Tag Archives: Dixie Chicks

CU10 Flashback: Carrie Underwood, Shania Twain and Gender in Country Music

Shania Twain Carrie UnderwoodIn 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable.

That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency.

It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the real issue at hand: country music’s staggering, frustrating gender bias. Six years and a truckload of interchangeable male artists later, it’s more imperative than ever that we continue this discussion.  – Tara Seetharam

Discussion: Carrie Underwood, Shania Twain and Gender in Country Music

by Kevin John Coyne

August 29, 2008

I fear this post won’t quite live up to its ambitious title, and I realize that I’m stirring the tempest pot a bit by putting those two artists in the same sentence. But the tone that surfaces whenever Carrie Underwood is discussed here is something that I find increasingly frustrating, so I’m going to talk about it. Hopefully, I’ll get a meaningful conversation going along the way.

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Filed under Alison Krauss, CU10, Discussion, Flashback, Miranda Lambert, Women of Country on Women in Country

Hall Worthy: 2014 Edition

halloffamelogoEight years ago, we posted our second edition of Hall Worthy, a list of significant country music figures who we felt were most deserving of being in the Country Music Hall of Fame.

Since then, a lot has changed.  First and foremost, more than half of the list is now in the Hall of Fame (or, at least, headed there later this year.)  An additional entry, Wanda Jackson, is now in the Rock and Roll Hall of Fame.

A bigger change came in 2009, when new categories were introduced to ensure that two artist inductees would be represented from different eras:  The Modern Era (20-44 years of national prominence), and the Veterans Era (45+ years of national prominence.)  There are also three more categories that rotate, meaning one from each category gets in every third year:  Non-Performer, Songwriter, and Recording and/or Touring Musician.

Finally, since that list was published, our readership has grown tremendously and is incredibly well-versed on country music, past and present.  So in this new and now annual edition of Hall Worthy, we are going to run down the list of the most successful artists that are eligible but have yet to make it into the Hall of Fame, in the order of  “Hall Worthiness.”

The Modern Era:

alan-jackson

Alan Jackson

Scoring his first hit in 1990 with “Here in the Real World”, Alan Jackson is the most successful country artist that isn’t currently in the Hall of Fame.  His storied career has included 25 #1 hits and 49 visits to the top ten.  He’s won a slew of awards over the years, including many for his songwriting.  He is the most traditionalist of all of the nineties superstars, but has managed to stay relevant regardless of how pop the genre went over the past quarter century, selling more than forty million albums in the U.S. alone.   He should be the next inductee for the Modern Era.

Randy Travis

Randy Travis

The poster child for the new traditionalist movement was also the first true country music superstar to sell millions of records without any crossover airplay or rock press appeal.  Travis is the primary reason that Nashville turned away from pursuing pop airplay for more than a decade, realizing that there was more than enough money to be made by growing (and eventually saturating) the country market.  His debut album, Storms of Life, remains one of the greatest country albums of all-time, and songs like “Forever and Ever, Amen”, “On the Other Hand”, and “Three Wooden Crosses” were award-winning classics.

Judds02.jpg

The Judds

Put aside all of the tabloid drama and focus just on the music.  Those heavenly harmonies were reminiscent of the Carter Family, while Wynonna’s breathtaking vocals added a contemporary breadth and soulful twist to their pure country sound.  They were so commercially successful and critically acclaimed that the CMA had to change the rules of the Vocal Duo category so someone else could win Vocal Group.   Wynonna’s solo career following Naomi Judd’s retirement only further extended the legacy of this essential duo.

rickyskaggs

Ricky Skaggs

He’s often overlooked these days, as he’s made bluegrass his primary home.  But when he was a contemporary country star, he found a way to make bluegrass be contemporary country.  He was a central figure in making bluegrass music mainstream, making possible the future success of everyone from Alison Krauss & Union Station to the Dixie Chicks.   He’s managed to be both a pioneer of bluegrass music while also being a steadfast advocate for the bluegrass of old, and still scored eleven #1 country hits along the way and the CMA for Entertainer of the Year.  The Hall shouldn’t wait until he’s old enough for the Veterans Era.

patty_loveless

Patty Loveless

One of the few artists to successfully navigate both the eighties and the nineties on country radio, Patty Loveless is the most significant female artist of the Modern Era who is not yet inducted into the Hall of Fame.  Her acclaimed work for both MCA and Epic saw her develop from a singles artist with the good taste to cover Lucinda Williams, into an album artist that made critically acclaimed and surprisingly progressive traditional music.  Since fading from radio, she’s remained relevant with widely appreciated sets that delve deep into her mountain heritage, with her most recent set earning her a Grammy for Best Bluegrass Album.

Dwight Yoakam

Dwight Yoakam

Extraordinarily talented and unfailingly artistic, Dwight Yoakam remains one of the most significant country artists from the new traditionalist movement, though his traditionalism has always had a West Coast flair that was more Owens than Haggard.   Never that much of a radio favorite, Yoakam still managed to sell millions of records, being one of the few legitimate album artists of his time.   His most recent work, 3 Pears, made more year-end critics lists than any other country album in 2012.

trisha-yearwood1

Trisha Yearwood

The only artist on this list who could never be described as a traditionalist, Trisha Yearwood has earned her place in the Hall of Fame through making more consistently excellent music over a longer period of time than any of her contemporaries.   She’s sold a ton of records and had more than her fair share of radio hits and industry awards, but her ultimate legacy will be having the best set of pipes and the best taste in songs, a combination that many artists – female and male – have never managed to pull off nearly as well as Yearwood has over the years.  That’s what having the voice of a Ronstadt and the song sense of a Harris will do for you.

The Veterans Era:

Hank Williams Jr

Hank Williams, Jr.

By a wide margin, Hank Jr. is the most commercially successful artist of the Veterans Era who is not yet in the Hall of Fame.  His noxious public statements in recent years have reinforced a notion that he’s little more than a Southern rock caricature, but his legacy is greater than Monday Night Football and regional xenophobia. At his peak, he made some of the most significant country rock that’s ever been made, crafting himself a distinguished place in country music history that is wholly separate from his legendary father.  In fact, there’s a better chance right now that a bar in America is singing along with “Family Tradition” than anything from his daddy’s catalog.

Rich_Charlie_002_c_MOA.jpg

Charlie Rich

An artist who was always years ahead of his time, he had a remarkable run of commercial success in the seventies, a period where the times finally caught up to him for a brief spell.  His bluesy style was embraced by the pop scene for a time, with his hit “The Most Beautiful Girl” being one of those rare country hits that also topped the Hot 100.   A veteran of the Sun Records label that produced Hall of Famers like Johnny Cash and Elvis Presley, Rich made the transition to Nashville while always keeping one foot grounded back in Memphis.

Jerry Reed

Jerry Reed

He was one of the most iconic stars of his time, thanks to his witty novelty records, stunning guitar prowess, and extensive appearances on film.  His songwriting success arrived earlier than his recording stardom, but once he got rolling, he was scoring million-selling hits that ran up the country and the pop charts.  He’s one of the few legends left that were truly unique and distinctive personalities who haven’t yet been inducted into the Hall of Fame.

tanya-tucker

Tanya Tucker

She’s still three years away from eligibility in this category, with 2017 being the first year she can claim 45 years on the scene.  But while the competition is fierce for those Modern Era slots, Tucker should be voted in the first year she’s eligible as a veteran.  Her haunting, gothic early records are still revelatory, and in the years that followed, her gravely voice brought grit and soul to a long string of country hits.  She was able to remain a force to be reckoned with in the first half of the nineties, a remarkable holdover from the early seventies in an era that had wiped away even the stars of the late eighties to make room for the next big things.

Jim Ed Brown

Jim Ed Brown

Another legend that remained relevant over many different eras of country music, Jim Ed Brown’s immortality on record had already been guaranteed in 1959, when his family group the Browns recorded “The Three Bells.”  That classic hit topped the country and pop charts for many weeks, and the Browns kept going through most of the sixties, joining the cast of the Grand Ole Opry a few years before disbanding.  Brown went on to a successful solo career with classics like “Pop a Top” and “Morning” reaching the top five.  Then he teamed with Helen Cornelius and had his biggest hits since his days with the Browns, most notably “I Don’t Want to Have to Marry You.”  At age eighty, he remains a force on the Opry and as a radio host, making him one of the longest-running personalities that the genre has ever seen.

