Mark Chesnutt Starter Kit
Tuesday, August 4th, 2009
Back to the Nineties continues with a look at Mark Chesnutt, one of the strongest traditionalists to break through in 1990. He won the Horizon Award in 1993 while he was riding a streak of three consecutive #1 singles.
Chesnutt’s greatest commercial and radio successes came early on. His first three studio albums went platinum and his fourth went gold. He’d earn an additional platinum record with a hits collection assembled from those sets.
While he remained a consistent presence on radio for the entire decade, his sales tapered off. His last big hit was his 1999 cover of Aerosmith’s “I Don’t Want to Miss a Thing,” which went to #1. In more recent years, he’s limited his covers to The Marshall Tucker Band and Charlie Rich.
Ten Essential Tracks:
“Too Cold at Home”
from the 1990 album Too Cold at Home
Chesnutt’s first twelve singles reached the top ten, starting with this pure country hit that finds him hiding out in a bar on a sweltering summer day. “It’s too hot to fish, too hot for golf, and too cold at home.”
“Brother Jukebox”
from the 1990 album Too Cold at Home
He’s still at the bar for this hit, his first to top the charts. This time, the woman has left him, and his only family left are the jukebox, wine, freedom, and time.
“I’ll Think of Something”
from the 1992 album Longnecks & Short Stories
A bone-chilling cover of a very old Hank Williams Jr. single. His nuanced vocal digs deeper than Williams did on the 1974 original.
“Bubba Shot the Jukebox”
from the 1992 album Longnecks & Short Stories
This was one of the first singles forced by radio, as unsolicited airplay pushed it on to the charts while MCA was still working “I’ll Think of Something.” Songwriter Dennis Linde also penned Chesnutt’s #1 hit “It Sure is Monday.”
“Almost Goodbye”
from the 1993 album Almost Goodbye
It begins like a domestic epic worthy of George Jones, complete with the swelling of the strings for heightened emotional effect. But cooler heads prevail as they realize how much they’d have to lose if they said the word goodbye. After all, “Sometimes the most important words are the ones that you leave unspoken.”
“I Just Wanted You to Know”
from the 1993 album Almost Goodbye
One side of what must be an incredibly awkward telephone conversation, with the woman’s implied silence at the other end of the line making things just a little more uncomfortable.
“Goin’ Through the Big D”
from the 1994 album What a Way to Live
The nineties equivalent of “She Got the Goldmine (I Got the Shaft.)”
“Trouble”
from the 1995 album Wings
Covering Todd Snider. The coolest thing that Mark Chesnutt has ever done. “A woman like you walks in a place like this and you can almost hear the promises break.”
“It Wouldn’t Hurt to Have Wings”
from the 1995 album Wings
Essentially the title track to Chesnutt’s finest major label album, it was also the set’s only big hit.
“Thank God For Believers”
from the 1997 album Thank God For Believers
In a decade that brought several powerful new perspectives on alcoholism, this was one of the best, as the man who struggles with his addiction can’t believe the strength and the faith of the woman who stays beside him.
Two Hidden Treasures:
“Strangers”
from the 1995 album Wings
Take your pick from this album – perhaps you’d prefer “As the Honky Tonk Turns” or “King of Broken Hearts” – but my favorite is the closing track, where strangers that meet in the evening will be strangers again the next morning.
“A Hard Secret to Keep”
from the 2004 album Savin’ the Honky Tonk
This is the best moment of Chesnutt’s strongest album, the independent release Savin’ the Honky Tonk. It’s an album that more than lives up to its title, especially on this tale of cheater’s paranoia.
Dennis Linde, one of country music’s most clever and unique songwriters, 
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