutive nominations. This is one of four nods he’s earned for the 2009 ceremony, and “Troubadour” is essentially the story of his epic career distilled into a radio-length song. It would be the perfect way to honor the man and his music in one fell swoop.

However, there’s a newcomer that might be a Grammy favorite already.  We just haven’t found out yet. Not James Otto, of course, who is nominated for his charming romantic romp “Just Got Started Lovin’ You”, but rather, Jamey Johnson. The recent Nashville Scene critics’ poll further confirmed the depth of his support among tastemakers, and his nominations for Best Country Song and Best Country Album indicate that he’s very much on the academy’s radar. It helps that he has the most substantial track of the five, and it’s the obvious choice for traditionalists, who have little reason to split their votes in this category. If voters aren’t considering legacy when making their selections, he has a great shot at this.

2008

• Dierks Bentley, “Long Trip Alone”
• Alan Jackson, “A Woman’s Love”
• Tim McGraw, “If You’re Reading This”
• George Strait, “Give it Away”
• Keith Urban, “Stupid Boy”

The often offbeat Grammy voters have been surprisingly mainstream in this category for the past three years, a trend best exemplified by this lineup, which was the first in more than a decade to feature only top ten radio hits. Tim McGraw and Keith Urban were the only two who had won this before, and it was Urban who emerged victorious. ”Stupid Boy” was a highlight of his fourth studio album, and this was the only major award that the impressive collection would win.

2007

• Dierks Bentley, “Every Mile a Memory”
• Vince Gill, “The Reason Why”
• George Strait, “The Seashores of Old Mexico”
• Josh Turner, “Would You Go With Me”
• Keith Urban, “Once in a Lifetime”

Vince Gill returned to win in this category for a ninth time with “The Reason Why.” Not only is he, by far, the most honored artist in this category, his wins here account for nine of the nineteen Grammys currently on his mantle.

2006

• George Jones, “Funny How Time Slips Away”
• Toby Keith, “As Good As I Once Was”
• Delbert McClinton, “Midnight Communion”
• Willie Nelson, “Good Ol’ Boys”
• Brad Paisley, “Alcohol”
• Keith Urban, “You’ll Think of Me”

Urban’s biggest and probably best hit launched his second album to triple platinum and established him as a crossover artist. He gave a killer performance of the song on the show. Toby Keith was a first-time nominee here, and while he publicly groused that the Grammys put too little emphasis on commercial success in picking their nominations, he lost to the only track that was a bigger hit than his own.

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