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Filed under Country Music Hall of Fame, Miscellaneous Musings

Single Review: Nickel Creek, “Destination”

Nickel Creek DestinationUnless the Dixie Chicks suddenly decide to put out some new music, Nickel Creek just nailed down the title for most exciting reunion of the year.  In February.

The progressive bluegrass sound that Nickel Creek pioneered more than a decade ago has surfaced all over mainstream music in recent years, with everyone from Mumford & Sons to the Civil Wars walking through the doors they flew open with their innovative musicianship.   So the coolest thing about “Destination” is that they’re not picking up where they left off.  Rather, this is what one could imagine Nickel Creek doing once everybody else caught up to what they used to be doing: moving on, and pushing forward with fresh new sounds.

“Destination” is the most alive record I’ve heard so far this year. There’s a rush of energy that was always present in their live act, as opposed to their more measured sound on record.   Enjoy it now.  You’re going to be sick of hearing records that sound like this by artists not quite as good for the next few years, where the songwriting won’t be as sharp, the harmonies won’t be as haunting, and the mandolin won’t be as proudly prominent.

The real thing is back.  Accept no substitutes.

Grade: A

 

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Single Review: Lady Antebellum, “Compass”

Lady Antebellum CompassA lot of country music lovers want to claim Mumford & Sons and Philip Phillips as their own.

There’s a joy, a rootsiness, and killer musicianship in the best records of those acts, despite them not being what we’d traditionally consider country artists.   Lady Antebellum has never had much connection to what’s historically been considered country music, either.   So it’s not entirely surprising that their path from pure, glossy pop to a more grounded, earthy sound, still takes its cues from the top forty music scene.

I give them credit for stretching themselves a bit on “Compass”, though you can certainly hear the strain it’s taking for them to do so.  Their approach to harmonization doesn’t quite fit with the sound of the record.  To use the Dixie Chicks as an illustration, they’re using Taking the Long Way harmonies against a Home musical backdrop.

They need to go back and study the three-part harmonies on the latter album if they want to continue in this direction.  It’s too much of a hodgepodge right now to work.

Written by Mikkel Eriksen, Ross Golan, Emile Haynie, Tor Erik Hemransen, Ammar Malik, and Daniel Omelio

Grade: C


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Country Universe’s Best Albums of 2013, Part Two: #20-#1

2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year.  Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.

Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.

Charlie Worsham Rubberband

#20
Rubberband
Charlie Worsham

Individual rankings:  #7 – Tara; #12 – Leeann

Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. - Tara Seetharam

Recommended Tracks:  “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”

Patty Griffin Silver Bell

#19
Silver Bell
Patty Griffin

Individual rankings:  #5 – Kevin; #13 – Jonathan

It was a banner year for Patty Griffin fans, as two new studio albums were released.  Silver Bell is the oddity of the two, in that it was recorded thirteen years ago and languished in the vaults (and on cherished bootlegs.)  For those who have discovered Griffin during her past few years as an Americana goddess, Silver Bell was her final attempt at a mainstream album for A&M Records, and it is fantastic.  She finds a happy medium  between the rawness of her debut album, Living with Ghosts, and the hard edge of its follow-up, Flaming Red.  Two of the best tracks, “Truth #2″ and “Top of the World”, would become two of the best tracks on Home, the landmark Dixie Chicks album from 2002.  Emmylou Harris joins in on harmony for “Truth”, but the true revelation is the original recording of  “World”, which is darker and more haunting than the excellent renditions that the Chicks, and Griffin herself, would later record. - Kevin Coyne

Recommended Tracks:  “Top of the World”, “One More Girl”, “Mother of God”

Son Volt Honky Tonk

#18
Honky Tonk
Son Volt

Individual rankings:  #4 -Sam; #18 – Jonathan

As one of the defining bands of alt-country, Son Volt have rarely taken a straightforward approach to the country genre, but they go full-on Bakersfield on Honky Tonk. It’s a move that suits the band well, as the laid-back arrangements on tracks like “Tears of Change” and “Hearts and Minds” balance frontman Jay Farrar’s trademark intensity. - Jonathan Keefe

Recommended Tracks: “Hearts and Minds,” “Bakersfield,” “Seawall”

The Steeldrivers Hammer Down

#17
Hammer Down
The SteelDrivers

Individual rankings:  #12 – Ben; #15 – Tara, Sam; #20 – Jonathan

In many instances, the replacement of a lead vocalist has spelled disaster for a band’s career. In the case of the SteelDrivers, it’s the beginning of a whole new chapter as Gary Nichols ably fills the shoes of the departed Chris Stapleton. But great singers and great pickers still need great songs, and from the haunting opener “Shallow Grave” to the piercing melody of album closer “When I’m Gone,” Hammer Down sets a consistent standard that never wavers. - Ben Foster

Recommended Tracks:  “Hard Way Home,” “Keep Your Heart Young,” “Heart’s Content”

Guy Clark My Favorite Picture of You

#16
My Favorite Picture of You
Guy Clark

Individual rankings:  #3 – Ben; #10 – Leeann

Guy Clark has already secured his place in country music history – not to mention a place in the Nashville Songwriter’s Hall of Fame – but on his first new studio effort since 2009, the songwriting icon is still finding ways to keep things fresh. On My Favorite Picture of You, Guy Clark addresses current events (“Heroes,” “El Coyote”) as well as personal loss (the achingly gorgeous title track, a tribute his late wife Susanna), his absorbing lyrics delivered through a wise and weathered voice which feels like that of an old friend. - Ben Foster

Recommended Tracks: “My Favorite Picture of You,” “El Coyote,” “Heroes”

Holly Williams The Highway

#15
The Highway

Holly Williams

Individual rankings: #3 – Tara; #7 – Leeann

Producer Charlie Peacock treads a dangerous line on The Highway, with arrangements so sparse they’d easily deflate a lesser artist’s work. But he and Williams work exceptionally well together on her third album, leaning on her character-filled voice to fill in the spacious canvas. The album’s themes are heavy and often morose, but Williams doesn’t weigh them down; instead, she approaches them with weathered sensibleness, using only the ragged edges of her voice to convey the underlying drama. As for that family of hers, if there’s a role for them on The Highway, it’s only to help sketch out the small, poignant details of her characters’ stories, like in the vivid history of her maternal grandparents’ eternal love in “Waiting on June.”  - Tara Seetharam

Recommended Tracks:  “Drinkin’,” “The Highway,” “’Til It Runs Dry,” “Waiting on June”

 Pistol Annies Annie Up

#14
Annie Up
Pistol Annies

Individual rankings:  #9 – Tara, Sam; #15 – Ben; #19 – Kevin

It was unlikely that the Pistol Annies would match their self-titled debut, a bullet of an album that flew in the face of everything manicured, polite and conventional in 2011. Their sophomore album, then, is a little less of a shock, but just as much of a raucous hoot. The ladies are still challenging societal norms (“Being Pretty Ain’t Easy”), lamenting and –surprisingly often– conceding to small-town marital discord (“Unhappily Married”), and, of course, dancing with their demons (“I Feel A Sin Coming On”). The breadth of their combined talent and mission is almost uncontainable, so misfires are expected (“Girls Like Us”); in the end, though, the album cements the trio’s place as the genre’s bravest truth-spitting chicks.  - Tara Seetharam

Recommended Tracks:  “I Feel A Sin Coming On,” “Being Pretty Ain’t Pretty,” “Unhappily Married,” “Dear Sobriety”

 Sturgill Simpson High Top Mountain

#13
High Top Mountain
Sturgill Simpson

Individual rankings:  #1 – Jonathan; #2 – Sam

Far too often, traditional-minded country acts fetishize the genre’s past and end up sounding like mimics of great artists, rather than becoming great artists in their own right. Sturgill Simpson, an acolyte of Waylon Jennings’ outlaw period, adopts a too-country-for-country throwback style on his debut, High Top Mountain. But the deceptively shrewd perspective that informs “Railroad of Sin,” “Water in a Well,” and “Old King Coal” is modern through and through, making Simpson one of country’s most exciting new voices. - Jonathan Keefe

Recommended Tracks:  “Railroad of Sin,” “Hero,” “You Can Have the Crown,” “Life Ain’t Fair and the World is Mean”

Patty Griffin American Kid

#12
American Kid
Patty Griffin

Individual rankings:  #10 – Jonathan; #12 – Kevin; #13 – Leeann; #18 – Tara; #20 – Ben

Not only is Patty Griffin a very deservedly respected songwriter of intelligent and often gut wrenching songs, she has what many sing-songwriter types don’t have–a sublime voice that pierces right through one’s heart and soul. Join those elements together and it’s no wonder that her first album of original songs since 2007 is at least as good as anyone would dare to hope it would be.

