David Nail

Daily Top Five: Should’ve Been Hits

May 25, 2015 // 29 Comments

Today’s Daily Top Five is loosely inspired by reader PSUMucci. What are five singles that should’ve been hits? They could be songs that ended up signature tunes for their act despite not being hits, or could not have made any impact at all. For my top five, I stuck to artists who were having some radio success at the time these songs were released. Here’s my list: Trisha Yearwood, “Where are You Now” David Nail, “The Sound of a Million Dreams” Sawyer Brown, “Another Side” Faith Hill, “Stealing Kisses” Lorrie Morgan, “I Just Might Be”

Daily Top Five: Favorite Title Tracks

May 20, 2015 // 16 Comments

Suggested by longtime reader Hoggy From Oz: What are your favorite title tracks? Here’s my list: Trisha Yearwood, “The Song Remembers When” Carrie Underwood, “Blown Away” David Nail, “The Sound of a Million Dreams” Suzy Bogguss, “Aces” Kathy Mattea, “Love Travels”

Album Review: David Nail, I’m a Fire

January 27, 2015 // 7 Comments

David Nail I’m a Fire If he’s a fire, it’s one that doesn’t burn nearly enough. Three albums in, Nail continues to pair great potential with middling results. Despite having better pipes than most of his contemporaries and a knack for finding some genuinely interesting material each time out, his albums as a whole never quite take off.

Song Talk: Songs About Songs

July 17, 2014 // 17 Comments

Songs have such a big impact on our life experience that they sometimes inspire songs of their own.  It’s a cool theme that I wish more singers and songwriters would explore. Here are some of my favorite examples of this theme: Trisha Yearwood, “The Song Remembers When” Far and away, the gold standard for songs about songs.  I love the way the intro’s guitar hook is repeated immediately after Yearwood, sings, “When I heard that old familiar music start.”  Producer Garth Fundis is the unsung hero of this classic recording, which has always seen heaps of deserved praise for Hugh Prestwood’s poetic songwriting and Yearwood’s skillful interpretation.

Single Review: David Nail, “Whatever She’s Got”

January 15, 2014 // 5 Comments

David Nail Whatever She's GotIs “Whatever She’s Got” really just David Nail doing whatever he’s got to do to stay in the game?

Nail is one of the most distinctive and substantive new voices to emerge in recent years, especially among the crop of younger male artists. He’s had more false starts than most, going through two labels in eleven years and having moderate to major hits, but not building up enough momentum to string a few together.

Getting to Know Brandy Clark

October 20, 2013 // 4 Comments

Brandy ClarkAs a general rule, you can scan the credits of any new country album and assume that if Brandy Clark is a writer on one of the songs, it’s the best song on the album. As Clark readies the release of 12 Stories, her debut album as an artist, it’s a great time for fans of that remarkable set to get caught up on Clark’s work to date.

Believe the hype. Clark really is as good as everyone is saying she is. Possibly even better, as these twenty tracks suggest. Scroll down to the bottom, and you can listen to snippets from all of them as you read along.

CU's Top Singles of 2012

December 29, 2012 // 47 Comments

2012Something you probably already know about us here at Country Universe:  We love country music.  A lot.  While truly great country music has become scarce on country radio, we are fortunate to live in an age in which modern technology has made great music more accessible than ever, regardless of whether Top 40 radio dares touch it.

At the close of each year we separate the grain from the chaff, and share the music we discovered over the past year that made us glad that we stuck with our genre of choice.  We at Country Universe have put our heads together to create the following lists of favorite singles and albums of 2012.

Top 40 Singles of 2011, Part One: #40-#31

January 2, 2012 // 5 Comments

For nine decades and counting, country music has been defined by the single, with only the format and definition changing over time.

Today, a single could be any one of the following: a CD sent to radio for airplay; a digital download released in advance of an album; a music video released to online websites and dwindling television outlets; and in a lovely throwback, a seven inch vinyl single sold in the indie record stores that have managed to outlast the chain stores that once threatened their existence.

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