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Country Universe’s Best Singles of 2013, Part One: #40-#21

December 30, 2013 Kevin John Coyne 13






For the second year in a row, our seven writers – Kevin Coyne, Leeann Ward, Dan Milliken, Tara Seetharam, Ben Foster, Jonathan Keefe, and Sam Gazdziak – individually listed our twenty favorite albums and singles of the year. It’s a diverse crop of singles, some of which dominated country radio, while others were primarily heard in the Americana, bluegrass, and alternative country worlds. Today, we present the first half of our singles list, with the conclusion to follow tomorrow. Share your favorites in the comments!

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#40
“Someone Somewhere Tonight”
Kellie Pickler

Individual rankings: #16 – Ben; #19 – Tara

A sweeping power ballad anchored by an intimate chorus and Pickler’s pleading sincerity. – Tara Seetharam

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A Tale of Two Tributes: Alabama

October 19, 2013 Sam Gazdziak 8






Alabama-Friends

Various Artists
Alabama & Friends

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To recognize the impact that Alabama has had on modern country music, you could consider their millions of albums sold, their hundreds of awards, their many #1 songs or their induction into the Country Music Hall of Fame in 2005. You could also look at how the boys from Fort Payne, Ala. have the distinction of bringing something entirely new into country music.






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2011 Grammy Pre-Telecast Winners

February 13, 2011 Kevin John Coyne 28






Refresh for updates. Major categories will be announced above the fold:

Male Country Vocal Performance: Keith Urban, “‘Til Summer Comes Around”

Country Duo/Group Vocal Performance: Lady Antebellum, “Need You Now”

Country Song: Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott, “Need You Now”

Country Collaboration with Vocals: Zac Brown Band featuring Alan Jackson, “As She’s Walking Away”

Country Instrumental Performance: Marty Stuart, “Hummingbyrd”

Bluegrass Album: Patty Loveless, Mountain Soul II

Americana Album: Mavis Staples, You Are Not Alone

Traditional Folk Album: Carolina Chocolate Drops, Genuine Negro Jig

Contemporary Folk Album: Ray LaMontagne And The Pariah Dogs, God Willin’ & The Creek Don’t Rise

Southern/Country/Gospel Bluegrass Album: Diamond Rio, The Reason

Traditional Gospel Album: Patty Griffin, Downtown Church






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100 Greatest Men: #91. Diamond Rio

February 7, 2011 Kevin John Coyne 14






Theme parks are full of aspiring musicians hoping to make it big. Most of them never do, but Diamond Rio did, and in a very big way.

The nucleus of the band was formed in 1984, when lead singer Marty Roe met keyboard player Dan Truman while both were working at Opryland U.S.A., a now-defunct theme park adjacent to the Grand Ole Opry theater.






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Premium Label

September 12, 2010 Leeann Ward 20






September has a lot of album releases that I’m really enjoying or looking forward to. In fact, it’s the most lucrative month for music for my taste in quite some time.

Last Tuesday (September 7), Rounder Records released The SteelDrivers’ second album, Reckless (which is pretty spectacular, by the way) and this week, they will be releasing Robert Plant’s follow up to his 2007 collaborative album with Alison Krauss, which was also released on Rounder. From the streaming preview that can be heard on NPR’s website until release day, the album is a wonderfully rootsy project helmed by Plant and Buddy Miller and includes guitar work from Darrell Scott. October will finally see the release of Joe Diffie’s bluegrass album, which is also to be released on the label.






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400 Greatest Singles of the Nineties: #25-#1

August 30, 2010 Kevin John Coyne 32






And so we come to the end. The top of our list includes a wide range of artists singing a wide range of country music styles. Thematically, these entries are diverse, but what they all have in common is what has always made for great country music. They are all perfectly-written songs delivered with sincerity by the artists who brought them to life.