From the sweet cover of “Mom and Dad’s Waltz” to the powerful “Not a Bad Man”, Griffin’s album is a collection of masterful and intelligent songs that will make you think and want to think some more. - Leeann Ward

Recommended Tracks: “Mom and Dad’s Waltz”, “Irish Boy”, “Not a Bad Man”

Music Review Alan Jackson

#11
The Bluegrass Album

Alan Jackson

Individual rankings:  #7 – Kevin, Dan; #9 – Ben; #11 – Tara; #20 – Leeann

Once again, Alan Jackson sets out to do a vanity project and it ends up as good as his best mainstream work ever was.  His foray into bluegrass yields wonderful results, both in the form of compelling new material (“Blue Ridge Mountain Song”, “Mary”, “Blue Side of Heaven”) and well-chosen covers (“Wild and Blue”, “Blue Moon of Kentucky.”)  Like Dolly Parton and Merle Haggard before him, Jackson’s crossover from country to bluegrass shows just how little distance there is between the two, at least when the country artist in question has deep roots in the first place.  - Kevin Coyne

Recommended Tracks:  “Blue Ridge Mountain Song”, “Knew All Along”, “Mary”

The Mavericks

#10
In Time
The Mavericks

Individual rankings:  #1 – Sam; #10 – Tara, Ben; #18 – Kevin, Leeann

The Mavericks reunion may have been one of the more unexpected comebacks in recent country music history, but it should have come as no surprise that In Time was as excellent as it was. “That’s Not My Name” showed their classic country influences, but tunes like “Lies” and “Come Unto Me” blended in some rock, soul and Latin feel too. “Come Unto Me,” with its horn section and Raul Malo’s searing vocals, was the sexiest song in country music in 2013. - Sam Gazdziak

Recommended Tracks: “Come Unto Me”, “Lies”, “That’s Not My Name”

Billie Joe + Norah Foreverly

#9
Foreverly
Billie Joe + Norah

Individual rankings: #4 – Kevin, #5 – Leeann, #6 – Dan; #13 – Tara; #14 – Jonathan

Another quirky Norah Jones project, eh? Sounds about right; guess it’s been about six months since the last one. Oh, she got the guy from Green Day in on it? Well, that’s…huh. What? They’re covering an Everly Brothers album of traditional country and folk songs from the 50’s? They’re just, like, taking time out of their busy schedules to lovingly coo through a bunch of covers of the Everly Brothers’ covers, perhaps to help pass on the Everlys’ important legacy to younger generations, or perhaps just because they’re fans and love music and know Starbucks will sell it regardless? Who do these recording artists think they are — artists? - Dan Milliken

Recommended Tracks:  “Long Time Gone”, “I’m Here to Get My Baby Out of Jail”, “Kentucky”

Vince Gill and Paul Franklin Bakersfield

#8
Bakersfield
Vince Gill and Paul Franklin

Individual rankings:  #4 – Leeann; #5 – Ben, Jonathan; #6 – Tara; #16 – Kevin

It may not be typical for a steel guitarist to receive top billing alongside a legend of Vince Gill’s caliber, but it’s certainly warranted in this case as the comforting whine of Paul Franklin’s pedal steel proves the perfect match for Gill’s distinctive tenor. It’s a delightful musical history lesson as the two lovingly cover ten beloved Owen and Haggard classics. Their takes are neither stale recreations nor scattershot attempts at modernizing and reinventing – rather, Bakersfield feels like a simple, unaffectedly sincere love letter to a unique and important era of country music. - Ben Foster

Recommended Tracks:  “Together Again,” “I Can’t Be Myself,” “Nobody’s Fool But Yours,” “Holding Things Together”

Emmylou Harris Rodney Crowell Old Yellow Moon

#7
Old Yellow Moon
Emmylou Harris and Rodney Crowell

Individual rankings:  #2 – Leeann; #6 – Kevin, Ben; #14 – Sam; #15 – Jonathan; #17 – Tara

The ease and friendship between Emmylou Harris and Rodney Crowell is undeniably palpable on their first full duets album, which is a huge part of what makes this project a blow out success. While the songs are mainly covers of their own songs, as in the sprightly “Bluebird Wine”, the new interpretations are fresh and feel like brand new songs, as is also the case with the covers of other people’s work, as proven by the sublime “Dreaming My Dreams.”

From the jaunty opener of “Hanging Up My Heart” to the gorgeous closer of the title track and all points in between, the entirety of Old Yellow Moon is a masterful collaboration between two brilliantly talented old friends.  - Leeann Ward

Recommended Tracks:  “Hanging Up My Heart”, “Dreaming My Dreams”, “Bluebird Wine”, “Here We Are”

kelly-willis-bruce-robison-cheaters-game

#6
Cheater’s Game
Kelly Willis and Bruce Robison

Individual rankings:  #5 – Dan; #9 – Leeann, Jonathan; #10 – Sam; #14 – Kevin, Tara; #17 – Ben

The first duets album by the Tim & Faith of Texas country lands, and the world immediately becomes a slightly better place. It’s an LP filled with smart Robison writing, golden Willis drawl, and enviable marital cuteness. True love is out there, guys. Listen to “Dreamin'” and sigh along with me. - Dan Milliken

Recommended Tracks:  “Cheater’s Game”, “Waterfall”, “Dreamin'”

Jason Isbell Southeastern

#5
Southeastern
Jason Isbell

Individual rankings:  #2 – Kevin, Jonathan; #3 – Sam; #5 – Tara; #8 – Dan

The best thing about Jason Isbell’s richly drawn stories from the underbelly of America is that he manages to humanize some quite despicable people without trying to make them likable at the same time.  There are very few anti-heroes to be found here.  Their stories are compelling, but you still root for the good guys and gals, and it’s rarely Isbell that is singing in their voice, preferring the challenge of bringing the often loathsome to life.

Which isn’t to say that’s the only role he plays, as there are hints of redemption in some of the best numbers.  The man haunted by the “Songs that She Sang in the Shower” might just treat the next one right, and there is nobody I enjoyed getting to know better this year than Andy in “Elephant”, a barroom louse who didn’t stick around when the girl was at her best, but is now by her side as she’s dying of cancer, singing her classic country songs and sweeping her hair up off the floor after putting her to bed.  – Kevin Coyne

Recommended Tracks:  “Elephant”, “Songs that She Sang in the Shower”, “Live Oak”

Kacey Musgraves Same Trailer Different Park

#4
Same Trailer Different Park
Kacey Musgraves

Individual rankings:  #3 – Dan; #4 – Ben; #6 – Sam; #8 – Leeann, Tara; #10 -Kevin

Kacey Musgraves set some mighty high expectations for herself to live up to with the universally acclaimed dark horse hit “Merry Go ‘Round,” but her major label debut release delivers in full. Same Trailer Different Park announces the arrival of one of country music’s most distinct and potent new voices, marked by keen-eyed observation, maturity beyond her years, and a refreshing willingness to tell it like it is.

The dawning optimism of “Silver Living” and “Step Off” is made all the more meaningful by the fact that Musgraves never shies away from themes of heartache, despondence, and frustration. But even the bitterest moments are sweetened by accessible melodies, comforting arrangements, and a down-to-earth vocal style.

