David Nail

Grammy Awards 2011: Staff Picks & Predictions

February 12, 2011 // 9 Comments

It’s hard to believe, but it’s that time of year again: the 2011 Grammy Awards air this Sunday at 8 p.m. Eastern. Country music has its hand in the Grammy pot via major nominations for Lady Antebellum, performances by Miranda Lambert, Lady A and Martina McBride, and appearances by Keith Urban, Zac Brown, Blake Shelton and Kris Kristofferson. We’ve picked and predicted the awards below – chime in with your own thoughts, and stop by on Sunday night for our live blog!

Album of the Year

Should Win

  • Arcade Fire, The Suburbs – Dan
  • Eminem, Recovery – Kevin, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Will Win

  • Arcade Fire, The Suburbs
  • Eminem, Recovery – Kevin, Dan, Tara
  • Lady Antebellum, Need You Now
  • Lady Gaga, The Fame Monster
  • Katy Perry, Teenage Dream

Single Review: David Nail, “Let It Rain”

January 24, 2011 // 8 Comments

“Let It Rain” kicks off with Nail’s cheating character claiming he’s more crushed by the pain he’s caused his wife than by his own feelings of shame – but does anyone really believe that? The chorus is nothing if not a pity party, centering on a singular theme: “She don’t love me anymore.”

The Best Singles of 2010, Part 3: #20-#11

December 22, 2010 // 20 Comments

Here are the ten singles that were almost the best of the year:

The Best Singles of 2010, Part 3: #20-#11


Crazy Women
LeAnn Rimes

Poised, calculated and ferocious all at once, Rimes’ performance captures the exact persona of the scorned “ex-wives and old girlfriends” she sings of. It’s a wiser, cooler revenge anthem than we’ve heard in awhile, and it takes the crown for the year’s most fabulous opening line: “Who’d have guessed that Aqua Net could start a fire with a single cigarette?” – Tara Seetharam


What Do You Want
Jerrod Niemann

A contemporary spin on the standard country theme of heartache, “What Do You Want” owes its brilliance to its perfect storm of elements: The raw honesty of Niemann’s plea (“I get so tired of living like this/I don’t have the time/Neither do my friends”). The hollow, pulsing arrangement that mirrors his cycle of pain. The killer vocal performance, soaked in emotional fatigue. Each element draws out the potency of the next, culminating in one of the most captivating releases of the year. – TS

2010 ACM Awards: Staff Picks & Predictions

April 16, 2010 // 39 Comments

Nashville takes over Vegas this Sunday for the 45th Annual Academy of Country Music Awards, and it could actually be an interesting night. Eight acts are vying for Entertainer of the Year, one trio is poised to sweep the show, and a certain artist’s performance may solidify her as Music Row’s Lady Gaga. We’ll find out for sure Sunday at 8 pm Eastern, but in the meantime, we’ve picked ‘em and predicted ‘em. Sound off in the comments below.

Entertainer of the Year

Should Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Tara
  • George Strait – Kevin
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band – Dan, Leeann

Will Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift – Dan, Tara, Kevin, Leeann
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

ACM Flashback: Single Record of the Year

April 3, 2010 // 11 Comments

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.


  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.


  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.

2010 ACM Nominations

March 2, 2010 // 38 Comments

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

David Nail, “Red Light”

February 22, 2009 // 39 Comments

There’s a potentially interesting song underneath all the lyrical unfocus and musical melodrama that couch David Nail’s third bid to country radio. The story is this: a girl breaks up with a guy while the two are stopped at a red light. The end. That’s the story. But the guy has taken this time to tell us about it because he’s flabbergasted that she would let their relationship end under such ordinary circumstances, like she doesn’t even care enough about her decision to set aside some actual time to break it to him. It’s a good start, and one could see how that might make for an interesting song, or at least an interesting moment in a broader song about a collapsing relationship. Problem is, the songwriters chose to hone in on that singular moment. And in all honesty, that moment isn’t nearly interesting enough by itself to sustain an Read More

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