Dean Dillon

Best Singles of 1994, Part 4: #10-#1

December 16, 2014 // 20 Comments

The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre. #10 “(Who Says) You Can’t Have it All” Alan Jackson Written by Alan Jackson and Jim McBride LW #10 | BF #5 | JK #38 What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward

Retro Single Reviews: George Strait, 1990-1991

March 24, 2013 // 11 Comments

As the nineties began, George Strait was the reigning CMA Entertainer of the Year, a title noted on the belt buckle he wore on the cover of Livin’ it Up.

Around this time, Billboard switched to monitoring radio stations in real time, revealing just how often songs were really being played. So while all of his eighties #1 singles spent only a week at the top, all four of the #1 singles listed here spent multiple weeks in the penthouse, including two five-week runs at the top.

George Strait Love Without End Amen

“Love Without End, Amen”
1990
Peak: #1

Listen

One of Strait’s most enduring hits, “Love Without End, Amen” foreshadowed the understated religiousness of future hits like “I Saw God Today.” A classic three act story song, it makes its point subtly and endearingly.

Retro Single Review: George Strait, “It Ain’t Cool to be Crazy About You”

March 15, 2012 // 5 Comments

1986 | Peak: #1

It’s rare that the melody of a song’s verses is just about as memorable and catchy as its chorus, but such is the case with George Strait’s “It Ain’t Cool to be Crazy About You.” Just hearing the first strains of the simple piano intro makes it almost impossible to get the tune out of your head once it’s there. What’s more, words like “suave” and “debonair” make it nearly irresistible to sing along with.

Album Review: Kellie Pickler, 100 Proof

January 24, 2012 // 12 Comments


Kellie Pickler
100 Proof

From early on, it was announced that Pickler’s third album would more closely reflect the sound of the traditional country music that is closest to her heart, with Pickler claiming to have made the album “as country as I was allowed to make it.” The bouncy steel guitars chords of opening track “Where’s Tammy Wynette,” and opening lyrics “While I’m torn between killin’ him and lovin’ him/ He stays torn between neon lights and home” quickly announce that Pickler is not kidding.

Does that mean that the album is a retro effort? Not necessarily. Rather, Pickler and her producers Frank Liddell and Luke Wooten effectively craft a sound that gives a respectful nod to country music’s past while simultaneously making tasteful use of modern sounds. Thus, the album carries a strong traditionalist bent, but sounds vintage without sounding dated, demonstrating that it is indeed possible to create a fresh and modern contemporary country album while still maintaining a strong connection to the traditions of the past.

Retro Single Review: George Strait, “Marina Del Rey”

July 27, 2011 // 4 Comments

1982 | Peak: #6

“Marina Del Rey” was an early attempt by George Strait at recording a pensive and thoughtful ballad.

He wasn’t quite ready for it, yet.   The lyrics are appropriately longing and sentimental for times gone by, but Strait hasn’t yet developed enough as a vocalist to pull off the mature performance required.

1 2