In a genre that has long prided itself on being “real,” Musgraves has become one of a precious few mainstream artists to actually live up to that ideal, and by so doing has laid bare just how contrived the format has become. The fact that Same Trailer Different Park found the mainstream audience it richly deserved feels like an answered prayer. Don’t blow this now, country radio.- Ben Foster

Recommended Tracks: “Merry Go ‘Round,” “Keep it to Yourself,” “Follow Your Arrow,” “It Is What It Is”

Ashley Monroe Like a Rose

#3
Like a Rose
Ashley Monroe

Individual rankings:  #3 – Jonathan; #4 – Tara; #6 – Leeann; #8 – Ben; #9 – Kevin, Dan; #13 – Sam

A beautifully drawn character sketch, Like a Rose showcases Ashley Monroe’s gift for using authentic first-person detail to give depth to her distinctive, unconventional narratives. The persona Monroe projects over the course of the album’s brief song cycle is one of a young woman who has been scarred by the events in her past but who uses those scars as the jumping-off point for compelling stories rather than letting them define who she is or who she aspires to be. - Jonathan Keefe

Recommended Tracks:  “Like a Rose,” “Two Weeks Late,” “Used,” “The Morning After”

LeAnn Rimes Spitfire

#2
Spitfire
LeAnn Rimes

Individual rankings:  #1 – Tara; #2 – Dan, Ben; #3 – Leeann; #8 – Kevin, Jonathan

Rimes subtitled Spitfire as the “truth in no particular order,” an apt description for an album whose truth shines like a prism, flashing different, nuanced colors at us with each twist and turn. If Spitfire is meant to narrate Rimes’ messy history –her “truth” as so many have come to define her by–, it succeeds; but, the gifted artist that she’s become, Rimes knows that truth is more than intentions and events and aftermath. It’s in the intimate honesty that spills out from the smallest corners of thought, whether from places of regret or passion, shame or fearlessness, or in those boundless grey areas in between. Spitfire has it all, packaged in the most colorful, intriguing performances of the year.  - Tara Seetharam

Recommended Tracks: “Borrowed,” “I Do Now,” “Who We Really Are,” “What Have I Done””

Brandy Clark 12 Stories

#1
12 Stories
Brandy Clark

Individual rankings:  #1 – Kevin, Leeann, Dan, Ben; #2 – Tara; #4 – Jonathan; #5 – Sam

Brandy Clark’s 12 Stories was shopped around to several record labels, but none of them would commit to taking on the album, even the ones that admitted that it was the best album they’d heard in years.

Since it’s impossible to reasonably imagine why label executives who loved the album wouldn’t jump at the chance to put Clark on their roster, perhaps they assumed that the album was just too smart and good for the mainstream music scene they put their dollars behind. While this is certainly a simple, and maybe even naive, view of things, other explanations simply evade me. Fortunately, however, somebody did believe in Brandy Clark’s music and the album was organically promoted as an independent release.

Even after listening to the album at least a zillion times since first receiving a promo copy well before its official release, it is a challenge to find the proper words to appropriately describe this nearly perfect debut album. Clark’s sharp, clear eyed songs are supported by crisp and satisfying productions and solid, warm vocals. Without judgment, but with intelligence, she observes and explores the tougher parts of life such as unfaithfulness, divorce and various forms of mental anguish; all the while keeping the album accessible.

As much as can and should be written about this album, the most direct thing to be said is that this was the clear favorite of the very diverse Country Universe staff, with most of us selecting it as our Number One album and none of us ranking it below number five.  The rest of this list shows how far apart we often are on tastes; Brandy Clark is one artist we can all get behind.   - Leeann Ward

Recommended Tracks:  “Pray to Jesus”, “What’ll Keep Me Out of Heaven”, “Take a Little Pill”, “Hungover”

Country Universe’s Best of 2013:

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Filed under Best of 2013

2014 Grammy Nominees

The nominations for the 56th Annual Grammy Awards have been announced.   Taylor Swift has the top nomination connected to country music, earning her second nomination for Album of the Year.  She took home the award four years ago for Fearless.

Here are the general category nominees, along with all country and country-related categories:

Taylor Swift RedAlbum of the Year

  • Sara Bareilles, The Blessed Unrest
  • Daft Punk, Random Access Memories
  • Kendrick Lamar, good kid m.A.A.d. city
  • Macklemore & Ryan Lewis, The Heist
  • Taylor Swift, Red

If Taylor Swift wins, she will be the first country-related artist in history to win the category twice with individual projects. Alison Krauss also has two victories, one for her collaboration with Robert Plant (Raising Sand, 2009), and another for her contributions to the O Brother Where Art Thou soundtrack (2002.)  The award has only been won by country artists in two other years: Glen Campbell for By the Time I Get to Phoenix (1968), and the Dixie Chicks for Taking the Long Way (2007).

daft-punk-get-lucky-612x612Record of the Year

  • “Blurred Lines” – Robin Thicke featuring T.I. and Pharrell Williams
  • “Get Lucky” – Daft Punk featuring Pharrell Williams
  • “Locked Out of Heaven” – Bruno Mars
  • “Radioactive” – Imagine Dragons
  • “Royals” – Lorde

For the third time in the last eight years, no country or country-related records make the cut. Only four country-related winners have triumphed in this category, but three of them have been in the last few years. Olivia Newton-John won for “I Honestly Love You” in 1975, followed much later by the Dixie Chicks for “Not Ready to Make Nice” in 2006; Robert Plant & Alison Krauss for “Please Read the Letter” in 2009; and Lady Antebellum for “Need You Now” in 2011.

Pink Nate Reuss Just Give me a ReasonSong of the Year

  • “Just Give Me a Reason”  – Jeff Bhasker, P!nk, and Nate Reuss
  • “Locked out of Heaven” – Phillip Lawrence, Ari Levine, and Bruno Mars
  • “Roar” – Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry, and Henry Walter
  • “Royals” – Joel Little and Lorde
  • “Same Love” – Ben Haggerty, Mary Lambert, Ryan Lewis, and Curtis Mayfield

For the third straight year, country is shut out of the top songwriting category, a streak that began after the writers of Lady Antebellum’s “Need You Now” won in 2011.

Kacey-Musgraves-Same-Trailer-Different-ParkBest New Artist

  • James Blake
  • Kendrick Lamar
  • Macklemore & Ryan Lewis
  • Kacey Musgraves
  • Ed Sheeran

Kacey Musgraves is the latest new artist to represent country music in this category, which has become a nearly annual occurrence since LeAnn Rimes was nominated and won back in 1997.  Previous country winners also include Bobbie Gentry (1968), Carrie Underwood (2007) and Zac Brown Band (2010).

Tim_McGraw_Two_Lanes_of_FreedomBest Country Album

  • Jason Aldean, Night Train
  • Tim McGraw, Two Lanes of Freedom
  • Kacey Musgraves, Same Trailer Different Park
  • Blake Shelton, Based on a True Story
  • Taylor Swift, Red

Despite the presence of four big, established stars, only Taylor Swift has actually earned a victory in this category.  She won in 2010 for Fearless.  She contended again in 2012 with Speak Now, which lost to repeating victors Lady Antebellum, who won two years in a row for Need You Now (2011) and Own the Night (2012).   Kacey Musgraves earns a nomination for her debut album, the first artist do so since 2005, when Gretchen Wilson contended with Here For the Party.

darius wagon wheelBest Country Solo Performance

  • Lee Brice, “I Drive Your Truck”
  • Hunter Hayes, “I Want Crazy”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Darius Rucker, “Wagon Wheel”
  • Blake Shelton, “Mine Would Be You”

Since this category combined the solo categories into one, this award has been one by Taylor Swift (“Mean”) and Carrie Underwood (“Blown Away.”)  Lambert is the only previous winner in a predecessor of this category.

Kenny Rogers Dolly Parton Old FriendsBest Country Duo/Group Performance

  • The Civil Wars, “From This Valley”
  • Kelly Clarkson featuring Vince Gill, “Don’t Rush”
  • Little Big Town, “Your Side of the Bed”
  • Tim McGraw with Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Kenny Rogers and Dolly Parton, “You Can’t Make Old Friends”

There’s really only one hit here, but there are plenty of former Grammy winners scattered among this category.  In case you’re wondering, the answer is no, they didn’t win a Grammy for “Islands in the Stream.”

MirandaMamasBrokenHeartBest Country Song

  • “Begin Again” – Taylor Swift
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, and Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, and Kacey Musgraves
  • “Merry Go ‘Round” – Shane McAnally, Kacey Musgraves, and Josh Osborne
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington and Deric Ruttan

It’s not too common for people to receive double nominations, but here there are four songwriters competing against themselves: Jessi Alexander, Connie Harrington, Shane McAnally, and Kacey Musgraves.

