Tag Archives: Deana Carter

Classic CMA Awards Moments, #15: Matraca Berg Takes a Bow (1997)

#15: Matraca Berg
A Night in the Spotlight

With her slate of 11 #1 singles as a songwriter, her recent induction into the Nashville Songwriters Hall of Fame and even a solo stint as a country singer, Matraca Berg would still be hard pressed to recall a more satisfying moment than the 1997 CMA Awards. After fifteen years of penning a number of country music’s defining songs, she had earned a nomination (with Gary Harrison) for CMA Song of the Year. With “Strawberry Wine,” a #1 single for Deana Carter, Berg and Harrison had crafted an innocence-lost ballad with tremendous depth and detail, and no less an expert than Vince Gill proclaimed her as a poet. That poetry lifted “Strawberry Wine” to both the Single and Song of the Year honors, prompting Carter to race to presenter Ricky Skaggs and jump into his arms with delight as she accepted the Single trophy.

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Filed under Classic CMA Awards Moments, CMA Awards

Deana Carter, “Strawberry Wine”

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Deana Carter

Written by Matraca Berg & Gary Harrison

“Strawberry Wine”, written by Matraca Berg and Gary Harrison, is a prime example of country radio’s ability to spin an unconventional song, becoming a #1 single despite its subject matter, its length and its distinctive sound and structure. It also exhibits the eloquent quality that marks many of the best songs in the genre. With “Strawberry Wine”, a song about a teenager’s first love and lost innocence at her grandparents’ farm, Deana Carter was able to establish herself as one of country’s brightest new stars in the late 1990s.

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Filed under Classic Country Singles

100 Greatest Women, #81: Deana Carter

deana-carter100 Greatest Women


Deana Carter

An overnight sensation, more than a decade in the making. Deana Carter was born in 1966, the daughter of legendary country session guitarist Fred Carter, Jr. She developed a love for music early, and was ready for the big time long before the big time was ready for her.

She first tried to secure a record contract at the tender age of 17, but even with her dad’s connections, she found no takers. So she spent a few years developing her style, a subtle mixture of seventies light rock and acoustic country-pop. When she finally landed a record deal with Capitol Records in the early nineties, she recorded her debut album, which was bizarrely released in Europe only, and was shelved as label president Jimmy Bowen exited.

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Filed under 100 Greatest Women, Features