400 Greatest Singles of the Nineties: #25-#1

#25
Smoke Rings in the Dark
Gary Allan
1999 | Peak: #12

Listen

A dark, atmospheric wonder, as Allan delivers the final eulogy for a love that couldn’t help burning out. – Dan Milliken

#24
Just to See You Smile
Tim McGraw
1997 | Peak: #1

Listen

Being deeply enamored of someone can make it easy – even appealing – to forfeit your own well-being. This single’s sunny sound reflects the persistent affection pulsing through its protagonist, but its story demonstrates the heartbreak to which such unmeasured selflessness leads. – DM






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400 Greatest Singles of the Nineties: #225-#201

July 28, 2010 Kevin John Coyne 17






As we reach the halfway point of the countdown, seventies stars like Tanya Tucker and Don Williams prove just as relevant to the decade as newbies like Terri Clark and and Clay Walker. But it’s eighties original George Strait that dominates this section with three additional entries.

400 Greatest Singles of the Nineties: #225-#201

#225
Passionate Kisses
Mary Chapin Carpenter
1992 | Peak: #4

Listen

A lightweight wish list/love ditty that somehow seems to tap into a deep well of truth. Credit Carpenter’s soulful vocal, which digs in and finds the cohesive character written between the song’s separate cute lines. – Dan Milliken

#224
Black Coffee
Lacy J. Dalton
1990 | Peak: #15

Listen

The electric guitar line sounds cribbed from The Police’s “Every Breath You Take”, but the sentiment couldn’t be much more different. Dalton is tense all over, as bad omens seem to stack on top of each other while she waits in anticipation of one big let-down. – DM






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400 Greatest Singles of the Nineties: #275-#251

July 20, 2010 Kevin John Coyne 23






This section begins with a song about a farmer and his wife and ends with one about Mama. Doesn’t get much more country than this!

400 Greatest Singles of the Nineties: #275-#251

#275
Somewhere Other Than the Night
Garth Brooks
1992 | Peak: #1

Listen

About a woman who only feels truly appreciated by her husband when they’re having sex. That kind of says it all, doesn’t it? – Dan Milliken

#274
Looking Out For Number One
Travis Tritt
1993 | Peak: #11

Listen

From his rocking side, Tritt is tired of trying to please everyone around him, including his demanding lover. As a result, he brashly declares that he’s going to make some changes, which will include looking out for himself. Get out of the way, because his ferocious performance makes him seem quite serious about his epiphany. – Leeann Ward

#273
Let That Pony Run
Pam Tillis
1992 | Peak: #1

Listen

Gretchen Peters wrote the gorgeous song and Pam Tillis, in turn, beautifully sings it. The song is about Mary, a woman who is forced to start a new life after her husband confesses his infidelities with no apologies. The story is sad, it’s resilient, and it’s hopeful. – LW

#272
I Just Want to Dance With You
George Strait
1998 | Peak: #1

Listen

Any monotony in the verses is overcome by the song’s completely enticing rhythm and flavor. How can you not get lost in this? – Tara Seetharam






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400 Greatest Singles of the Nineties: #325-#301

July 14, 2010 Kevin John Coyne 12






The first quarter of the countdown comes to a close, highlighted by excellent comeback attempts by T. Graham Brown, Emmylou Harris, and Willie Nelson.

400 Greatest Singles of the Nineties: #325-#301

#325
He Would Be Sixteen
Michelle Wright
1992 | Peak: #31

Listen

Sometimes the choices that you make linger forever. Here, a woman in her thirties drives past a high school football game, and her mind wanders to the painful void left in her heart from the son she gave up for adoption. – Kevin Coyne

#324
It Matters to Me
Faith Hill
1995 | Peak: #1

Listen

Faith Hill’s sophomore album is a surprisingly deep set, filled with candid insights into different womens’ lives. The title track represents that spirit well, as a woman articulates the differences in her and her man’s relationship approaches with impressive precision. – Dan Milliken