Sarah Jarosz Build Me Up From BonesBest American Roots Song

  • “Build Me Up From Bones” – Sarah Jarosz
  • “Invisible” – Steve Earle
  • “Keep Your Dirty Lights On” – Tim O’Brien and Darrell Scott
  • “Love Has Come From You” – Edie Brickell and Steve Martin
  • “Shrimp Po-Boy, Dressed” – Allen Touissant

This category is brand new this year, encompassing songs from all of the subcategories in the American Roots field: Americana, bluegrass, blues, folk, and regional roots music.

Emmylou Harris & Rodney Crowell Old Yellow MoonBest Americana Album

  • Emmylou Harris and Rodney Crowell, Old Yellow Moon
  • Steve Martin and Edie Brickell, Love Has Come For You
  • Buddy Miller and Jim Lauderdale, Buddy and Jim
  • Mavis Staples, One True Vine
  • Allen Touissant, Songbook

Collaborations dominate this category, which is populated with many previous Grammy winners.  Emmylou Harris won this award twice, back when it was called Best Contemporary Folk Album.

James King Three Chords and the TruthBest Bluegrass Album

  • The Boxcars, It’s Just a Road
  • Dailey & Vincent, Brothers of the Highway
  • Della Mae, This World Oft Can Be
  • James King, Three Chords and the Truth
  • Del McCoury Band, The Streets of Baltimore

Del McCoury Band are the only returning victors in this category, winning back in 2006 for The Company We Keep.   Perhaps because of the broad voter base, this category has been dominated by acts with explicit ties to country music, including multiple wins by Ricky Skaggs, Jim Lauderdale, and Alison Krauss & Union Station, and one-off victories by Patty Loveless and Dolly Parton.  This year is the second in a row without crossover contenders; last year’s winner was the Steep Canyon Rangers for Nobody Knows You.

The Greencards Sweetheart of the SunBest Folk Album

  • Guy Clark, My Favorite Picture of You
  • The Greencards, Sweetheart of the Sun
  • Sarah Jarosz, Build Me Up From Bones
  • The Milk Carton Kids, The Ash & Clay
  • Various Artists, They all Played for Us: Arhoolie Records 50th Anniversary Celebration

A tribute to Guy Clark earned a nomination in this category last year, and now Clark himself is in contention for the prize.  None of the acts in contention have won in the folk fields before.

Also of note, the Pistol Annies set Annie Up earned nominations for engineer Chuck Ainlay and mastering engineer Bob Ludwig in the Best Engineered Album, Non-Classical category.  It competes against Daft Punk, another album mastered by Ludwig, along with sets by Alice in Chains, Queens of the Stone Age, Andrew Duhon, and Madeline Payroux.

 

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Filed under Grammys

CMA Awards: Entertainer of the Year (1967-2013)

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year.   Originally a revolving door of winners, the winner in early years was often not even nominated the following year.  In 1981, Barbara Mandrell became the first artist to win the award twice.   Alabama succeeded her with a three year run from 1982-1984.   Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

Eddy Arnold1967

  • Bill Anderson
  • Eddy Arnold
  • Merle Haggard
  • Sonny James
  • Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.”  He remains the only member of the Hall of Fame to win this award after being inducted.

Glen Campbell1968

  • Eddy Arnold
  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Charley Pride

Glen Campbell was a big awards favorite in 1968, with “By the Time I Get to Phoenix” and “Gentle On My Mind” both dominating the Grammy awards earlier that year.   His win in this category foreshadowed bigger things, as he soon became a network variety star, while also scoring major country and pop hits with “Wichita Lineman” and “Galveston.”

 johnny-cash1969

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Johnny Cash’s career was rejuvenated on the strength of two live prison albums, the latter of which produced the massive Shel Silverstein-penned smash, “A Boy Named Sue.”   His victory came in a year that marked the beginning of his network variety show and had him dominating the country singles charts, spending ten combined weeks at #1 with “Sue” and “Daddy Sang Bass.”

Merle Haggard1970

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Merle Haggard was a mainstay in this category from the beginning, nominated in each of the first seven years of the CMA Awards.  His victory in 1970 coincided with his commercial peak, with signature hits “The Fightin’ Side of Me” and “Okie From Muskogee” helping him secure his only win in this category.

Charley Pride1971

  • Merle Haggard
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed
  • Conway Twitty

The last of four consecutive years where the Male Vocalist winner matched the Entertainer winner, Charley Pride went home with both awards in 1971.   A winner on his fourth nomination, his popularity skyrocketed upon the release of “Kiss an Angel Good Morning,” which was climbing the charts at the time of the awards ceremony.

Loretta Lynn1972

  • Merle Haggard
  • Freddie Hart
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed

Instead of attending the awards show, Loretta Lynn’s husband Mooney went hunting.  He didn’t want to watch her lose, but he missed watching history unfold as she became the first woman to win Entertainer of the Year.  Lynn’s victory came on the heels of both solo hits like “One’s on the Way” and her popular duets with Conway Twitty.

Roy Clark1973

  • Roy Clark
  • Merle Haggard
  • Tom T. Hall
  • Loretta Lynn
  • Charley Pride

Today he’s best known for Hee Haw, the country music variety show that he co-hosted, and it’s no coincidence that he won while the show was in its prime. Still, Clark is also one of country’s most admired legends, and his legacy goes far beyond the television show that showcased his extensive musical and comedic talents.

Rich_Charlie_002_c_MOA.jpg1974

  • Roy Clark
  • Mac Davis
  • Loretta Lynn
  • Olivia Newton-John
  • Charlie Rich

The massive success of “The Most Beautiful Girl” and “Behind Closed Doors” helped Charlie Rich win this award.  It was a long time coming, as Rich toiled in obscurity despite critical acclaim for his work.   He would continue to score big hits on the country and pop charts over the next couple of years, at one point charting hits on different labels at the same time.

John Denver1975

  • John Denver
  • Waylon Jennings
  • Loretta Lynn
  • Ronnie Milsap
  • Conway Twitty

John Denver’s victory in this race led to the most infamous moment in CMA history. Though he claimed it was due to medication later on, presenter Charlie Rich seemed to be making a furious statement against the pop crossover artists dominating country music when he opened the envelope, read it, and then lit a cigarette lighter and burned the envelope. The paper went up in flames as he derisively snarled the winner’s name, “My friend, Mister John Denver.” Poor John, accepting via satellite, was clueless to what was going on at the Opry house, and graciously accepted his award.

Mel Tillis1976

  • Waylon Jennings
  • Ronnie Milsap
  • Willie Nelson
  • Dolly Parton
  • Mel Tillis

This 2007 Hall of Fame inductee won this award just as he was changing labels.  Tillis first gained notoriety for his remarkable songwriting talent, but eventually he was scoring enough hits to earn a place in this category. He would go on to have several more big hits after winning this award, earning another nomination in this category two years later.

Ronnie Milsap1977

  • Merle Haggard
  • Waylon Jennings
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers

Ronnie Milsap dominated the CMA Awards, becoming one of its most frequently honored performers during the formative years of the awards show.  He finally won the big prize on his third try, powered by the success of his classic hit, “It was Almost like a Song.”

Dolly Parton1978

  • Crystal Gayle
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers
  • Mel Tillis

Her famous quote – “I’m not leaving country. I’m taking it with me” – must have held some water with the Nashville establishment, as Parton won this award at the height of her pop crossover success with “Here You Come Again,” the title track of her first platinum album.  The front of her dress popped open before she went up to receive the trophy, prompting her to quip, “That’s what I get for trying to put fifty pounds of mud in a five pound bag.”

Willie Nelson1979

  • Crystal Gayle
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers
  • Statler Brothers

He never won Male Vocalist of the Year, but superstar Willie Nelson was given his due by the CMA in 1979 when they awarded him Entertainer of the Year.   While it wasn’t his biggest year on the charts, residual goodwill from Stardust and his collaborations with Waylon Jennings helped carry him to victory.

Barbara Mandrell 21980

  • Charlie Daniels Band
  • Larry Gatlin & The Gatlin Brothers
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers

She had a few big hits in 1980, like “Crackers” and “The Best of Strangers.”  But it was her incredibly popular variety show with sisters Louise and Irlene that truly showcased her versatility as an entertainer, securing the first of two wins in this category.

Barbara Mandrell 11981

  • Alabama
  • George Jones
  • Barbara Mandrell
  • Oak Ridge Boys
  • Kenny Rogers

Despite sharing the category with four artists who had never won this award, Barbara Mandrell became the first artist in CMA history to win Entertainer of the Year for the second time.  Credit the continued popularity of her television show and the biggest hit of her career, “I Was Country When Country Wasn’t Cool”,  which featured a guest turn by fellow nominee George Jones.

Alabama 21982

  • Alabama
  • Barbara Mandrell
  • Willie Nelson
  • Oak Ridge Boys
  • Ricky Skaggs

The band that laid the groundwork for all other country bands that followed, Alabama set a new bar for commercial success in the early eighties.   The eligibility period included the release of their biggest-selling studio album, and also two of their signature hits: “Mountain Music” and “Love in the First Degree.”

Alabama 31983

  • Alabama
  • Merle Haggard
  • Barbara Mandrell
  • Willie Nelson
  • Ricky Skaggs

As their studio albums sold in the millions, every single Alabama released to radio was hitting #1, a stretch that would eventually include 21 consecutive chart-toppers.  They repeated in this category on the strength of hits like “Dixieland Delight” and “The Closer You Get.”

Alabama 11984

  • Alabama
  • Lee Greenwood
  • Barbara Mandrell
  • Ronnie Milsap
  • Oak Ridge Boys

A mere three years after Barbara Mandrell made history by being the first artist to win two Entertainer awards, Alabama went her one better and won three. They remain one of only two acts to win this award three years in a row, doing so as their hits “Roll On (Eighteen Wheeler)” and “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” dominated the airwaves.

1Ricky Skaggs985

  • Alabama
  • Lee Greenwood
  • Reba McEntire
  • Ricky Skaggs
  • George Strait

Few country artists command as much respect as Ricky Skaggs, a consummate singer and musician. Skaggs’ victory in this category signaled the resurgence of traditional country music, as he was the first winner since 1976 to not have achieved crossover hits on pop radio.

Reba McEntire1986

  • The Judds
  • Reba McEntire
  • Willie Nelson
  • Ricky Skaggs
  • George Strait

One of the most popular new traditionalists of the mid-eighties, McEntire achieved her commercial breakthrough with “Whoever’s in New England”, which was aided in popularity by her first of many high-concept music video clips.  McEntire would eventually become the most nominated woman in history, scoring ten nominations over eleven years.

Hank Williams Jr 11987

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

When Hank Williams, Jr. won the Music Video award the previous year, he reminded voters, “I make audio, too.”  They finally got around to acknowledging his meaningful contributions to the genre,  awarding him the first of two Entertainer trophies in 1987.

Hank Williams Jr 21988

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Hank Jr. may have waited a long time for some CMA love, but once it came, it was in droves. He won Album of the Year the same night he repeated in this category.  His biggest hit of the year, “Young Country”, featured guest appearances by up and comers like Highway 101 and Marty Stuart.

George Strait 11989

  • Reba McEntire
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Three years after his most recent Male Vocalist trophy, megastar George Strait was named Entertainer of the Year. He would go on to have one of his biggest years at radio, with two multi-week #1 singles in the twelve months that followed his victory.

George Strait 21990

  • Clint Black
  • Kathy Mattea
  • Ricky Van Shelton
  • George Strait
  • Randy Travis

While Randy Travis dominated the Male Vocalist race, George Strait was given his due again in the Entertainer category.   He wore an Entertainer of the Year cowboy belt on the cover of Livin’ it Up, perhaps giving him good luck toward his second victory.  He remains the most nominated in this category, and is only the second Hall of Famer to receive a nomination after being inducted into the Hall.

Garth Brooks 19911991

  • Clint Black
  • Garth Brooks
  • Vince Gill
  • Reba McEntire
  • George Strait

A mere year after winning the Horizon award, Garth Brooks was the Entertainer of the Year at the CMA Awards. He was breaking every sales record in the book by that point.  Shortly before the ceremony, he became the first country artist to enter the overall album chart at #1, leading to a media frenzy that gained unprecedented exposure for both Garth and the genre he represented.

Garth Brooks 21992

  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire
  • Travis Tritt

Given that he was already the biggest-selling country artist the world had ever seen, it was no surprise that Garth Brooks won his second Entertainer of the Year trophy in 1992.  His continued popularity was fueled by sold out live shows that soon led to network specials showcasing his unique brand of arena country.

Vince Gill 11993

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

Vince Gill capped off an amazing night at the 1993 CMA Awards with his first victory in this category. It was his fifth win of the night, as he also took home Male Vocalist, Song, Album and Vocal Event.   As he was also the show’s sole host, the collective exposure pushed him to multi-platinum sales.

Vince Gill 21994

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

The soft-spoken Gill won for a second year, which was no big surprise given his widespread popularity in Music City. He also went home with Album and Male Vocalist the same night, giving him a stunning fourteen trophies in only five years.

Alan Jackson 11995

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

As one of the evening’s top nominees, Alan Jackson brought his parents as his special guests.  After losing in every other category, he expressed relief that he finally won something, as going home empty handed would’ve been embarrassing.   Jackson would eventually become one of the organization’s most awarded artists.

Brooks and Dunn1996

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

They were already winners of five CMA awards, due solely to their domination of the Vocal Duo category. But in 1996,  they finally won another race, and it was a big one. Brooks & Dunn remain the only duo to win this award, with The Judds and Sugarland being the only other duos to receive nominations.

Garth Brooks 31997

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

In a year when all five nominees had won this award before, it was Garth Brooks who returned to the winner’s circle, tying Alabama’s long-standing record of three victories in this category.   Adding to the sense of déjà vu, this was the third year in a row where all five nominees were the same.

Garth Brooks 41998

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Tim McGraw
  • George Strait

As hard as it is to believe that there were any records left for him to break by 1998, Garth Brooks shattered another one, becoming the first artist in the history of the CMA to win four Entertainer of the Year awards. By this time, Garth had already sold more than 60 million albums, and while he has yet to win this award again, he remains the top-selling solo artist of all time in the United States.

Shania Twain1999

  • Garth Brooks
  • Dixie Chicks
  • Tim McGraw
  • George Strait
  • Shania Twain

The odds seemed against Shania Twain, as she had never won a CMA award before and the last woman to win was Reba McEntire thirteen years earlier.  Fittingly, McEntire was on hand to present the trophy to Twain, who won on the strength of Come On Over, which eventually became  top-selling country album of all time and the top selling album of the decade from any genre.

Dixie Chicks2000

  • Dixie Chicks
  • Faith Hill
  • Alan Jackson
  • Tim McGraw
  • George Strait

The Dixie Chicks capped off a stunning three-year run at the CMA Awards with this victory, one of nine that they racked up since 1998.   Within those three years, their first two albums each sold over ten million copies, and the band was widely credited for championing country radio and traditionalism while other top acts were crossing over to pop radio.

Tim McGraw2001

  • Brooks & Dunn
  • Dixie Chicks
  • Alan Jackson
  • Tim McGraw
  • George Strait

After winning two Male Vocalist and two Album of the Year honors in the previous three years, Tim McGraw finally won the CMA’s top award. It was a satisfying acknowledgment of an artist who’d had his talent underestimated in the first few years of his stardom, but built up a reputation for his stellar taste in choosing material.

Alan Jackson 22002

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • George Strait

Jackson’s win in 1995 came as he was reaching his commercial peak.  In the years that followed, Jackson remained a successful and well-respected artist that got less attention every year when it came time to hand out awards. Then came the one-two punch of “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”, both of which were viewed as the very embodiment of all that makes country music unique and essential.   This was one of five awards he was honored with that night.

Alan Jackson 32003

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Although the ACM had chosen Toby Keith as their standard bearer a few months earlier, the CMA stuck with the previous year’s winner Alan Jackson. By 2003, Jackson had evolved into an elder statesman for the genre, but still managed to stay relevant with hits both clever (“It’s Five O’Clock Somewhere”) and poignant (“Remember When.”)

Kenny Chesney2004

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Chesney’s long dry spell at the CMA’s came to a satisfying end as the superstar collected both Entertainer and Album of the Year trophies. He had been charting for eleven years before finally winning his first CMA award.

keith-urban2005

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Brad Paisley
  • Keith Urban

One of the most surprising and endearing wins in the history of this category, a shocked and humbled Urban accepted this award in New York City. He couldn’t have picked a better night to bring his Australian parents to the ceremony.

kenny-chesney2006

  • Brooks & Dunn
  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • Keith Urban

It’s pretty rare to come back and win this award for a second time, as most multiple wins have been consecutive in this category. But Kenny Chesney joined Garth Brooks and Alan Jackson as the only other artists to pull it off when he won in 2006, a club that would later be joined by Taylor Swift.

kenny_chesney2007

  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • George Strait
  • Keith Urban

Chesney entered the elite company of Garth Brooks, Alabama, and Alan Jackson with his third victory in this category. Rascal Flatts, meanwhile, became the first group since the Dixie Chicks to score back-to-back nominations, a feat also accomplished by Alabama and the Oak Ridge Boys.

Kenny Chesney2008

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Sugarland
  • Keith Urban

As Sugarland became only the third duo in history to receive a nomination and George Strait extended his record number of nominations to sixteen, Kenny Chesney tied Garth Brooks for the most wins in this category with his fourth victory.  His popularity at radio and retail was remarkable, but it was Chesney’s highly attended summer stadium tours that earned him these wins.

Taylor Swift CMA2009

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Taylor Swift both made history and prevented it with her win in this category.  She simultaneously became the youngest artist ever and the first female solo artist in ten years to take home the prize. She also kept Kenny Chesney from becoming the sole all-time champion in this category, as he remains tied with Garth Brooks with four wins to date.

paisley2010

  • Lady Antebellum
  • Miranda Lambert
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band

2010 shook up the category, with three first-time contenders in the running for the crown for the first time since 1981. Despite all the new blood, sixth time proved to be the charm for Brad Paisley, who finally won this award after five consecutive losses.  Paisley’s persistent popularity helped him earn the nod in a year where the two previous winners weren’t even nominated.

Taylor Swift Fearless Tour 2009 In New York City2011

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift
  • Keith Urban

Thirty years after Barbara Mandrell became the first woman to win this award twice, Swift became the second to do so.  She won the award on the strength of her third set, Speak Now, which showcased her growing maturity as a songwriter and her growing appeal beyond her teenage and young adult fan base.

Shelton2012

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift

One of the most surprising wins in CMA history, few saw Blake Shelton’s victory coming.  But it isn’t too surprising when you consider the number of artists who parlayed network television exposure into a win in this category.  Perhaps in this new era of media saturation and minimal album sales, television may once again become a deciding factor when choosing the genre’s top star every year.

question_mark2013

  • Jason Aldean
  • Luke Bryan
  • Blake Shelton
  • George Strait
  • Taylor Swift

George Strait’s farewell tour helped return him to the category for the first time since 2009, earning him a record-extending  eighteenth career nomination.  Strait joins previous winners Taylor Swift (2009, 2011) and Blake Shelton (2012) in attempting a return to the winner’s circle.   Luke Bryan earns his first nomination, just months after winning the ACM trophy.  Jason Aldean, meanwhile, is hoping to get lucky the third time around.

Facts & Feats

Multiple Wins:

  • (4) – Garth Brooks, Kenny Chesney
  • (3) – Alabama, Alan Jackson
  • (2) –Vince Gill, Barbara Mandrell, George Strait, Taylor Swift, Hank Williams, Jr.

Most Consecutive Wins:

  • (3) – Alabama (1982-1984), Kenny Chesney (2006-2008)
  • (2) – Garth Brooks (1991-1992, 1997-1998), Vince Gill (1993-1994), Barbara Mandrell (1980-1981), George Strait (1989-1990), Hank Williams, Jr. (1987-1988)

Most Nominations:

  • (18) – George Strait
  • (12) – Alan Jackson
  • (11) – Brooks & Dunn
  • (10) – Reba McEntire
  • (9) –  Garth Brooks, Kenny Chesney
  • (8) –  Vince Gill, Merle Haggard, Brad Paisley
  • (7) – Keith Urban
  • (6) – Barbara Mandrell, Tim McGraw, Willie Nelson, Brad Paisley, Charley Pride, Keith Urban
  • (5) – Alabama, Loretta Lynn, Ronnie Milsap, Kenny Rogers

Most Nominations Without a Win:

  • (5) – Kenny Rogers
  • (4) – Toby Keith, Randy Travis
  • (3) – Jason Aldean, Waylon Jennings, The Judds, Oak Ridge Boys

Winners in First Year of Nomination:
Eddy Arnold (1967), Garth Brooks (1991), Glen Campbell (1968), John Denver (1975), Charlie Rich (1974), Taylor Swift (2009), Mel Tillis (1976), Shania Twain (1999), Keith Urban (2004), Hank Williams, Jr. (1987)

CMA Entertainers of the Year Who Have Never Won the ACM Award:
Eddy Arnold, Johnny Cash, Glen Campbell, Roy Clark, John Denver, Vince Gill, Alan Jackson, Tim McGraw, Ronnie Milsap, Brad Paisley, Charlie Rich, Blake Shelton, Ricky Skaggs, Taylor Swift, Mel Tillis, Keith Urban

ACM Entertainers of the Year Who Have Never Won the CMA Award:
Luke Bryan, Mac Davis, Mickey Gilley, Freddie Hart, Toby Keith, Kenny Rogers, Carrie Underwood

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A Conversation with Zane Williams

Zane WilliamsCountry music singer-songwriter Zane Williams had his first taste of mainstream success in 2006 when Jason Michael Carroll took his song “Hurry Home” into the Top 20. Having already made inroads in the regional country market of his home state of Texas, the Abilene native is currently attempting to break through to a national audience with his fourth album Overnight Success. Amid preparations to embark on his first nationwide radio tour (in an RV with his wife and two children along for the ride), Williams found the time to call Country Universe to chat about his current single and album.

Ben Foster:  What can you tell us about the creative process behind your single “Overnight Success”?

Zane Williams:  Well, that was a pretty easy one to write because it’s so autobiographical. Once I got the idea, I had a lot of subject material to pull from – just from my own life, and from all the other musicians I know. It was a little tricky to get it sort of figured out. I wanted it to be a ten-step process. Pretty much all those things that I talk about in the song I’ve actually lived out in my own life. I didn’t borrow ten grand from my uncle to make my first CD, but I borrowed $17,000 from my grandparents to make my first CD. All the stuff that the song talks about.

Does the album have any central unifying themes?

I don’t think the songs do really. I think the main theme that sort of ties it all together is just the fact that I wrote all the songs, and so I think each one of them sort of shows a different side of my personality, and I kind of think of each one as being kind of its own mini-movie, and they’re all pretty different from each other.

Like an exploration of who Zane Williams is, basically?

Yeah, basically. Just all the different sides of my writing and just how I hear country music. You got your honky-tonk song, and then you got your kind of rocking country song like “Hands of a Working Man,” and you got your acoustic-y bluegrass sittin’ on a front porch type song with “The Simple Things,” love song with “Kissin’.” You hear all those types of song on the radio. You don’t always hear that kind of variety from just one artist, but as a writer, I like to write all those different styles.

Do you have any favorite songs or lyrics on this album, or does that feel like choosing between your children?

I think maybe “On a Good Day,” especially the first verse, the one about “steam rising from my coffee cup like a prayer going up.” I was really feeling the mojo that day. I think I put some good imagery in that song. Metaphors and similes and imagery and stuff, you know. I was feeling sort of poetic that day, so I’m kind of proud of that one, and then “While I Was Away” is real personal for me because it’s written for my boy, and I think that one’s got some mojo on it too. But yeah, I like ‘em all, though.  That’s true.

Who are your favorite songwriters?

Man, there are so many.

Living or dead, past or present.

I think Garth Brooks wrote some killer songs. Of course, not all of his hits did he write, but he did write some of those hits. He wrote some really, really good ones. I still feel like Garth Brook’s greatest hits is just like the pinnacle for me. They’re just all so iconic. Like I said, he didn’t write ‘em all, but he picked them.

He knows how to write ‘em, and he knows how to pick ‘em.

Yeah, exactly. Alan Jackson is somebody who I really have a lot of respect for as a writer because he’d just keep it simple and keep it country and classic, and yet still not be too cliché and still be personal and original. He’s just a good’n. He showed that sweet spot. Of Nashville writers, Dennis Linde is one of my favorites. He passed away not too long ago. He wrote a lot of songs. He was kind of a recluse that lived off by himself and wrote by himself. His songs always had a lot of character to them, like “Bubba Shot the Jukebox” and [sings] “Made her the queen of my double wide trailer.” He wrote “Goodbye Earl” for the Dixie Chicks. All the hit songs just were fun. And then he wrote [sings] “In John Deere green, on a hot summer night…” So he was one of my favorite writers that wrote a lot of stuff back in the nineties. And then you got the guys like Radney Foster or Guy Clark, kind of singer-songwritery, little bit more folksy-type.

Yeah, Guy Clark’s new album is killer.

Yeah, they’re so varied, so good in their own way.

As a Texan, what are your thoughts on the current Texas country music scene, and what Texan artists do you enjoy listening to?

Well, I think like any scene it’s got its good music and bad music, and it’s got good music that’s not popular and you wonder why, and it’s got bad music that is popular and you wonder why. But it’s also got a lot of great stuff too. I think the main thing I like about it is just that you don’t have to be on a major label. There’s fewer gatekeepers. You don’t have to get permission to work with somebody. You pretty much just get your band together and sort of band together and go play shows and just work hard. So I’m thankful for the Texas community. If it weren’t for that, I don’t think I’d have a career right now because I’m always a little bit of a square peg in a round hole in Nashville. I’ve never had any luck getting a major label deal or whatever, and in Nashville you either get that major label deal or you’re just waiting tables. Or you get a publishing deal, but I did that, and I wasn’t happy just being that because I’m more than just a songwriter. I want to be an artist and I want to perform. Down here in Texas I’ve got a scene that enables me to do that.

I’d say some of my favorites on the Texas scene would be the Randy Rogers Band. They’re just cool, man. They’re really good. I like the Turnpike Troubadours. Singer-songwriters, I like Sean McConnell a lot. Those are some of my favorites. I guess one of my favorites is the new guy up-and-comer William Clark Green.

So what’s next for you?

Well, a lot of stuff, man. We’re basically kicking it into fifth gear, you know. I’m leaving the day after tomorrow and I’m taking my family, and we’re going in an RV that we borrowed from a friend, and we’re going on a twelve-day radio tour. On this twelve-day radio tour we’ll be going through Texas, Louisiana, Mississippi up to Nashville, and then spending a few days in Nashville, and then we’ll go through Bowling Green up to Lexington we’re I’ve got some family, and then we’ll be coming back down hitting a bunch of stations in Tennessee, and then going home by way of Arkansas and Oklahoma, hitting stations as we go. So anyway, it’s my first nationwide radio tour. “Overnight Success” is my first nationwide radio single. We’ve got a video for “Overnight Success” that’s coming out. We’ve been working it to the Texas charts for a couple months now. It’s in the Top 10 on the Texas charts. And that’s just the first single, man. Everybody that’s on my team and my record label – management, publicists, and radio promoters and all those people – we feel like there’s a lot more than just one single on our album. There’s two, five or six, so many to choose from.

So the next year or two is just gonna basically be the busiest I’ve ever been, just working my tail off playing shows every weekend and visiting as many radio stations as I can during the week and just really kicking it in into a higher gear than I’ve ever been in. I’ve never really had a good team behind me. It’s really the first time I’ve ever had the help of good publicists and radio promoters and everybody setting up a bunch of interviews for me and just helping to get the word out. We’re hoping to basically make Overnight Success a reality. I’d like this to be my breakout album, and I’m gonna do anything and everything in my power to get the word out about it.

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We Need to Have a Little Talk about Randy Travis

Randy TravisIn a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page,  and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.

There is something distinctly different about how I am processing the news about Randy Travis.    The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago.  Now,  I remember Randy Travis from when I was a child.   What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?

By the time I was old enough to discover country music on my own, he was already something of an elder statesman, despite his young age. As I delved into the history of the genre I was falling in love with, widely accepted concepts like Travis starting the new traditionalist movement and Storms of Life being one of greatest albums of all time had taken root.   The truth is, traditionalism never really went away, and even during the Urban Cowboy years, artists like Ricky Skaggs and Emmylou Harris were having commercial success with roots-based music.

But Randy Travis didn’t just have a bit of success.  He sold millions of records in a time where almost no country acts were doing so, and certainly none who didn’t incorporate pop or rock sounds into their work.   His massive success was the tipping point that made the nineties boom inevitable, as labels saw new acts like Clint Black and Alan Jackson as being capable of superstar status, instead of just being genre favorites that sold moderately well.

He never really got the credit he deserved for this, with the industry treating him like old news despite him continuing to score hits and sell platinum throughout the nineties and early 2000’s.   There are so many great singles that I was around for when they first came out.  “Before You Kill Us All.” “Look Heart, No Hands.”  “Out of My Bones.”  “Whisper My Name.”  “If I Didn’t Have You.”  “Better Class of Losers.”  “The Hole.”   “Three Wooden Crosses.” “Dig Two Graves.”  The list goes on and on.

He’s also responsible, through no fault of his own, for what I call country music’s Messiah Complex.   After he revolutionized the widespread appeal for traditionalism, which led to a solid decade of traditional country artists being signed and succeeding wildly, the sounds began to drift back to pop and rock flavorings.   Since this shift, every slightly twangy newbie has been anointed as the savior of country music.  Lee Ann Womack, Brad Paisley, Dixie Chicks, Joe Nichols, Josh Turner, Jamey Johnson, and Gretchen Wilson have all been shouldered with the burden of being the next Randy Travis.

This has led to deep disappointment when their second or third album struggled, or even worse, to feelings of betrayal when these selected stewards veered away from traditional country music.   All that pressure, and not a one of them even started off with an album in the same league as Storms of Life, though Johnson and the Chicks came remarkably close.

I can’t get my head or my heart around the thought that his contemporary titan might not be with us anymore.  I can’t stomach the coverage that focuses more on his personal troubles than his incredible body of work and peerless impact on country music as a whole.

Please use the comments to share your own thoughts and feelings about Randy Travis.  Also, I recommend reading the Favorite Songs by Favorite Artists piece that Leeann Ward wrote a few years ago.   It’s an excellent place to start for those who are looking to discover the his rich and diverse catalog.

 

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Single Review: Madonna, "Love Spent"

viagra cheapest online

-Spent-150×150.jpg” alt=”” width=”150″ height=”150″ />Thirty years ago, Madonna released her first single. In the years that followed, she dominated radio formats across the dial, but never released a single targeting the country market. Until now.

“Love Spent” opens with a banjo riff that recalls the Dixie Chicks at their twangiest. That countriest of country sounds plays alongside the synthesizers and strings that are more typical of a Madonna record. But much like everyone’s favorite country crossover artist, what’s most revealing are the lyrics that target a past beau. In this case, it’s an ex-husband, not an ex-boyfriend, who made off with her money and

left the love behind.

“You played with my heart, ’till death do we part, that’s what you said,” she pleads, after wryly noting that “if my name was Benjamin, we wouldn’t be in the mess we’re in.” It fits so neatly into the well-worn themes of love gone wrong that have always defined the genre, making it an instant country classic.

It may seem a stretch to imagine Madonna finding favor at country radio. Not because of her pop sound, of course, but because of her age. At 54, she’s a quarter-century older than the handful of female artists that get country radio airplay, despite being able to run rings around them in terms of talent. Her facing off against those whippersnappers should produce enough drama to make network television scribes green with envy.

I know, I know. It’s a stretch to pretend that Madonna could realistically compete on the country charts. Despite any surface similarities between the throbbing dance beats of “Love Spent” and, say, the current #1 country single, there’s one key difference that’s certain to sink Madonna’s chances in today’s country market.

Her record has a banjo on it.

Written by Madonna, William Orbit, Jean-Baptiste, Priscilla Hamilton, Alain Whyte, Ryan Buenida, and Michael McHenry

Grade: A

Listen: Love Spent

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